A New-England Tale; Or, Sketches of New-England Character and Manners


Book Description

The Early American Women Writers series offers rare works of fiction by eighteenth- and nineteenth-century women, each reprinted it its entirety, each with a foreword by General Editor Cathy N. Davidson, who places the novel in a historical and literary perspective. Ranging from serious cautionary tales about moral corruption to amusing and trenchant social satire, these books provide today's reader with a unique window into the earliest American popular fiction and way of life. Written in 1822, A New-England Tale is the first of Catharine Sedgwick's twenty novels in addition to the one hundred short magazine pieces she published in her lifetime. The story of an orphan girl in rural New England and the moral and religious trials she faces as she grows up, this intriguing portrait provides a unique look at the religious and political climate of this crucial period in America's development as a country. Addressing many of the complex religious, political, and philosophical issues of the time, as well as theoretical issues of the woman writer, A New-England Tale is a classic nineteenth-century story of a young woman's moral and material triumphs.







Catharine Maria Sedgwick


Book Description

The essays in this volume examine the full breadth and complexity of the extensive oeuvre of American literary pioneer Catharine Maria Sedgwick (1789-1867).




A New-England Tale


Book Description

Jane Elton, orphaned as a young girl, goes to live with her aunt Mrs. Wilson, a selfish and overbearing woman who practices a repressive Calvinism. In their rural New England village, Jane grows up yearning to break free from Mrs. Wilson's tyranny and find her place as a citizen of the evolving American Republic. She is helped by her encounters with characters who embody various shadings of moral, religious, and civic virtue: the affectionate servant Mary Hull, a pious Methodist; Mr. Lloyd, a kind Quaker; Crazy Bet, emotional, sympathetic, but deeply unstable; and Old John, bereaved but wise. Ultimately, A New-England Tale is about the connection between parenting and governing, and the key role women play in shaping a fledgling nation. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.




A New-England Tale; Or, Sketches of New-England Character and Manners


Book Description

The Early American Women Writers series offers rare works of fiction by eighteenth- and nineteenth-century women, each reprinted it its entirety, each with a foreword by General Editor Cathy N. Davidson, who places the novel in a historical and literary perspective. Ranging from serious cautionary tales about moral corruption to amusing and trenchant social satire, these books provide today's reader with a unique window into the earliest American popular fiction and way of life. Written in 1822, A New-England Tale is the first of Catharine Sedgwick's twenty novels in addition to the one hundred short magazine pieces she published in her lifetime. The story of an orphan girl in rural New England and the moral and religious trials she faces as she grows up, this intriguing portrait provides a unique look at the religious and political climate of this crucial period in America's development as a country. Addressing many of the complex religious, political, and philosophical issues of the time, as well as theoretical issues of the woman writer, A New-England Tale is a classic nineteenth-century story of a young woman's moral and material triumphs.




Joinings and Disjoinings


Book Description

Joinings and Disjoinings illustrates the importance of marriage or singleness in short stories and novels and suggests the diverse perspectives the topic can provide on specific works and on analysis of the cultural importance of marriage and marital status. Essays discuss canonical and lesser-known works, providing social, historical, and literary context.




Acts of Modernity


Book Description

In Acts of Modernity, David Buchanan reads nineteenth-century historical novels from Scotland, America, France, and Canada as instances of modern discourse reflective of community concerns and methods that were transatlantic in scope. Following on revolutionary events at home and abroad, the unique combination of history and romance initiated by Walter Scott’s Waverley (1814) furthered interest in the transition to and depiction of the nation-state. Established and lesser-known novelists reinterpreted the genre to describe the impact of modernization and to propose coping mechanisms, according to interests and circumstances. Besides analysis of the chronotopic representation of modernity within and between national contexts, Buchanan considers how remediation enabled diverse communities to encounter popular historical novels in upmarket and downmarket forms over the course of the century. He pays attention to the way communication practices are embedded within and constitutive of the social lives of readers, and more specifically, to how cultural producers adapted the historical novel to dynamic communication situations. In these ways, Acts of Modernity investigates how the historical novel was repeatedly reinvented to effectively communicate the consequences of modernity as problem-solutions of relevance to people on both sides of the Atlantic.




A Passionate Usefulness


Book Description

In a literary environment dominated by men, the first American to earn a living as a writer and to establish a reputation on both sides of the Atlantic was, miraculously, a woman. Hannah Adams dared to enter--and in some ways was forced to enter--a sphere of literature that had, in eighteenth-century America, been solely a male province. Driven by poverty and necessity, and aided by an extraordinarily adept mind and keen sense of business, Adams authored works on New England history, sectarian history, and Jewish history, using and citing the most recent scholarly works being published in Great Britain and America. As a female writer, she would always remain something of an outsider, but her accomplishments did not by any means go unrecognized: embraced by the Boston intelligentsia and highly regarded throughout New England, Adams came to epitomize the possibility in a democratic society that anyone could rise to a circle of intellectual elites. In A Passionate Usefulness, the first book-length biography of this remarkable figure, Gary Schmidt focuses primarily on the intimate connection between Adams's reading and her own literary work. Hers is the story of incipient scholarship in the new nation, the story of a dependence that evolved into intellectual independence. Schmidt sets Adams's works in the context of her early poverty and desperate family situation, her decade-long feud with one of New England's most powerful Calvinist ministers, her alliance with the budding Unitarian movement in Boston, and her work establishing the first evangelical mission to Palestine (a task she accomplished virtually single-handedly). Today Adams still holds a place not only as a female writer who made her way economically in the book business before any other woman--or male writer--could do so, but also as a key figure in the transitional generation between the American Revolution and the Renaissance upon whose groundwork much of the country's later literature would build.







Fictional Females: Mirrors and Models


Book Description

Fictional Females is a book about books--specifically, about more than 160 American novels that had female protagonists, appeared between the immediate post-Revolutionary period and the beginning of World War II, and shaped as well as reflected women ́s lives. All 80 authors, both men and women, were bestsellers and/or critically acclaimed in their time, and their fiction provides a record of how successive generations of women accepted or challenged the conventions of their day and enjoyed the rewards or suffered the consequences of either choice. Today, an examination of those novels and the historical context in which they appeared illuminates the changing conscious and unconscious assumptions about the nature of woman--of what she is, what she wants, and what she gets--over the years.