New Drama in Russian


Book Description

How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has been written on this important theatrical movement. New Drama in Russian rectifies this. Through providing analytical surveys of this outspoken transnational genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in Russia, Ukraine and Belarus. Meticulously researched and elegantly argued, this book will be of immense value to scholars of Russian cultural history and post-Soviet literary studies.




New Russian Drama


Book Description

New Russian Drama took shape at the turn of the new millennium—a time of turbulent social change in Russia and the former Soviet republics. Emerging from small playwriting festivals, provincial theaters, and converted basements, it evolved into a major artistic movement that startled audiences with hypernaturalistic portrayals of sex and violence, daring use of non-normative language, and thrilling experiments with genre and form. The movement’s commitment to investigating contemporary reality helped revitalize Russian theater. It also provoked confrontations with traditionalists in society and places of power, making theater once again Russia’s most politicized art form. This anthology offers an introduction to New Russian Drama through plays that illustrate the versatility and global relevance of this exciting movement. Many of them address pressing social issues, such as ethnic tensions and political disillusionment; others engage with Russia’s rich cultural legacy by reimagining traditional genres and canons. Among them are a family drama about Anton Chekhov, a modern production play in which factory workers compose haiku, and a satirical verse play about the treatment of migrant workers, as well a documentary play about a terrorist school siege and a postdramatic “text” that is only two sentences long. Both politically and aesthetically uncompromising, they chart new paths for performance in the twenty-first century. Acquainting English-language readers with these vital works, New Russian Drama challenges us to reflect on the status and mission of the theater.




Transnational Russian Studies


Book Description

'[The book] shows that nationalist topoi inevitably have anti-transnational implications. [...] Vlad Strukov and Lara Ryazanova-Clarke look at Russian media ecology from the outside - from Latvia and the United Kingdom media ecology. Strukov's contribution conversely elaborates [...] the Russo-national centricity of the international media outlet of the Riga news portal Meduza, which he calls "transnational Russo-centrism".' Dirk Uffelmann, Zeitschrift für Slavische Philologie




Contemporary Queer Plays by Russian Playwrights


Book Description

Contemporary Queer Plays by Russian Playwrights is the first anthology of LGBTQ-themed plays written by Russian queer authors and straight allies in the 21st century. The book features plays by established and emergent playwrights of the Russian drama scene, including Roman Kozyrchikov, Andrey Rodionov and Ekaterina Troepolskaya, Valery Pecheykin, Natalya Milanteva, Olzhas Zhanaydarov, Vladimir Zaytsev, and Elizaveta Letter. Writing for children, teenagers, and adults, these authors explore gay, lesbian, trans, and other queer lives in prose and in verse. From a confession-style solo play to poetic satire on contemporary Russia; from a play for children to love dramas that have been staged for adult-only audiences in Moscow and other cities, this important anthology features work that was written around or after 2013-the year when the law on the prohibition of “propaganda of non-traditional sexual relations among minors” was passed by the Russian government. These plays are universal stories of humanity that spread a message of tolerance, acceptance, and love and make clear that a queer scenario does not necessarily have to end in a tragedy just because it was imagined and set in Russia. They show that breathing, growing old, falling in love, falling out of love, and falling in love again can be just as challenging and rewarding in Moscow and elsewhere in Russia as it can be in New York, Tokyo, Johannesburg, or Buenos Aires.




Art and Protest in Putin's Russia


Book Description

The Pussy Riot protest, and the subsequent heavy handed treatment of the protestors, grabbed the headlines, but this was not an isolated instance of art being noticeably critical of the regime. As this book, based on extensive original research, shows, there has been gradually emerging over recent decades a significant counter-culture in the art world which satirises and ridicules the regime and the values it represents, at the same time putting forward, through art, alternative values. The book traces the development of art and protest in recent decades, discusses how art of this kind engages in political and social protest, and provides many illustrations as examples of art as protest. The book concludes by discussing how important art has been in facilitating new social values and in prompting political protests.




The Drama of Russian Political History


Book Description

In his introduction, Alexander Obolonsky notes that Russian history and life are full of paradoxes, most of them rather sad. Why, he asks, have the Russians, who have not only been endowed by nature with enormous natural, human, and intellectual resources, but who have also developed a great literary and scientific heritage and made significant contributions to world civilization, proved unable to arrange the conditions of their own existence to realize their great potential? “What fundamental deficiency,” he wonders, “made this great anomaly possible?”Alexander Obolonsky has undertaken the formidable task of reinterpreting Russian history from the Time of Troubles and the reign of Ivan the Terrible to perestroika, glasnost, and the dismantling of the Soviet system under Gorbachev and Yeltsin. He seeks to understand the present and assess the social trends that will shape the future through a careful reconsideration of Russia’s past.In his sweeping analyses of historical trends, Obolonsky structures his analytic narrative around two opposed concepts–a system-centered understanding of social existence in which individuals are viewed as “cogs” functioning for the sake of the whole, and a liberal person-centered paradigm in which society seeks to promote the development of the individual.Obolonsky distrusts all monistic explanations, from Marxism and geopolitics to scientific and technological models. He prefers to utilize a variety of variables—ethical, economic, sociopsychological, cultural—to explain Russian history, presenting its course as a long-term and ongoing struggle between two competing models of life. Oblolonsky is neither a determinist nor a romantic. In his thought-provoking and historically grounded analysis, he challenges standard interpretations regarding Russia, the USSR, the role of political leaders, and the Russian people. Far from satisfied with Russia’s past, Obolonsky worries that Russia’s future will be tainted by the persistence of an anti-individualist mentality and attitudes shaped by centuries of autocratic rule and by a conservative mass consciousness rooted in Russian experience.Students of Russian history, politics, and culture, and also those interested in the broader issues of twentieth-century society will find this informative magnum opus of a senior Russian scholar insightful and thought-provoking.




Russian Literature since 1991


Book Description

Russian Literature since 1991 is the first comprehensive, single-volume compendium of modern scholarship on post-Soviet Russian literature. The volume encompasses broad, complex and diverse sources of literary material - from ideological and historical novels to experimental prose and poetry, from nonfiction to drama. Written by an international team of leading experts on contemporary Russian literature and culture, it presents a broad panorama of genres in post-Soviet literature such as postmodernism, magical historicism, hyper-naturalism (in drama), and the new lyricism. At the same time, it offers close readings of the most prominent works published in Russia since the end of the Soviet regime and elimination of censorship. The collection highlights the interdisciplinary context of twenty-first-century Russian literature and can be widely used both for research and teaching by specialists in and beyond Russian studies, including those in post-Cold War and post-communist world history, literary theory, comparative literature and cultural studies.




Revolutionary Social Democracy: Working-Class Politics Across the Russian Empire (1882-1917)


Book Description

This groundbreaking comparative study rediscovers the socialists of Russia’s borderlands, upending conventional interpretations of working-class politics and the Russian Revolution. Researched in eight languages, Revolutionary Social Democracy challenges long-held assumptions by scholars and activists about the dynamics of revolutionary change.




Transnational Russian Studies


Book Description

This book focuses on how Russia has perpetually redefined Russianness in reaction to the wider world. Treating culture as an expanding field, it offers original case studies in Russia’s imperial entanglements; the life of things ‘Russian’, including the language, beyond the nation’s boundaries, and Russia’s positioning in the globalized world.