Never Say Nigger Again!


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The first book to help well-meaning white people understand and address their unique brand of unintentional and unconscious racism.




Nigger


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Randall Kennedy takes on not just a word, but our laws, attitudes, and culture with bracing courage and intelligence—with a range of reference that extends from the Jim Crow south to Chris Rock routines and the O. J. Simpson trial. It’s “the nuclear bomb of racial epithets,” a word that whites have employed to wound and degrade African Americans for three centuries. Paradoxically, among many Black people it has become a term of affection and even empowerment. The word, of course, is nigger, and in this candid, lucidly argued book the distinguished legal scholar Randall Kennedy traces its origins, maps its multifarious connotations, and explores the controversies that rage around it. Should Blacks be able to use nigger in ways forbidden to others? Should the law treat it as a provocation that reduces the culpability of those who respond to it violently? Should it cost a person his job, or a book like Huckleberry Finn its place on library shelves?




White Liberal Identity, Literary Pedagogy, and Classic American Realism


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White Liberal Identity, Literary Pedagogy, and Classic American Realism brings literary works from the turn of the last century face to face with some of the dilemmas and paradoxes that currently define white liberal identity in the United States. Phillip Barrish develops fresh analytic and pedagogical tools for probing contemporary white liberalism, while also offering new critical insights and classroom approaches to American literary realism. New ground is broken by using bold close analysis of works by canonical American realist writers such as Henry James, Edith Wharton, Mark Twain, and Kate Chopin. These contexts include an affirmative-action court case, the liberal arts classroom, and the "war on drugs," as well as current debates about the United States' role on the international scene. Invoking a methodology that he calls "critical presentism," Barrish's book offers a fresh response to that perennial classroom question, often posed most forcefully by students committed to progressive political agendas: why devote so much time and effort to detailed analyses of canonical American literature? This book makes specific contributions not only to American literary and cultural studies, but also to critical race theory, masculinity studies, and critical pedagogy. -- from back cover.




Wind . Be Faithful to Me


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Told by the Colonel


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Maybe You Never Cry Again


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The film, television, and comedy legend tells the hilarious and moving story of how tough love, and a sense of humor made him the man he is today By the tender age of five, Bernie Mac had found his calling: making others laugh. He has since become the star and cocreator of Fox’s hit sitcom The Bernie Mac Show; a stand-up legend; and a hit movie star in Head of State and Charlie’s Angels: Full Throttle. Now this amazing comedian delves deep down inside to retell the poignant and hilarious story of his childhood and the people who helped shape him into the comedian—and the strong and self-reliant man—he is today. When young Bernie Mac lost his beloved mother to breast cancer, and faced an astounding number of other hardships, he remembered the “Mac-isms” she taught him: You have to meet all of the challenges, big and small. Because how you start is how you finish. If you want a helping hand, look at the end of your arm. These tough-love lessons gave him an inner strength that led him to choose hope over despair, and to follow his dreams. Maybe You Never Cry Again is a powerful testament to how a mother’s love made everything possible for Bernie Mac by teaching him to believe in himself.




The Idler


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Response


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A Wife Called for Such a Time as This


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We are all called for an assignment, yet sometimes it hurts you want never to forgive. Yet we must! I would wake many times a night between 3:00 and 4:00 a.m., hearing, "Tell them. It was not about those who betrayed you or those who left you. It is about a work I need to do in them, you, and others." It was ironic that day. I did not feel hurt. I did not feel pain. I felt numbness, yet not a numbness that paralyzed me. For I wanted to respond in some way. I became so angry, not angry at those who betrayed me or those who I loved and said they loved me yet walked away from me. For I know that they still loved me. They were not trying to hurt me; it was never their intention to hurt me. They were struggling as well. I was angry at Satan because he used people I love in a way to hurt me, hurt God, our church, my husband, our families, and others who love us. So what I learned to do and did was displace that anger on Satan, and not on them. And I thank God because he opened my eyes. When I read the scripture, which I have read before, "Jesus wept," I now realize why He was weeping. Jesus was weeping because He was angry at what Satan had done to His friend, to me, to some of you. So when this attack came, I knew I had to prepare for a battle. I had to put on my war clothes because, now, the attack was going to come not only from within but also from without.




The Grey Guest Chamber


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