The Collected Works of Walter Pater, Vol. IX: Correspondence


Book Description

Imaginary Portraits' is volume 3 in the ten-volume Collected Works of Walter Pater. Among Victorian writers, Pater (1839-1894) challenged academic and religious orthodoxies, defended 'the love of art for its own sake', developed a new genre of prose fiction (the 'imaginary portrait'), set new standards for intermedial and cross-disciplinary criticism, and made 'style' the watchword for creativity and life. Pater's Imaginary Portraits are among some of the most stylish and original pieces of short fiction in Victorian literature: portrayals of a series of handsome male protagonists across the ages of European history, set against a range of evocative European backdrops from Classical Greece to Medieval France, eighteenth-century Germany and modern England. Together, they constitute a remarkable testimony to Pater's profound understanding of centuries of cultural history, reworked in the0hybrid genre of the imaginary portrait as sophisticated portrait miniatures of minor characters touched and affected by major moments in European history. They question central issues of nationhood and belonging, a Pan-European cultural identity, and the fate of the individual in the face of collective history. As formative texts for Modernist writers like Joyce, Eliot, and Woolf, Pater's Imaginary Portraits had an impact which reached far beyond the nineteenth century.




Walter Pater


Book Description

Walter Pater (1839-94) was an active participant in the literary marketplace as an academic, journalist, critic, writer of short stories, and novelist at a time of the rise of English and of journalism, university reform, and the professionalisation and separating out of literature from journalism. He was also a classicist whose interest in Greek studies coincided with a commitment to explore in his writings the scope of male homosexual discourse. This critical study of a key figure in Victorian literary society examines Pater's work on art history, literature and Greek studies, as well as analysing the roles of gender and journalism in shaping his writing. Laurel Brake approaches Pater's writings from the prospective of cultural history - including publishing and the politics of literature and gender - and covers his key works, including Studies in the History of the Renaissance, Style, Imaginary Portraits, Marius the Epicurean, and Greek Studies.



















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Book Description