Author : Giulio Cattin
Publisher : Cambridge University Press
Page : 260 pages
File Size : 28,35 MB
Release : 1984-12-06
Category : History
ISBN : 9780521284899
A unique history of the vast repertory of monophonic music of the Middle Ages.
Author : P. Gozza
Publisher : Springer Science & Business Media
Page : 338 pages
File Size : 32,61 MB
Release : 2013-03-09
Category : History
ISBN : 940159578X
Number 10 Sound: The Musical Way 10 the Scientific Revolution is a collection of twelve essays by writers from the fields of musicology and the history of science. The essays show the idea of music held by Euro th pean intellectuals who lived from the second half of the 15 century to the th early 17 : physicians (e. g. Marsilio Ficino), scholars of musical theory (e. g. Gioseffo Zarlino, Vincenzo Galilei), natural philosophers (e. g. Fran cis Bacon, Isaac Beeckman, Marin Mersenne), astronomers and mathema ticians (e. g. Johannes Kepler, Galileo Galilei ). Together with other people of the time, whom the Reader will meet in the course of the book, these intellectuals share an idea of music that is far removed from the way it is commonly conceived nowadays: it is the idea of music as a science whose object-musical sound--can be quantified and demonstrated, or enquired into experimentally with the methods and instruments of modem scientific enquiry. In this conception, music to be heard is a complex, variable structure based on few simple elements--e. g. musical intervals-, com bined according to rules and criteria which vary along with the different ages. However, the varieties of music created by men would not exist if they were not based on certain musical models--e. g. the consonances-, which exist in the mind of God or are hidden in the womb of Nature, which man discovers and demonstrates, and finally translates into the lan guage of sounds.
Author : Jamie James
Publisher : Springer Science & Business Media
Page : 292 pages
File Size : 11,47 MB
Release : 1995-06
Category : Music
ISBN : 9780387944746
For centuries, scientists and philosophers believed the universe was a stately; ordered mechanism - mathematical and musical. The smooth operation of the cosmos created a divine harmony (perfect, spiritual, eternal) which composers sought to capture and express. With The Music of the Spheres, readers will see how this scientific philosophy emerged, how it was shattered by changing views of the universe and the rise of Romanticism, and to what extent (if at all) it survives today. From Pythagoras to Newton, Bach to Beethoven, and on into the twentieth century, it is a spellbinding examination of the interwoven fates of science and music throughout history.
Author :
Publisher : Pendragon Press
Page : 572 pages
File Size : 25,14 MB
Release : 1978
Category : Music
ISBN : 9780918728999
Originally published in 1966, the Reeseschrift remains one of the most significant collections of musicological writings ever assembled. Its fifty-six essays, written by some of the greatest scholars of our time, range chronologically from antiquity to the 17thcentury and geographically from Byzantium to the British Isles. They deal with questions of history, style, form, texture, notation, and performance practice.
Author : Suzannah Clark
Publisher : Boydell & Brewer Ltd
Page : 286 pages
File Size : 30,14 MB
Release : 2005
Category : Music
ISBN : 9781843831662
Essays - collected in honour of Margaret Bent - examining how medieval and Renaissance composers responded to the tradition in which they worked through a process of citation of and commentary on earlier authors.
Author : John Dickinson Haines
Publisher : Cambridge University Press
Page : 321 pages
File Size : 41,41 MB
Release : 2010-11-18
Category : Foreign Language Study
ISBN : 0521765749
Ranging from 500 to 1200, this book considers the neglected vernacular music of this period, performed mainly by women.
Author : Philipp Jeserich
Publisher : JHU Press
Page : 564 pages
File Size : 12,74 MB
Release : 2013-11
Category : Literary Criticism
ISBN : 1421411245
A critical study of the relationship between poetics and music theory in medieval culture and aesthetics. Musica Naturalis delivers the first systematic account of speculative music theory as a discursive horizon for literary poetics. The title refers to the late medieval French poet Eustache Deschamps, whose 1392 treatise on verse writing, L'Art de Dictier, famously casts verse as “natural music” in explicit distinction to song, which Deschamps defines as “artificial.” Philipp Jeserich links the significance of the speculative branch of medieval musicology to literary theory and literary production, opening up a field of study that has been largely neglected. Beginning with Augustine and Boethius, he traces the discourse of speculative music theory to the late fifteenth century, giving attention to medieval Latin and vernacular sources. Ultimately, Jeserich calls for the conservatism of Deschamps’s poetics and develops a new perspective on the poetics and poetry of the Grands rhétoriqueurs. Given Jeserich's reliance on the intellectual inheritance of late medieval French poetics and poetry, this book will appeal to English-speaking specialists of Old and Middle French, as well as scholars of the French Renaissance. It will also interest English-language medievalists of several other disciplines: intellectual historians and specialists of English, as well as scholars of Italian and Iberian literature.
Author : Daniel Chua
Publisher : Cambridge University Press
Page : 330 pages
File Size : 45,78 MB
Release : 1999-11-25
Category : Music
ISBN : 1139431358
This book is born out of two contradictions: first, it explores the making of meaning in a musical form that was made to lose its meaning at the turn of the nineteenth century; secondly, it is a history of a music that claims to have no history - absolute music. The book therefore writes against that notion of absolute music which tends to be the paradigm for most musicological and analytical studies. It is concerned not so much with what music is, but with why and how meaning is constructed in instrumental music and what structures of knowledge need to be in place for such meaning to exist. From the thought of Vincenzo Galilei to that of Theodore Adorno, Daniel Chua suggests that instrumental music has always been a critical and negative force in modernity, even with its nineteenth-century apotheosis as 'absolute music'.
Author : Iain Fenlon
Publisher : Cambridge University Press
Page : 304 pages
File Size : 32,63 MB
Release : 2002-11-21
Category : Music
ISBN : 9780521818872
Early Music History is devoted to the study of music from the early Middle Ages to the end of the seventeenth century and includes manuscript studies, textual criticism, iconography, studies of the relationship between words and music, and the relationship between music and society. Articles in volume 21 include: Aaron's interpretation of Isidore and an illustrated copy of the Toscanello; Musica mundana, Aristotelian natural philosophy and ptolemaic astronomy; The Triodia Sacra as a key source for late-Renaissance music in southern Germany; The debate over song in the Accademia Fiorentina.
Author : Teun Koetsier
Publisher : Elsevier
Page : 716 pages
File Size : 39,83 MB
Release : 2004-12-09
Category : Mathematics
ISBN : 0080457355
Mathematics and the Divine seem to correspond to diametrically opposed tendencies of the human mind. Does the mathematician not seek what is precisely defined, and do the objects intended by the mystic and the theologian not lie beyond definition? Is mathematics not Man's search for a measure, and isn't the Divine that which is immeasurable ?The present book shows that the domains of mathematics and the Divine, which may seem so radically separated, have throughout history and across cultures, proved to be intimately related. Religious activities such as the building of temples, the telling of ritual stories or the drawing of enigmatic figures all display distinct mathematical features. Major philosophical systems dealing with the Absolute and theological speculations focussing on our knowledge of the Ultimate have been based on or inspired by mathematics. A series of chapters by an international team of experts highlighting key figures, schools and trains of thought is presented here. Chinese number mysticism, the views of Pythagoras and Plato and their followers, Nicholas of Cusa's theological geometry, Spinozism and intuitionism as a philosophy of mathematics are treated side by side among many other themes in an attempt at creating a global view on the relation of mathematics and Man's quest for the Absolute in the course of history.·Mathematics and man's quest for the Absolute·A selective history highlighting key figures, schools and trains of thought ·An international team of historians presenting specific new findings as well as general overviews·Confronting and uniting otherwise compartmentalized information
