To Build a Fire


Book Description

Describes the experiences of a newcomer to the Yukon when he attempts to hike through the snow to reach a mining claim.




Naturalism and Naturalist Elements in Jack London's Short Story “To Build a Fire” (1908)


Book Description

Seminar paper from the year 2010 in the subject Didactics for the subject English - History of Literature, Eras, grade: 1,0, University of Passau, course: American Short Stories, language: English, abstract: The short story “To Build a Fire” written by Jack London was first published in 1908 and is seen as a “masterpiece of short fiction” (Reesman 39) and “his best short story” (Peterson 3). Jack London demonstrates in “To Build a Fire” a “strong narration, fresh fictional subject, and ability to create atmosphere” (Nuernberg XXXII). The story is furthermore claimed as his “most often cited example for naturalism” (Reesman 39), which came up in the 1880s and lasted until the 1940s. This literary movement is seen as an outgrowth of Realism with the addition of pessimistic determinism and was influenced by Social Darwinism (cf. Campbell). Thus the most characteristic for naturalist stories is the fact that people are helpless victims of unchangeable natural laws, a harsh environment and their inner “animal drives”. These attributes and the naturalist typical „man vs. nature‟-theme can also be found in “To Build a Fire” and other stories by Jack London, which is one of the most famous representative of naturalism. In the following pages the typical characteristics of stories written during the literary movement naturalism will be explained. Afterwards these elements will be pointed out in Jack London‟s story “To Build a Fire”. Last but not least, the question, whether “To Build a Fire” can be indicated as an example for naturalism will be discussed and finally answered.




Naturalism and Naturalist Elements in Jack London's Short Story to Build a Fire


Book Description

Seminar paper from the year 2010 in the subject English - History of Literature, Eras, grade: 1,0, University of Passau, course: American Short Stories, language: English, abstract: The short story "To Build a Fire" written by Jack London was first published in 1908 and is seen as a "masterpiece of short fiction" (Reesman 39) and "his best short story" (Peterson 3). Jack London demonstrates in "To Build a Fire" a "strong narration, fresh fictional subject, and ability to create atmosphere" (Nuernberg XXXII). The story is furthermore claimed as his "most often cited example for naturalism" (Reesman 39), which came up in the 1880s and lasted until the 1940s. This literary movement is seen as an outgrowth of Realism with the addition of pessimistic determinism and was influenced by Social Darwinism (cf. Campbell). Thus the most characteristic for naturalist stories is the fact that people are helpless victims of unchangeable natural laws, a harsh environment and their inner "animal drives." These attributes and the naturalist typical man vs. nature -theme can also be found in "To Build a Fire" and other stories by Jack London, which is one of the most famous representative of naturalism. In the following pages the typical characteristics of stories written during the literary movement naturalism will be explained. Afterwards these elements will be pointed out in Jack London s story "To Build a Fire." Last but not least, the question, whether "To Build a Fire" can be indicated as an example for naturalism will be discussed and finally answered.




The Crowd


Book Description




A Piece of Steak


Book Description

"A Piece of Steak" was a short story written by Jack London which first appeared in the Saturday Evening Post in November 1909. It took him about half a month to write it and earned him five hundred dollars.




Writing the Nation: A Concise Introduction to American Literature 1865 to Present


Book Description

In 'Writing the Nation: A Concise Introduction to American Literature 1865 to Present,' editors Amy Berke, Robert Bleil, Jordan Cofer, and Doug Davis curate a comprehensive exploration of American literary evolution from the aftermath of the Civil War to contemporary times. This anthology expertly weaves a tapestry of diverse literary styles and themes, encapsulating the dynamic shifts in American culture and identity. Through carefully selected works, the collection illustrates the rich dialogue between historical contexts and literary expression, showcasing seminal pieces that have shaped American literatures landscape. The diversity of periods and perspectives offers readers a panoramic view of the countrys literary heritage, making it a significant compilation for scholars and enthusiasts alike. The contributing authors and editors, each with robust backgrounds in American literature, bring to the table a depth of scholarly expertise and a passion for the subject matter. Their collective work reflects a broad spectrum of American life and thought, aligning with major historical and cultural movements from Realism and Modernism to Postmodernism. This anthology not only marks the evolution of American literary forms and themes but also mirrors the nations complex history and diverse narratives. 'Writing the Nation' is an essential volume for those who wish to delve into the heart of American literature. It offers readers a unique opportunity to experience the multitude of voices, styles, and themes that have shaped the countrys literary tradition. This collection represents an invaluable resource for students, scholars, and anyone interested in the development of American literature and the cultural forces that have influenced it. The anthology invites readers to engage with the vibrant dialogue among its pages, fostering a deeper understanding and appreciation of the United States' literary and cultural heritage.




The Early Evolutionary Imagination


Book Description

Darwinian evolution is an imaginative problem that has been passed down to us unsolved. It is our most powerful explanation of humanity’s place in nature, but it is also more cognitively demanding and less emotionally satisfying than any myth. From the publication of the Origin of Species in 1859, evolution has pushed our capacity for storytelling into overdrive, sparking fairy tales, adventure stories, political allegories, utopias, dystopias, social realist novels, and existential meditations. Though this influence on literature has been widely studied, it has not been explained psychologically. This book argues for the adaptive function of storytelling, integrates traditional humanist scholarship with current knowledge about the evolved and adapted human mind, and calls for literary scholars to reframe their interpretation of the first authors who responded to Darwin.




Film Form


Book Description

A classic on the aesthetics of filmmaking from the pioneering Soviet director who made Battleship Potemkin. Though he completed only a half-dozen films, Sergei Eisenstein remains one of the great names in filmmaking, and is also renowned for his theory and analysis of the medium. Film Form collects twelve essays, written between 1928 and 1945, that demonstrate key points in the development of Eisenstein’s film theory and in particular his analysis of the sound-film medium. Edited, translated, and with an introduction by Jay Leyda, this volume allows modern-day film students and fans to gain insights from the man who produced classics such as Alexander Nevsky and Ivan the Terrible and created the renowned “Odessa Steps” sequence.




Understanding Philosophy of Science


Book Description

Few can imagine a world without telephones or televisions; many depend on computers and the Internet as part of daily life. Without scientific theory, these developments would not have been possible. In this exceptionally clear and engaging introduction to philosophy of science, James Ladyman explores the philosophical questions that arise when we reflect on the nature of the scientific method and the knowledge it produces. He discusses whether fundamental philosophical questions about knowledge and reality might be answered by science, and considers in detail the debate between realists and antirealists about the extent of scientific knowledge. Along the way, central topics in philosophy of science, such as the demarcation of science from non-science, induction, confirmation and falsification, the relationship between theory and observation and relativism are all addressed. Important and complex current debates over underdetermination, inference to the best explaination and the implications of radical theory change are clarified and clearly explained for those new to the subject.




How I Became a Socialist


Book Description

"How I Became a Socialist" is a 1903 essay by Jack London. John Griffith "Jack" London (1876 - 1916) was an American journalist, novelist, and social activist. He was amongst the first writers of fiction to receive international acclaim and earn a large fortune from their work. London was also a member of the radical literary group "The Crowd", as well as a vehement advocate of socialism. Other notable works by this author include: "White Fang" (1906), "Before Adam" (1907), and "The Iron Heel" (1908). This fascinating treatise explores the idea of socialism and the reasons for London's advocacy, making is a must-read for those with an interest in his his life and mind. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in an affordable, modern, high-quality addition complete with a specially commissioned new biography of the author.