Mother Molly


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Mother Molly


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Molly Helps Mother


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Mother-Work


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Early in the twentieth century, maternal and child welfare evolved from a private family responsibility into a matter of national policy. Molly Ladd-Taylor explores both the private and public aspects of child-rearing, using the relationship between them to cast new light on the histories of motherhood, the welfare state, and women's activism in the United States. Ladd-Taylor argues that mother-work, "women's unpaid work of reproduction and caregiving," motivated women's public activism and "maternalist" ideology. Mothering experiences led women to become active in the development of public health, education, and welfare services. In turn, the advent of these services altered mothering in many ways, including the reduction of the infant mortality rate.




You're Not My Real Mother!


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After an adoptive mother tells her daughter all the reasons that she is her "real mother," the young girl realizes that her mother is right, even though they do not look alike.




Molly's Mom Died


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Ollie talks about the feelings that he has been having since the death of his mother. Includes information for caregivers.




Mother Clap's Molly House


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This pioneering study breaks new ground in presenting the gay community's history by sporting one of its more distinctive branches--molly houses. In this updated edition, with two new chapters, Rictor Norton digs deeper into both past and present to rediscover the original foundations of the molly subculture and challenges traditional notions by suggesting that it was primarily composed of the working class--blacksmiths, milkmen, publicans, and shoemakers. More extravagant personalities are investigated as well, such as dramatists Samuel Foote and Isaac Bickerstaff, and the Rev. John Church, denounced for blessing gay "marriages."




Part Swan, Part Goose


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In a wise, warmhearted memoir that celebrates her extraordinary life and stellar career, Swoosie Kurtz welcomes readers into her world, sharing personal misadventures and showbiz lore and candidly reflecting on the intimate journey of caring for an aging parent. Told with intelligence and Swoosie’s hallmark comedic timing, Part Swan, Part Goose makes a powerful statement about womanhood, work and family. Swoosie’s is the kind of memoir that doesn’t come without a fascinating back story: Enter the parents, Frank and Margo Kurtz. Frank, an Olympic diving medalist, later became one of the most decorated aviators in American history. He flew a record number of missions in a cobbled-together B-17D Flying Fortress called “The Swoose,” now housed at the National Museum of the U.S. Air Force. Margo chronicled their early years together in her memoir, My Rival, the Sky, published by Putnam in 1945. The book ends with the young couple happily anticipating the birth of a baby to be named after the indomitable Swoose. Today, Margo, who is approaching her hundredth birthday, lives with Swoosie. As Margo’s reality drifts freely between her morning coffee and a 1943 war bond tour, Swoosie struggles to stay ahead of her mother’s increasing needs while navigating the pitfalls and pratfalls of the entertainment industry. This precarious moment in time is bittersweet and occasionally overwhelming, but every day is oxygenated with laughter and love. The careful weaving of Swoosie’s story with passages from My Rival, the Sky creates a vivid portrait of the invincible mother-daughter bond between the two women. Part Swan, Part Goose is that rare Hollywood memoir that takes us behind the curtain but doesn’t live there; its heart is solidly at home. It doesn’t pretend to tell all, but what it does tell is deeply resonant for millions caring for aging parents, timely and topical for book clubs and entertaining as hell for readers in general.




Mother Clap's Molly House


Book Description

'Like bawdy Shakespeare meets wild Wycherley filtered through the formalised camp of John Osborne's A Patriot for Me...how wonderful to see the rabid raw talent of Ravenhhill given the full works' Michael Coveney, Daily Mail It's London 1726, and Mrs Tull's got problems. The whores are giving her a hard time, a man in a dress is looking for a job, her husband has a roving eye and the apprentice boy keeps disappearing for 'a wander'. Meanwhile in 2001 a group of wealthy gay men are preparing for a raunchy party.Mother Clap's Molly House, a black comedy with songs is a celebration of the diversity of human sexualtiy, an exploration of our need to form families and a fascinatig insight into a hidden chapter in London's history.'Ravenhill's writing is tough, eloquent, sardonic, with some of the barbed formality of the Resotration style, which gets brutally peeled off in the present-day scenes. This is not a play you "enjoy". This is not a gay play either...The message of this play is not "Come out", but "Come in".' John Peter, Sunday Times.'Mark Ravenhill clearly likes to have it both ways. In this wonderfuly exuberant new musical play, he celebrates Sodom like there's no Gomorrah... Delicate souls may be offended but there is no doubting the sincerity of Ravenhill's assault on the tranformation of sex into a dirty business.' Michael Billington, Guardian'A theatrical manifesto for sexual tolerance that teeters wildly between the politics of Bertolt Brecht and the in-your-face deviancy of a gay nightclub... Ravenhill combines graphic sex with a generosity of spirit' Charles Spencer, Daily TelegraphMother Clap's Molly House premiered at the Royal National Theatre, London in October 2001.




The Wind Is My Mother


Book Description

With eloquent simplicity, one of the world's last Native American Medicine Men demonstrates how traditional tribal wisdom can help us maintain spiritual and physical health in today's world. Bear Heart is both a healer and a "road man" of the Native American Church.




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