Musical Andy


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Creating Musical Theatre


Book Description

Creating Musical Theatre features interviews with the directors and choreographers that make up today's Broadway elite. From Susan Stroman and Kathleen Marshall to newcomers Andy Blankenbuehler and Christopher Gattelli, this book features twelve creative artists, mostly director/choreographers, many of whom have also crossed over into film and television, opera and ballet. To the researcher, this book will deliver specific information on how these artists work; for the performer, it will serve as insight into exactly what these artists are looking for in the audition process and the rehearsal environment; and for the director/choreographer, this book will serve as an inspiration detailing each artist's pursuit of his or her dream and the path to success, offering new insight and a deeper understanding of Broadway today. Creating Musical Theatre includes a foreword by four-time Tony nominee Kelli O'Hara, one of the most elegant and talented leading ladies gracing the Broadway and concert stage today, as well as interviews with award-winning directors and choreographers, including: Rob Ashford (How to Succeed in Business Without Really Trying); Andy Blankenbuehler (In the Heights); Jeff Calhoun (Newsies); Warren Carlyle (Follies); Christopher Gattelli (Newsies); Kathleen Marshall (Anything Goes); Jerry Mitchell (Legally Blonde); Casey Nicholaw (The Book of Mormon); Randy Skinner (White Christmas); Susan Stroman (The Scottsboro Boys); Sergio Trujillo (Jersey Boys); and Anthony Van Laast (Sister Act).




One Train Later


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"The train jerks to a halt, and as I get out at Oxford Circus, Stewart gets out with me. We look at each other, laugh, and make the standard remark about it being a small world. But this is the brilliant collision, one train later and it might all have turned out differently." In this extraordinary memoir, world-renowned guitarist Andy Summers provides a revealing and passionate account of a life dedicated to music. From his first guitar at age thirteen and his early days on the English music scene to the ascendancy of his band, the Police, Summers recounts his relationships and encounters with the Big Roll Band, Jimi Hendrix, Eric Clapton, the Animals, John Belushi, and others, all the while proving himself a master of telling detail and dramatic anecdote. But, of course, the early work is only part of the story, and Andy's account of his role as guitarist for the Police---a gig that was only confirmed by a chance encounter with drummer Stewart Copeland on a London train---has been long-awaited by music fans worldwide. The heights of fame that the Police achieved have rarely been duplicated, and the band's triumphs were rivaled only by the personal chaos that such success brought about, an insight never lost on Summers in the telling. Complete with never-before-published photos from Summers's personal collection, One Train Later is a constantly surprising and poignant memoir, and the work of a world-class musician and a first-class writer.




Mr Gum and the Dancing Bear


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Good evening. Do you like bears called Padlock? Course you do. Do you like hot air balloons? Course you do. Do you like tall sailing ships with mad sea captains, and horrifying old villains and words like "wab!," "tungler," and "kelp?" COURSE you do! Well, guess what, you lucky little nibbleheads? This books got all of those things and a lot more besides. Its a rollicker! Its a frolicker! Its a funtime sun time yollicker! So what you waiting for?




The Musical Collectibles of Raggedy Ann and Andy


Book Description

This illustrated treasury offers the reader a unique perspective - The Musical Collectibles of Raggedy Ann and Andy. Music has the power to convey emotional meaning and connect people to one another. Music makes us better by stimulating our minds, touching our hearts and helping us feel good about ourselves and the world. Raggedy Ann symbolizes love, kindness, generosity and goodness, touching our hearts in so many ways. Raggedy Ann also has the power to provoke emotions and connect people to one another. Raggedy Ann and music, what a magical union! Johnny Gruelle recognized this connection in many of his literary works. Charming tales of fairies singing in the deep deep woods, guests squeaking out sweet tunes at Hootie Owls' party and Raggedy Ann playing the piano with her thumbs are just a few of the enchanting musical adventures we all love so much. Inside, you'll find a cache of musical collectibles ranging from 1922 sheet music to a 2006 musical doll. The wide array of toys, advertisements, artwork, music boxes, figurines, dolls, music mediums, sheet music, song books and music works titled "Raggedy Ann" are sure to delight.




They Don't Need to Understand


Book Description

Before he was the charismatic singer of Black Veil Brides and an accomplished solo artist under the Andy Black moniker, he was Andrew Dennis Biersack, an imaginative and creative kid in Cincinnati, Ohio, struggling with anxiety, fear, loneliness, and the impossible task of fitting in. With his trademark charm, clever wit, and insightful analysis, Biersack tells the story of his childhood and adolescence. The discovery of the artistic passions that would shape his life, and his decision to move to Hollywood after his 18th birthday to make his dreams come true, even when it meant living in his car to make it all a reality. It's the origin story of one of modern rock's most exciting young superheroes, from building miniature concerts with KISS action figures in his bedroom to making the RIAA gold-certified single "In the End" and connecting with passionate fans worldwide.




What's for Dinner, Mr Gum?


Book Description

Mr Gum's back But what's he up to this time? Oh, dreadful things my friends, dreadful things indeed. It seems he's found himself a brand new treat--rancid kebabs just dripping with dirty grey sauce. And he just can't get enough of them. He's gotta have more More Less I mean, More But not everyone's too happy about Mr Gum's new dinnertime arrangements and soon the town of Lamonic Bibber is gearing up for war. Can Polly and her friends save the town from being torn apart? Will Mr Gum's hunger ever be satisfied? And who on earth is Thora Gruntwinkle? All will be revealed when you read What's For Dinner, Mr Gum? You'll see a gingerbread man driving through London You'll see an annoying little monkey driving everyone mad You'll see Friday O'Leary falling asleep in a hedge Yes, it's all there in glorious black and white, my friends. Except for the cover, which is in color. It's Bonus.




Fretted and Moaning


Book Description

Most of these tales are drawn from real life or are things I have heard about in the dark corners of various backstage dressing rooms. It's hard to be a musician, but for some of us there is simply no choice. Meanwhile, there's writing about it.




The Hammersteins


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Presents a portrait of the Hammerstein family, describing their personal and professional lives in the American musical theater.




Handbook of Musical Identities


Book Description

Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music can also be a means of communication through which aspects of people's identities are constructed. Music can have a profound influence on our developing sense of identity, our values, and our beliefs, be it from rock music, classical music, or jazz. Musical identities (MacDonald, Hargreaves and Miell, 2002) was unique in being in being one of the first books to explore this fascinating topic. This new book documents the remarkable expansion and growth in the study of musical identities since the publication of the earlier work. The editors identify three main features of current psychological approaches to musical identities, which concern their definition, development, and the identification of individual differences, as well as four main real-life contexts in which musical identities have been investigated, namely in music and musical institutions; specific geographical communities; education; and in health and well-being. This conceptual framework provides the rationale for the structure of the Handbook. The book is divided into seven main sections. The first, 'Sociological, discursive and narrative approaches', includes several general theoretical accounts of musical identities from this perspective, as well as some more specific investigations. The second and third main sections deal in depth with two of the three psychological topics described above, namely the development of and individual differences in musical identities. The fourth, fifth and sixth main sections pursue three of the real-life contexts identified above, namely 'Musical institutions and practitioners', 'Education', and 'Health and well-being'. The seventh and final main section of the Handbook - 'Case studies' - includes chapters which look at particular musical identities in specific times, places, or contexts. The multidisciplinary range and breadth of the Handbook's contents reflect the rapid changes that are taking place in music, in digital technology, and in their role in society as a whole, such that the study of musical identity is likely to proliferate even further in the future.




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