Montezuma, the Serf


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Slavery and Silence


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In the thirty-five years before the Civil War, it became increasingly difficult for Americans outside the world of politics to have frank and open discussions about the institution of slavery, as divisive sectionalism and heated ideological rhetoric circumscribed public debate. To talk about slavery was to explore—or deny—its obvious shortcomings, its inhumanity, its contradictions. To celebrate it required explaining away the nation's proclaimed belief in equality and its public promise of rights for all, while to condemn it was to insult people who might be related by ties of blood, friendship, or business, and perhaps even to threaten the very economy and political stability of the nation. For this reason, Paul D. Naish argues, Americans displaced their most provocative criticisms and darkest fears about the institution onto Latin America. Naish bolsters this seemingly counterintuitive argument with a compelling focus on realms of public expression that have drawn sparse attention in previous scholarship on this era. In novels, diaries, correspondence, and scientific writings, he contends, the heat and bluster of the political arena was muted, and discussions of slavery staged in these venues often turned their attention south of the Rio Grande. At once familiar and foreign, Cuba, Brazil, Haiti, and the independent republics of Spanish America provided rhetorical landscapes about which everyday citizens could speak, through both outright comparisons or implicit metaphors, what might otherwise be unsayable when talking about slavery at home. At a time of ominous sectional fracture, Americans of many persuasions—Northerners and Southerners, Whigs and Democrats, scholars secure in their libraries and settlers vulnerable on the Mexican frontier—found unity in their disparagement of Latin America. This displacement of anxiety helped create a superficial feeling of nationalism as the country careened toward disunity of the most violent, politically charged, and consequential sort.




The Oxford Handbook of Nineteenth-Century American Literature


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The Oxford Handbook of Nineteenth-Century American Literature will offer a cutting-edge assessment of the period's literature, offering readers practical insights and proactive strategies for exploring novels, poems, and other literary creations.




Americana Norvegica, Volume 2


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American studies in the scholarly sense are old in Europe. But academic chairs and research institutions were late in developing, as they were in the United States themselves. In most European universities the subject was firmly established only after the Second World War. The University of Oslo in Norway in 1946 founded a full professorship of American literature, the first of its kind in Scandinavia, and in 1948 an American Institute. In the following year the Institute started a series of book publications in cooperation with the University of Pennsylvania. This is the second of two volumes titled Americana Norvegica.




The Aztec Image in Western Thought


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Encompass the sweep of changing Western thought on the Aztecs from Cortes to the present.




The Cambridge History of American Literature: Volume 2, Prose Writing 1820-1865


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This is the fullest and richest account of the American Renaissance available in any literary history. The narratives in this volume made for a four-fold perspective on literature: social, cultural, intellectual and aesthetic. Michael D. Bell describes the social conditions of the literary vocation that shaped the growth of a professional literature in the United States. Eric Sundquist draws upon broad cultural patterns: his account of the writings of exploration, slavery, and the frontier is an interweaving of disparate voices, outlooks and traditions. Barbara L. Packer's sources come largely from intellectual history: the theological and philosophical controversies that prepared the way for transcendentalism. Jonathan Arac's categories are formalist: he sees the development of antebellum fiction as a dialectic of prose genres, the emergence of a literary mode out of the clash of national, local and personal forms. Together, these four narratives constitute a basic reassessment of American prose-writing between 1820 and 1865. It is an achievement that will remain authoritative for our time and that will set new directions for coming decades in American literary scholarship.







No Short Journeys


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"These thirteen essays comprise a richly patterned 'quilt,' expertly addressing the influence of Mexico and Latin and South America upon the North American imagination. . . . Cecil Robinson's impressive breadth of expertise, his fascinating interpretations, make this collection of essays invaluable regional reading. The bibliography alone is a treasure—a gift from a man whose life's work was to form a bridge of humanistic understanding between the two primary cultures of the New World."—El Palacio "In graceful prose, the longtime English professor leads readers on a leisurely stroll through the literary landscape of the Southwest."—Journal of Arizona History "Does more for reconstructing American literature than any of the contemporary American literature anthologies that are on the market today. . . . Strongly recommended."—Choice




American Fiction, 1774-1850


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