Author : Christoph Wolff
Publisher : W. W. Norton & Company
Page : 265 pages
File Size : 34,27 MB
Release : 2012-05-21
Category : Biography & Autobiography
ISBN : 039305070X
A fresh look at the life of Mozart during his imperial years by one of the world's leading Mozart scholars.
Author : Simon P. Keefe
Publisher : Cambridge University Press
Page : 719 pages
File Size : 43,12 MB
Release : 2017-09-21
Category : Music
ISBN : 1108394108
Mozart's greatest works were written in Vienna in the decade before his death (1781–1791). This biography focuses on Mozart's dual roles as a performer and composer and reveals how his compositional processes are affected by performance-related concerns. It traces consistencies and changes in Mozart's professional persona and his modus operandi and sheds light on other prominent musicians, audience expectations, publishing, and concert and dramatic practices and traditions. Giving particular prominence to primary sources, Simon P. Keefe offers new biographical and critical perspectives on the man and his music, highlighting his extraordinary ability to engage with the competing demands of singers and instrumentalists, publishing and public performance, and concerts and dramatic productions in the course of a hectic, diverse and financially uncertain freelance career. This comprehensive and accessible volume is essential for Mozart lovers and scholars alike, exploring his Viennese masterpieces and the people and environments that shaped them.
Author : Steffen Lösel
Publisher : Taylor & Francis
Page : 199 pages
File Size : 45,89 MB
Release : 2022-07-13
Category : Religion
ISBN : 1000598624
This book asks what theological messages theologically educated Catholics in late-eighteenth-century Prague might have perceived in Mozart’s late opera seria La clemenza di Tito. The book’s thesis is two-fold: first, that Catholics might have heard the opera’s advocacy of enlightened absolutism as a celebration of a distinctly Catholic understanding of political governance; and second, that they might have found in the opera a metaphor for the relationship between a gracious God and humanity caught up in sin, expressed as sexual concupiscence, pride, and lust for power. The book develops its interpretation of the opera through narrative character analyses of the main protagonists, an examination of their dramatic development, and by paying attention to the biblical and theological associations they may have evoked in a Catholic audience. The book is geared towards academic readers interested in opera, theologians, historians, and those who work at the intersection of theology and the arts. It contributes to a better understanding of the theological implications of Mozart’s operatic work.
Author : Simon P. Keefe
Publisher : Cambridge University Press
Page : 427 pages
File Size : 10,1 MB
Release : 2018-12-20
Category : Music
ISBN : 1316850838
The vibrant intellectual, social and political climate of mid eighteenth-century Europe presented opportunities and challenges for artists and musicians alike. This book focuses on Mozart the man and musician as he responds to different aspects of that world. It reveals his views on music, aesthetics and other matters; on places in Austria and across Europe that shaped his life; on career contexts and environments, including patronage, activities as an impresario, publishing, theatrical culture and financial matters; on engagement with performers and performance, focusing on Mozart's experiences as a practicing musician; and on reception and legacy from his own time through to the present day. Probing diverse Mozartian contexts in a variety of ways, the contributors reflect the vitality of existing scholarship and point towards areas primed for further study. This volume is essential reading for students and scholars of late eighteenth-century music and for Mozart aficionados and music lovers in general.
Author : Jessica Waldoff
Publisher : Cambridge University Press
Page : 387 pages
File Size : 50,45 MB
Release : 2023-11-02
Category : Music
ISBN : 1108629482
Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.
Author : Dorian Bandy
Publisher : University of Chicago Press
Page : 277 pages
File Size : 10,30 MB
Release : 2023-12-05
Category : Music
ISBN : 0226828565
An innovative study of the ways performance influenced Mozart’s compositional style. We know Mozart as one of history’s greatest composers. But his contemporaries revered him as a multi-instrumentalist, a dazzling improviser, and the foremost keyboard virtuoso of his time. When he composed, it was often with a single aim in mind: to set the stage, quite literally, for compelling and captivating performances. He wrote piano concertos not with an eye to posterity but to give himself a repertoire with which to flaunt his keyboard wizardry before an awestruck public. The same was true of his sonatas, string quartets, symphonies, and operas, all of which were painstakingly crafted to produce specific effects on those who played or heard them, amusing, stirring, and ravishing colleagues and consumers alike. Mozart the Performer brings to life this elusive side of Mozart’s musicianship. Dorian Bandy traces the influence of showmanship on Mozart’s style, showing through detailed analysis and imaginative historical investigation how he conceived his works as a series of dramatic scripts. Mozart the Performer is a book for anyone who wishes to engage more deeply with Mozart’s artistry and legacy and understand why, centuries later, his music still captivates us.
Author : SimonP. Keefe
Publisher : Routledge
Page : 601 pages
File Size : 13,73 MB
Release : 2018-10-24
Category : History
ISBN : 1351557912
This volume of essays on Wolfgang Amadeus Mozart reflects scholarly advances made over the last thirty years. The studies are broad and focused, demonstrating a large number of viewpoints, methodologies and orientations and the material spans a wide range of subject areas, including biography, vocal music, instrumental music and performance. Written by leading researchers from Europe and North America, these previously published articles and book chapters are representative of both the most frequently discussed and debated issues in Mozart studies and the challenging, exciting nature of Mozart scholarship in general. The volume is essential reading for researchers, students and scholars of Mozart's music.
Author : Thomas Baumert
Publisher : Springer Nature
Page : 258 pages
File Size : 48,4 MB
Release : 2024-01-31
Category : Business & Economics
ISBN : 3031432266
Did you know that Bach invested in mines? That Rossini improved his income by running casinos in the opera houses which on weekends performed his operas? Or that Puccini composed shorter arias to make them fit the length of gramophone disks as they reported him huge revenues? Or who was, in financial terms, the most successful classical composer in history? This book —the first of its kind— studies and compares the finances of twenty classical composers in their historical and economical context. Each chapter details and quantifies the sources of income of these musicians (wages, royalties, subsidies, percentages over the number of performances, arrangements, investments in the musical sector, etc), thus allowing to estimate the income they obtained due to their artistic — primarily compositional, but also related— activities. In addition, it also estimates the composer’s expenditures, thus drawing a relatively complete image of their personal finances. This not only allows to conclude to create a ranking of composers according to their economic success, but —more importantly— for the first time gives an accurate image of the financial situation of a broad set of composers. This allows to correct many false believes while also giving new insights on the relation between economics and music history.
Author : Judith Grohmann
Publisher : Pen and Sword History
Page : 272 pages
File Size : 14,98 MB
Release : 2023-01-24
Category : History
ISBN : 1399016970
Born in Salzburg in 1756, Wolfgang Amadeus Mozart was one of the most prolific musicians that ever lived. Here, the author Judith Grohmann takes us behind the curtain of the career to reveal the real personality of the composer, whose influence on the world of music is still profound today. A child prodigy, he played several instruments from a tender age and eventually created his own style by blending the traditional with the contemporary. He was beloved and hyped, but was also a multi-layered and controversial personality: on one side a provocative influencer, hyperactive and a driven man, a bon vivant who loved luxury, but on the other side, a man who was drawn to the Masonic mindset of brotherhood, freedom, tolerance and humanity, with frequent and extreme mood changes and a penchant for word games and a peculiar sense of humor. In his short life, Mozart anticipated almost everything that makes a star today: international tours, hysterical fans, success, big hits, sex and addiction. He wrote obsessively and composed more than 600 different operas, sonatas, masses, concerts and symphonies. As far as we know today, Mozart's oeuvre contains around 1,060 titles. Knighted by the Pope aged just 14 (the greatest award for any artist at the time), today he might have been showered with Grammys and platinum discs in recognition of his status as the original 'King of Pop'.
Author : Edmund Joseph Goehring
Publisher : Boydell & Brewer
Page : 379 pages
File Size : 32,88 MB
Release : 2024
Category : Music
ISBN : 1648250947
Demonstrates that the concept of genius is as vitally needed as ever and can illuminate the workings of Mozart's creative imagination. Much recent, distinguished Mozart criticism has set out a critique of the concept of genius. Whether following the scientist seeking greater objectivity, the postmodernist proclaiming the death of the author, the historian concerned about anachronism, or the critic who warns about making despotic claims, this demystifying literature has taken the weakening of genius's accumulated cultural authority as an indispensable step in arriving at a clarified Mozart. Mozart, Genius, and the Possibilities of Art advances a contrary claim. It proposes that anti-Romantic accounts of Mozart's genius themselves get lost in both the infinitely big--in utopianism and millenarianism--and the infinitesimally small--in materialism and process. Throughout, the book buttresses this argument with probing readings from contemporary documents ranging from ephemeral periodical literature to Kant's Third Critique, along with original analyses of the music itself. Goehring's book goes on to detail a contrasting Romantic portrait of Mozart's genius, one that allowed for ambiguity, embraced experience, and did not scorn reason. In Mozart's day, the term genius spoke to the unquantifiable and unpredictable in human inventiveness. And it continues to do so today. Goehring shows how the persisting fascination with an ingenious Mozart wells up from the middle of things, from the particularity of human beings--their "genie"--and the visible yet complex world of human intention and action.
