Mrs. Thatcher's Cultural Policies, 1979-1990


Book Description

This book systematically analyzes Conservative cultural policy within the context of British political, social, and cultural changes during the 1980s.







Science Policy Under Thatcher


Book Description

Margaret Thatcher was prime minister from 1979 to 1990, during which time her Conservative administration transformed the political landscape of Britain. Science Policy under Thatcher is the first book to examine systematically the interplay of science and government under her leadership. Thatcher was a working scientist before she became a professional politician, and she maintained a close watch on science matters as prime minister. Scientific knowledge and advice were important to many urgent issues of the 1980s, from late Cold War questions of defence to emerging environmental problems such as acid rain and climate change. Drawing on newly released primary sources, Jon Agar explores how Thatcher worked with and occasionally against the structures of scientific advice, as the scientific aspects of such issues were balanced or conflicted with other demands and values. To what extent, for example, was the freedom of the individual scientist to choose research projects balanced against the desire to secure more commercial applications? What was Thatcher’s stance towards European scientific collaboration and commitments? How did cuts in public expenditure affect the publicly funded research and teaching of universities? In weaving together numerous topics, including AIDS and bioethics, the nuclear industry and strategic defence, Agar adds to the picture we have of Thatcher and her radically Conservative agenda, and argues that the science policy devised under her leadership, not least in relation to industrial strategy, had a prolonged influence on the culture of British science.




Culture, Democracy and the Right to Make Art


Book Description

Based on the words and experiences of the people involved, this book tells the story of the community arts movement in the UK, and, through a series of essays, assesses its influence on present day participatory arts practices. Part I offers the first comprehensive account of the movement, its history, rationale and modes of working in England, Northern Ireland, Scotland and Wales; Part II brings the work up to the present, through a scholarly assessment of its influence on contemporary practice that considers the role of technologies and networks, training, funding, commissioning and curating socially engaged art today. The community arts movement was a well-known but little understood and largely undocumented creative revolution that began as part of the counter-cultural scene in the late 1960s. A wide range of art forms were developed, including large processions with floats and giant puppets, shadow puppet shows, murals and public art, events on adventure playgrounds and play schemes, outdoor events and fireshows. By the middle of the 1980s community arts had changed and diversified to the point where its fragmentation meant that it could no longer be seen as a coherent movement. Interviews with the early pioneers provide a unique insight into the arts practices of the time. Culture, Democracy and the Right to Make Art is not simply a history because the legacy and influence of the community arts movement can be seen in a huge range of diverse locations today. Anyone who has ever encountered a community festival or educational project in a gallery or museum or visited a local arts centre could be said to be part of the on-going story of the community arts. This book is open access and available on www.bloomsburycollections.com . It is funded by the University of Manchester.




Thatcher and After


Book Description

The first substantial interdisciplinary, cross-genre critique of Margaret Thatcher and her cultural 'afterlife', exploring Thatcher's legacy across a range of areas including public policy, broadcast media, film, poetry, architectural design, political cartoons and literature.




Memoirs of a Tory Radical


Book Description

A fully revised and updated edition of Nigel Lawson's extraordinary autobiography. A key minister for a full decade and Chancellor of the Exchequer, from 1983 to 1989, Nigel Lawson was one of the most powerful and effective of Margaret Thatcher's colleagues, and among the chief architects of Thatcherism. This abridged edition of Lord Lawson's memoirs - first published as The View from No.11 in 1992 and acclaimed as one of the best political memoirs of the period - goes straight to the heart of economic policy-making at a time of crisis and creative change. It explains the workings of government with candour, clarity and depth, against the backdrop of the remarkable story of the rise and fall of his political collaboration with Margaret Thatcher, productive and successful for many years, but ending with his dramatic resignation in October 1989.The book includes a new final chapter reflecting on events from the perspective of 2010, also discussing the crisis in the banking sector and global warming.




Margaret Thatcher. Between Icon and Hate Figure


Book Description

Seminar paper from the year 2016 in the subject English Language and Literature Studies - Culture and Applied Geography, grade: 2,0, University of Potsdam, language: English, abstract: In course of its long democratic history, the United Kingdom has gone through many governments whose influential Prime ministers had formed the British society. But probably no other British Prime minister (PM) has ever left his marks so much as Margaret Thatcher, who held longer office than every other PM before. However, the assumption that her almost twelve years lasting term of office could be taken as an indicator for her great popularity as great politician is not applicable at all. Indeed, the “Iron Lady” and her revolutionary economy and welfare policy, known as Thatcherism, polarised and still divide the minds of the British society. Whereas her supporters are prizing her policy as the basis of Britain’s power and wealth for millions, her critics blame her to be responsible for the ruin of the social sector and the destruction of a social community sense. This seminar paper is concerned with the controversial policy of Margaret Thatcher. For my work, I argue that “The policy of Thatcher has cemented the British class system rather than loosen it”. As a theoretical background I will examine the British class system and define the term “class” itself. The main part is structured into three linked chapters dealing with the main features of Thatcher’s era in order to reveal how Thatcher’s policy affected the major classes in the UK: Working -, Middle - and Upper Class. Thereby, it will be illustrated and concluded in the final part of this work if Thatcher can be seen rather as an icon or rather as a hate figure for the UK and its classes. The entire work is embedded in a short portray of the social life in the UK before and after Thatcher’s legislative period in order to compare the development objectively.




Manufactured Schema


Book Description

A couple of decades after Margaret Thatcher managed to radically transform the rules of industrial relations in Britain, there has been a great deal of debate, comment and analysis by a wide range of commentators with various ideological persuasions. Thatcherism has, therefore, become an infamous concept in the study of modern British politics. This book re-examines one of the most controversial features of that era, the relationship between the media (in particular the press), the Prime Minister and the trades unions in the 1980s. The book is based on the assumption that Thatcher's policies were supported by the most partisan press industry to date. This assumption is empirically substantiated with the aid of a comprehensive research program. This research compares the editorials of the national press in the 1970s to provide a more in-depth understanding of the differential outlook of the press to the miners and their strikes. Through an added qualitative scrutiny of the role of Murdoch's newspapers in three successive general elections involving Thatcher, the book argues that the relationship between Thatcher and Murdoch had a deep impact not only upon the press but on British society as a whole.




Cultural Policy, Work and Identity


Book Description

How have cultural policies created new occupations and shaped professions? This book explores an often unacknowledged dimension of cultural policy analysis: the professional identity of cultural agents. It analyses the relationship between cultural policy, identity and professionalism and draws from a variety of cultural policies around the world to provide insights on the identity construction processes that are at play in cultural institutions. This book reappraises the important question of professional identities in cultural policy studies, museum studies and heritage studies. The authors address the relationship between cultural policy, work and identity by focusing on three levels of analysis. The first considers the state, the creativity of the power relationship established in cultural policies and the power which structures the symbolic order of cultural work. The second presents community in the cultural policy process, society and collective action, whether it is through the creation of institutions for arts and heritage profession or through resistance to state cultural policies. The third examines the experience of cultural policy by the professional. It illustrates how cultural policy is both a set of contingencies that shape possibilities for professionals, as much as it is a basis for identification and identity construction. The eleven authors in this unique book draw on their experience as artists and researchers from a range of countries, including France, Canada, United Kingdom, United States, and Sweden.




Cultural Policy


Book Description

Contemporary society is complex; governed and administered by a range of contradictory policies, practices and techniques. Nowhere are these contradictions more keenly felt than in cultural policy. This book uses insights from a range of disciplines to aid the reader in understanding contemporary cultural policy. Drawing on a range of case studies, including analysis of the reality of work in the creative industries, urban regeneration and current government cultural policy in the UK, the book discusses the idea of value in the cultural sector, showing how value plays out in cultural organizations. Uniquely, the book crosses disciplinary boundaries to present a thorough introduction to the subject. As a result, the book will be of interest to a range of scholars across arts management, public and nonprofit management, cultural studies, sociology and political science. It will also be essential reading for those working in the arts, culture and public policy.