Monsters in Performance


Book Description

Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars explore representation in performance, specifically concerning themselves with attempts at social disqualification of "undesirables." Throughout, the writers employ the concept of "monstrosity" to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical inquiries – including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.




The Monster in Theatre History


Book Description

Monsters are fragmentary, uncertain, frightening creatures. What happens when they enter the realm of the theatre? The Monster in Theatre History explores the cultural genealogies of monsters as they appear in the recorded history of Western theatre. From the Ancient Greeks to the most cutting-edge new media, Michael Chemers focuses on a series of ‘key’ monsters, including Frankenstein’s creature, werewolves, ghosts, and vampires, to reconsider what monsters in performance might mean to those who witness them. This volume builds a clear methodology for engaging with theatrical monsters of all kinds, providing a much-needed guidebook to this fascinating hinterland.




Monsters in Performance


Book Description

"Monsters in Performance boasts an impressive range of contemporary essays that delve into topical themes such as race, gender, and disability, to explore what constitutes monstrosity within the performing arts. These fascinating essays from leading and emerging scholars across the globe explore representation in performance, specifically concerning themselves with attempts at social disqualification of 'undesirables.' Throughout, the writers employ the concept of 'monstrosity' to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant. The editors take a range of previously isolated critical enquiries - including bioethics, critical race studies, queer studies, and televisual studies - and merge them to create an accessible and dynamic platform which unifies these ranges of representations. The global scope and interdisciplinary nature of Monsters in Performance renders it an essential book for Theatre and Performance students of all levels as well as scholars; it will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly"--




The Invention of Monsters


Book Description

Drama. Poetry. California Interest. Somewhere between monologue and stage direction, the one-act plays in THE INVENTION OF MONSTERS / PLAYS FOR THE THEATRE center around what it means to be ill-cast in life. How it feels to wear a costume, a body, a face. How sex can be both transformative and nightmarish. Each scene-poem is the tip of an iceberg, evoking a larger performance rather than operating as a conventional script. A new kind of theatre text, these plays/poems beg to be performed, with exactly how depending entirely on the reader.




Monsters, Monstrosities, and the Monstrous in Culture and Society


Book Description

Existing research on monsters acknowledges the deep impact monsters have especially on Politics, Gender, Life Sciences, Aesthetics and Philosophy. From Sigmund Freud’s essay ‘The Uncanny’ to Scott Poole’s ‘Monsters in America’, previous studies offer detailed insights about uncanny and immoral monsters. However, our anthology wants to overcome these restrictions by bringing together multidisciplinary authors with very different approaches to monsters and setting up variety and increasing diversification of thought as ‘guiding patterns’. Existing research hints that monsters are embedded in social and scientific exclusionary relationships but very seldom copes with them in detail. Erving Goffman’s doesn’t explicitly talk about monsters in his book ‘Stigma’, but his study is an exceptional case which shows that monsters are stigmatized by society because of their deviations from norms, but they can form groups with fellow monsters and develop techniques for handling their stigma. Our book is to be understood as a complement and a ‘further development’ of previous studies: The essays of our anthology pay attention to mechanisms of inequality and exclusion concerning specific historical and present monsters, based on their research materials within their specific frameworks, in order to ‘create’ engaging, constructive, critical and diverse approaches to monsters, even utopian visions of a future of societies shared by monsters. Our book proposes the usual view, that humans look in a horrified way at monsters, but adds that monsters can look in a critical and even likewise frightened way at the very societies which stigmatize them.




Monstrosity, Performance, and Race in Contemporary Culture


Book Description

Through critical analyses of experiences of women of color in the academy, the media framing of alleged Aurora shooter James Holmes, the use of monstrosity in unpublished work from the Gloria Anzaldúa archives, post-feminist discourses and Kanye West's strategic employment of ideologies of monstrosity, this book offers new ways to think about Otherness in this contemporary moment.




The Figure of the Monster in Global Theatre


Book Description

Bringing together international perspectives on the figure of the “monster” in performance, this edited collection builds on discussions in the fields of posthumanism, bioethics, and performance studies. The collection aims to redefine “monstrosity” to describe the cultural processes by which certain identities or bodies are configured to be threateningly deviant, whether by race, gender, sexuality, nationality, immigration status, or physical or psychological extraordinariness. The book explores themes of race, white supremacy, and migration with the aim of investigating how the figure of the monster has been used to explore representations of race and identity. To these, we add discussions on gender, queer identities, and how the figure of the “monster” has been used to explore the gendered body to finally understand how monstrosity intersects with contemporary issues of technology and the natural world. Navigating the fields of disability studies, performance-centered monster studies, and representation in performance, editors Michael M. Chemers and Analola Santana have brought together perspectives on the figure of the “monster” from across a variety of fields that intersect with performance studies. This book is essential reading for Theatre and Performance students of all levels as well as scholars. It will also be an enlightening text for those interested in monstrosity and Cultural Studies more broadly.




Interdisciplinary Essays on Monsters and the Monstrous


Book Description

Interdisciplinary Essays on Monsters and the Monstrous analyses and explores the enduring influence and imagery of monsters and the monstrous on human societies, and from a unique interdisciplinary scope tackles the critical question: when faced with an existential threat, what can we do?




These Our Monsters


Book Description

'Marvellous and menacing.' Daily Mail 'The shadow from which I thought I had unshackled myself has returned. Whether this Horror is real or merely the handiwork of my imagination I cannot say. Nor can I say which of these possibilities disturbs me more.' from 'The Dark Thread' by Graeme Macrae Burne From the legends of King Arthur embedded in the rocky splendour of Tintagel to the folklore and mysticism of Stonehenge, English Heritage sites are often closely linked to native English myths. Following on from the bestselling ghost story anthology Eight Ghosts, this is a new collection of stories inspired by the legends and tales that swirl through the history of eight ancient historical sites. Including an essay by James Kidd on the importance of myth to our landscape and our fiction, and an English Heritage survey of sites and associated legends, These Our Monsters is an evocative collection that brings new voices and fresh creative alchemy to our storytelling heritage. 'Nobody believes you when you talk about the whispering. Oh, Monny, you are funny, they say, you've such an imagination. There's a lot they don't believe.' from 'The Hand Under the Stone' by Sarah Hall 'This varied collection scratches the soil of the country to dig up some of the fairy tales and fantasies that have helped form the English identity.' Financial Times The atmospheric locations: Edward Carey - Bury St Edmunds Abbey Sarah Hall - Castlerigg and other stone circles Paul Kingsnorth - Stonehenge Alison MacLeod - Down House Graeme Macrae Burnet - Whitby Abbey Sarah Moss - Berwick Castle Fiona Mozley - Carlisle Castle Adam Thorpe - Tintagel Castle With original black-and-white illustrations by Clive Hicks-Jenkins.




Performance and Evolution in the Age of Darwin


Book Description

Jane Goodall reveals the ways in which the major themes of evolution were taken up in the performing arts during Darwin's adult lifetime and in the generation after his death.