Much More Metaphoric Madness


Book Description

Can you describe temptingly low-hanging fruits as tantalising? Are all doomsayers Cassandras? Which is right, squaring the circle or circling the square? Why is the vegetative metaphor in a vegetative state today? When does the arithmetic metaphor become a good metaphor arithmetic? Is botany a metaphor for all hand-me-down knowledge? Can negative words become resonant? Why is Eureka moment fast turning into a weasel metaphor? Yeast and dough – which is the spreading metaphor and which is the accommodating metaphor? Why shouldn’t veneer be used as a respectable metaphor? Is wilderness a metaphor for the down and out? Are all harsh and severe laws draconian? Many more metaphor questions………….Many more answers…………..And many more metaphor stories. Much More Metaphoric Madness is all about metaphor sanity.




More Metaphoric Madness


Book Description

Is mothball a metaphor for a proposal abandoned or for a project shelved? When does history become a metaphor for geography? How does the metaphor hive provoke a publication to jettison by-lines for good? How does butterfly win its metaphor battle with the beetle? Can chameleon be a metaphor for a colourful person? When does textbook become a positive metaphor for an individual? What is that useful metaphor in the frog-scorpion fable? Is albatross a metaphor now for power of flight or pathetic plight? Are all hounds pesky metaphors? Why is spine a wrong metaphor for physical heroism? Why isn’t maverick a metaphor for me-toos? Metaphors are everyday business and everyone’s right of speech. So, it is high time you had questions like these answered by an expert. Sure, More Metaphoric Madness brings expert advice, word-pictures and word imagery to your doorsteps, and ensures metaphors are no longer the sole preserve of academia and elite speakers-writers.




This Mad "instead"


Book Description

Saltzman reveals figuration to be both inevitable and inevitably unreliable, and he illustrates how these writers treat this condition not as an impasse but as a point of departure - indeed, as an artistic mandate and creative opportunity.".




Coleridge's Metaphors of Being


Book Description

In an original and provocative demonstration that Coleridge's later poetry took on a powerful metaphysical conception, Edward Kessler emphasizes Coleridge's struggle with language as a means of both expressing and creating Being. While many of Coleridge's late poems are generally viewed as fragments that constitute an aesthetic failure, Professor Kessler contends that what at first may appear to reflect Coleridge's inability to finish a poem can otherwise be seen as a deliberate rejection of what the poet came to see as a confining form. Originally published in 1979. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




OMG


Book Description

The plot thickens--in novels and our lives--forcing us from the fairy tale into a bewildering, even heartbreaking narrative. We look at the god we're holding, and find it too fragile, too brittle to meet reality. Cling tighter? Move on godless? In fact, rejecting a god image (or as C. S. Lewis puts it, allowing God to smash our limited god) opens space for deeper faith in the midst of painful life experience. In OMG, Mary Ellen Ashcroft invites readers to look over her shoulder as she traces her god growth, beginning with a capricious childhood god. The loving savior who embraced her when she was eighteen, followed her into strict fundamentalism, while the god she met in an Anglican seminary shocked her by caring more about poverty than a seven-day creation, but then called her to a South Africa tipping toward revolution. An interweaving of narrative theology and creative nonfiction, OMG invites readers to grow into deeper faith, retelling their stories in the light of the biblical one, dropping inadequate gods to grasp a mysterious, awesome one.




Pushkin and the Genres of Madness


Book Description

In 1833 Alexander Pushkin began to explore the topic of madness, a subject little explored in Russian literature before his time. The works he produced on the theme are three of his greatest masterpieces: the prose novella The Queen of Spades, the narrative poem The Bronze Horseman, and the lyric "God Grant That I Not Lose My Mind." Gary Rosenshield presents a new interpretation of Pushkin’s genius through an examination of his various representations of madness. Pushkin brilliantly explored both the destructive and creative sides of madness, a strange fusion of violence and insight. In this study, Rosenshield illustrates the surprising valorization of madness in The Queen of Spades and "God Grant That I Not Lose My Mind" and analyzes The Bronze Horseman’s confrontation with the legacy of Peter the Great, a cornerstone figure of Russian history. Drawing on themes of madness in western literature, Rosenshield situates Pushkin in a greater framework with such luminaries as Shakespeare, Sophocles, Cervantes, and Dostoevsky providing an insightful and absorbing study of Russia’s greatest writer.




Ursula K. Le Guin, Consent, and Metaphor


Book Description

In Ursula K. Le Guin, Consent, and Metaphor, Kate Sheckler constructs a new method to categorize metaphor, arguing that the moment of consent that exists in the form determines the effects of the interchange. Using the fiction of Ursula K. Le Guin, with the work of Paul Ricoeur as a primary theoretical focus, Sheckler identifies both the dangers and necessity of understanding the interplay that determines by whom and at what point consent is offered within the dynamic shift that occurs in metaphor. In doing so, she identifies the way marginalized groups and cultures can be reconstructed in service to an outside force and notes the absolute necessity of metaphor as a constructive force in a world where we must imagine new ways to approach the future.




Boycott in America


Book Description

Gary Minda's critical study of boycotts in American law and culture focuses on how the word boycott has developed as a metaphoric, rather than as a rational or logical, form of reasoning. Minda first discusses the history, interpretation, and understanding of boycotts. He then turns to the role of metaphor in the interpretation of boycotts and of boycott law. Drawing on cognitive psychology and linguistic theory, Minda argues that the metaphors judges choose in describing boycotts determine how they view boycotts. One of Minda's major contributions is to show how cognitive theory and the analysis of conceptual metaphors can help to explain the development of the law of boycott. Equally important, Minda provides a unique history of the boycotts in three separate legal fields: labor, antitrust, and constitutional law.




Metaphors of Confinement


Book Description

Metaphors of Confinement: The Prison in Fact, Fiction, and Fantasy offers a historical survey of imaginings of the prison as expressed in carceral metaphors in a range of texts about imprisonment from Antiquity to the present as well as non-penal situations described as confining or restrictive. These imaginings coalesce into a 'carceral imaginary' that determines the way we think about prisons, just as social debates about punishment and criminals feed into the way carceral imaginary develops over time. Examining not only English-language prose fiction but also poetry and drama from the Middle Ages to postcolonial, particularly African, literature, the book juxtaposes literary and non-literary contexts and contrasts fictional and nonfictional representations of (im)prison(ment) and discussions about the prison as institution and experiential reality. It comments on present-day trends of punitivity and foregrounds the ethical dimensions of penal punishment. The main argument concerns the continuity of carceral metaphors through the centuries despite historical developments that included major shifts in policy (such as the invention of the penitentiary). The study looks at selected carceral metaphors, often from two complementary perspectives, such as the home as prison or the prison as home, or the factory as prison and the prison as factory. The case studies present particularly relevant genres and texts that employ these metaphors, often from a historical perspective that analyses development through different periods.




Metaphors Dead and Alive, Sleeping and Waking


Book Description

Traditional thinking on metaphors has divided them into two camps: dead and alive. Conventional expressions from everyday language are classified as dead, while much rarer novel or poetic metaphors are alive. In the 1980s, new theories on the cognitive processes involved with the use of metaphor challenged these assumptions, but with little empirical support. Drawing on the latest research in linguistics, semiotics, philosophy, and psychology, Cornelia Müller here unveils a new approach that refutes the rigid dead/alive dichotomy, offering in its place a more dynamic model: sleeping and waking. To build this model, Müller presents an overview of notions of metaphor from the classical period to the present; studies in detail how metaphors function in speech, text, gesture, and images; and examines the way mixed metaphors sometimes make sense and sometimes do not. This analysis leads her to conclude that metaphors may oscillate between various degrees of sleeping and waking as their status changes depending on context and intention. Bridging the gap between conceptual metaphor theory and more traditional linguistic theories, this book is a major advance for the field and will be vital to novices and initiates alike.