Before I Forget


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My ancestors went to Guyana, only English country in South America, by boats from different continents. My mother, Indian, father, Negro, ate the forbidden fruit. I was rejected from conception, amidst the hate and confusion. Old enough to walk, I became my older brothers Datson and Davids keeper. They were mute, deaf and later blind; I was their ears, mouth and later eyes Allegedly, curse on my mother from her father for marring a Black man. Nothing stopped me from loving, caring, being proud of them. Bigotry, hatred, ignorance engulfed my childhood in a providently Indian village. We were dehumanized like animals, freaks and slaves. Even the good Madras people of Whim couldnt stop the horror of being Mixed. In the house of silence, practicing my vocabulary/hearing on animals. Am an animal lover till today. Was told am Indian, speak, pray in Hindi and Sanskrit, keep away from Blacks; they eat Indian children with curly hair. After ten, this barefooted Indian found her other half. Allowed to enter their homes, gravitated and become a runaway. Giant ants, deepwater, dunce cap, ostracized Mommy died, Cinderella abuse stopped when my dearest Uncle Bertram set me free on an elephant - five-dollar bill. Like barnacle, I clamped to the first man in freedom town. He gave me three beautiful children, when nothing left to clamp onto, he forced me to fly without wings. Flew to America, cold, homeless, penniless. A Stranger gave me some silver. I slept under friends table, a kind family made me and mine American Citizens. No job was too many. Goodwill perfect for low-maintenance like us. Education and focus, #1 priority I thank/forgive those haters who looked down at me, they gave me the will to rise. I have my David, and, for not eating my young, God blessed me with six grandchildren.




Popular Tales


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Luggage


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Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. You can't think about travel without thinking about luggage. And baggage has baggage. Susan Harlan takes readers on a journey with the suitcases that support, accessorize, and accompany our lives. Along the way, she shows how the materials of travel - the carry-ons, totes, trunks, and train cases of the past and present - have stories to tell about displacement, home, gender, class, consumption, and labor. Luggage considers bags as carefully curated microcosms of our domestic and professional selves, charting the evolution of travel across literature, film, and art. A simple suitcase, it turns out, contains more than you might think. Object Lessons is published in partnership with an essay series in The Atlantic.




Popular Tales ...


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Promchanted


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Modern-day teens wander into Disney's Sleeping Beauty in this enemies-to-lovers rom-com from New York Times bestselling author Morgan Matson. Two modern teens. One classic fairy tale. Absolutely no cell service. Stella Griffin doesn’t believe in fairy tales. Ever since her boyfriend dumped her three weeks before the prom—not ideal timing—she’s convinced every love story is a lie. She’s ready to skip the prom entirely. But she and her best friend, Nisha, have been planning for years to celebrate at Disneyland before the prom . . . an OG OC tradition. But even being all dressed up at the Happiest Place on Earth isn’t salvaging Stella’s night. Nisha has brought along her friend Reece to join them, and he and Stella do not get along. They’re like oil and water. Cats and dogs. Aladdin and Jafar. And so what if Reece is, fine, kind of cute? Stella’s over it all. Happily-ever-afters, true love’s kisses, princes on white horses. It’s not real. . . . Or is it? Because when Stella and Reece push through a hidden door in Sleeping Beauty’s castle, they’re not in Anaheim anymore. They’re in the story. In Sleeping Beauty—with Aurora and Phillip, the fairies, Maleficent, and extremely intelligent woodland creatures. Unfortunately, they’ve landed right in the middle of the story—which throws things off. Suddenly, Aurora and Phillip are meeting before they were supposed to. The fairies are suspicious of the interlopers, and even Maleficent gets word of their arrival. Stella and Reece will have to put aside their differences, make sure Aurora and Phillip fall in love, and get the story back on track—because if things don’t end the way they’re supposed to . . . they might never get home. Will they be able to pull off a fairy-tale ending? And will Stella and Reece get a happily-ever-after of their own?




SACRIFICE


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It had been two years since her husband passed away. Caz is desperately trying to move on with her life and decides to buy a new cottage out of town. Her two young children are not thrilled about the idea. When she moves in to her new home strange things start happening, endangering all of their lives. Caz tries frantically to save her family and keep them from harms way not realising in order to save her family she must enter a different world and fight for them from afar.




Charming


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Sharp, sarcastic, and efficiently lethal, John Charming is set to join the ranks of your favorite fast-talking anti-heroes like Dean Winchester and Harry Dresden in the first book of this page-turning urban fantasy series. John Charming isn't your average Prince. . . He comes from a line of Charmings -- an illustrious family of dragon slayers, witch-finders and killers dating back to before the fall of Rome. Trained by a modern day version of the Knights Templar, monster hunters who have updated their methods from chain mail and crossbows to Kevlar and shotguns, John Charming was one of the best -- until a curse made him one of the abominations the Knights were sworn to hunt. That was a lifetime ago. Now, John tends bar under an assumed name in rural Virginia and leads a peaceful, quiet life. That is, until a vampire and a blonde walked into his bar. . . Charming is the first novel in a new urban fantasy series which gives a new twist to the Prince Charming tale.




Kindred


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“As you turn the pages of this novel and get lost in Dana’s story, allow yourself to relive the horrors of slavery....Allow yourself to know the pain of our nation’s past.”—Tomi Adeyemi, New York Times bestseller and Hugo and Nebula award-winning author, from the new foreword This brand new package for young adults includes a redesigned interior for better readability, specially commissioned cover art by Carlos Fama, metallic stock cover, and spot gloss on cover elements “I lost an arm on my last trip home. My left arm.” Dana’s torment begins when she suddenly vanishes on her 26th birthday from California, 1976, and is dragged through time to antebellum Maryland to rescue a boy named Rufus, heir to a slaveowner’s plantation. She soon realizes the purpose of her summons to the past: protect Rufus to ensure his assault of her Black ancestor so that she may one day be born. As she endures the traumas of slavery and the soul-crushing normalization of savagery, Dana fights to keep her autonomy and return to the present. Blazing the trail for neo-slavery narratives like Colson Whitehead’s The Underground Railroad and Ta-Nehisi Coates’s The Water Dancer, Butler takes one of speculative fiction’s oldest tropes and infuses it with lasting depth and power. Dana not only experiences the cruelties of slavery on her skin but also grimly learns to accept it as a condition of her own existence in the present. “Where stories about American slavery are often gratuitous, reducing its horror to explicit violence and brutality, Kindred is controlled and precise” (New York Times). “Reading Octavia Butler taught me to dream big, and I think it’s absolutely necessary that everybody have that freedom and that willingness to dream.” —N. K. Jemisin







The Eclectic Magazine


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