Thirty 20th Century Hymn Tunes


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British Organ Music of the Twentieth Century


Book Description

This is the first book-length survey of 20th -century British music for solo organ. Beginning with a discussion of British organ music in the last decades of the Victorian era, the book focuses on the pieces that the composers wrote, their musical style, possible influences on the composition of specific works, and the details of their composition. Arranged in chronological order according to date of birth are detailed studies on important composers that made especially significant contributions to organ music including Parry, Stanford, Healey Willan, Herbert Howells, Percy Whitlock, Francis Jackson, Peter Racine Fricker, Arthur Wills, and Kenneth Leighton. Composers' biographies, the role of organs and organ building developments, influential political and sociological events, and aesthetic aspects of British musical life are also discussed in detail. In the concluding chapter, the author discusses the major phases and achievements of the century and gauges what may lie ahead in the new millennium. A comprehensive Catalog of Works provides titles of works, dates of composition, details of publishers, and the dates of publication. More than 60 music examples, 12 black and white photos, and an up-to-date bibliography are included.




Modern Hymn Tunes


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Hymn Stories of the Twentieth Century


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THE most important musical feature of any service of worship is the singing of hymns by the congregation. When voices are united in Christian song, hearts may readily be joined in common worship. Then it becomes much more than a musical feature. It becomes an act of worship. And all who thus sing are builders of a Temple of Tone wherein their own hearts become the altar, high and lifted up. Be� ore this great thing can come to pass, there must be a familiarity with the hymns-an appreciation of these '' crown jewels of the church." Anyone, then, who directs attention to Christian hymns and stimulates interest in them is adding to our resources for private and public worship. The author of this volume is continuing and extending his Christian ministry by calling attention to the use of hymns and gospel songs on various occasions and exhort�ing us all to sing. He is a retired member of the Northern New York Con� erence of The Methodist Church, honored � or his long and fruitful ministry, and beloved �or his unfailing devotion to the spreading of the gospel through the still wider use of Christian hymns. service of sacred song at which he had listened to the narration of incidents with apparent delight and had joyously joined in the singing. Hymns are a source of joy to persons of all ages; and youth and age alike enjoy sing�ing them. The hymnal stands next to the Bible in the de�votional reading of many people. Workers among young people nnd hymn stories to be an important feature of their work; and preachers know that an illustration relat�ing to a hymn not only makes an effective appeal but is also long remembered. Short hymn stories give comfort�ing satisfaction to sick people in their quiet chambers, especially when they can sometimes sing or hum thein. Great hymns belong to the ages. They are timeless, and always new stories are being associated with them. But this collection of stories does not range over the centuries; it comes from our own century almost entirely. The hymns are mostly old; but the stories are new, Two quotations indicate what a hymn is and its effects. The following was adopted by The Hymn Society of America as its definition of a Christian hymn: '' A Christian hymn is a lyric poem, reverently and de�votionally conceived, which is designed to be sung and which expresses the worshipper's attitude toward God, or God's purposes in human life. It should be simple and metrical in form, genuinely emotional, poetic and literary in style, spiritual in quality, and in its ideas so direct and so immediately apparent as to unify a congregation while singing it." Carl F. Price.




The Pilgrim Hymnal


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Twentieth-Century Organ Music


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This volume explores twentieth-century organ music through in-depth studies of the principal centers of composition, the most significant composers and their works, and the evolving role of the instrument and its music. The twentieth-century was a time of unprecedented change for organ music, not only in its composition and performance but also in the standards of instrument design and building. Organ music was anything but immune to the complex musical, intellectual, and socio-political climate of the time. Twentieth-Century Organ Music examines the organ's repertory from the entire period, contextualizing it against the background of important social and cultural trends. In a collection of twelve essays, experienced scholars survey the dominant geographic centers of organ music (France, the Netherlands, Scandinavia, the United States, and German-speaking countries) and investigate the composers who made important contributions to the repertory (Reger in Germany, Messiaen in France, Ligeti in Eastern and Central Europe, Howells in Great Britain). Twentieth-Century Organ Music provides a fresh vantage point from which to view one of the twentieth century's most diverse and engaging musical spheres.




Hymn Tunes


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Excerpt from Hymn Tunes: Being Further Contributions to the Hymnody of the Church Since 1860 the character of the hymns authorized and used in the Church has greatly changed. Devout servants of God have been moved to write hymns and spiritual songs. By no means confining themselves to these old metres; hymns which have won a place amongst those in use throughout the Church wherever the English tongue is known. These hymns came not altogether, but one by one, as gifted men were moved. As they came, and were found to be useful in the public worship of the church, appropriate music was required, and so there has grown up within the past quarter of a century a number of hymn tune writers who have done what they felt moved to do to supply this want; Dykes and Smart and Hopkins and Stainer and Barnby and others. Today the best known, and the most generally sung, and the all but universally favorite hymns in use in our Church, are the new hymns, set to the new music. It may seem presumptuous to call attention to such names in connection with the offering to the Church of the tunes contained in this little book. The only point intended to be made is this, that as these hymns from time to time came under the notice of the present writer, and not always accompanied With music suitable in itself, or suited to he capacity of the choirs under his care, he has been moved to do what he could in the way of translating devout words into devout music; and these hymn tunes are now offered to the Church for such use as they may be fitted for. As with the words of hymns, so with the music, natural selection determines much. The fittest are those that survive, and this little collection is only a further contribution to the hymnody of the church. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.