Louisiana Women


Book Description

Moving chronologically from the colonial period to the present, this collection of seventeen biographical essays provides a window into the social, cultural, and geographic milieu of women's lives in the state. Within the context of the historical forces that have shaped Louisiana, the contributors look at ways in which the women they profile either abided by prevailing gender norms or negotiated new models of behavior for themselves and other women.Louisiana Womenconcludes with an essay that examines women's active responses to problems that emerged in New Orleans after Hurricane Katrina. The women whose absorbing life stories are collected here include Marie Therese Coincoin, who was born a slave but later became a successful entrepreneur, and Oretha Castle Haley, civil rights activist and leader of the New Orleans chapter of CORE. From such well-known figures as author Kate Chopin and Voudou priestess Marie Laveau, to lesser known women such as Cajun musician Cleoma Breaux Falcon, this volume reveals a compelling cross section of historical figures. The women profiled vary by race, class, political affiliation, and religious persuasion, but they all share an unusual grit and determination that allowed them to turn trying circumstances into opportunity. Lively yet rigorous, these essays introduce readers to the courageous, dedicated, and inventive women who have been an essential part of Louisiana's history. Historical figures included: Marie Th?r?se Coincoin The Baroness Pontalba Marie Laveau Sarah Katherine (Kate) Stone Eliza Jane Nicholson Kate Chopin Grace King Louisa Williams Robinson, Her Daughters, and Her Granddaughters Clementine Hunter Dorothy Dix True Methodist Women Cleoma Breaux Falcon Caroline Dormon Mary Land Rowena Spencer Oretha Castle Haley Louisiana Women and Hurricane Katrina







Laughter in the Amen Corner


Book Description

Samuel Porter Jones (1847–1906)—“or just plain Sam Jones,” as he preferred to be called—was the foremost southern evangelist of the nineteenth century. With his high-spirited, often coarse, humor and his hyperbolic style, he excited audiences around the country and became a key influence on Billy Sunday, “Gypsy” Smith, and scores of lesser known evangelists. A leading political activist, he played an important role in the selling of a new industrialized South and was thus a clerical counterpart to his friend Henry Grady. In Laughter in the Amen Corner, the first scholarly biography of Jones, Kathleen Minnix reveals a figure of fascinating contradictions. Jones was an alcoholic who became a pivotal supporter of the prohibition movement. He advocated women's rights when most men preferred to keep women on pedestals, yet he followed the South in its drift towards malignant racism. He praised Catholics in an age that feared the “Romish heresy,” and he embraced Jews as fellow children of God when many saw them as Christ-killers. Even so, he was shrill in his insistence that Americans worship a Protestant God, and like many nativists, he called for the deportation of the “trash” who had landed at Ellis Island. Progressive in some respects and reactionary in others, he was, in the words of one contemporary, “a sanctified circus in full swing.” Deftly written and exhaustively researched, Laughter in the Amen Corner offers the first in-depth assessment of Sam Jones's impact on revivalism, the progressive movement, and the history of the South.




The Christian Advocate


Book Description







King of Ragtime


Book Description

In 1974, the academy award-winning film The Sting brought back the music of Scott Joplin, a black ragtime composer who died in 1917. Led by The Entertainer, one of the most popular pieces of the mid-1970s, a revival of his music resulted in events unprecedented in American musical history. Never before had any composer's music been so acclaimed by both the popular and classical music worlds. While reaching a "Top Ten" position in the pop charts, Joplin's music was also being performed in classical recitals and setting new heights for sales of classical records. His opera Treemonisha was performed both in opera houses and on Broadway. Destined to be the definitive work on the man and his music, King of Ragtime is written by Edward A. Berlin. A renowned authority on Joplin and the author of the acclaimed and widely cited Ragtime: A Musical and Cultural History, Berlin redefines the Scott Joplin biography. Using the tools of a trained musicologist, he has uncovered a vast amount of new information about Joplin. His biography truly documents the story of the composer, replacing the myths and unsupported anecdotes of previous histories. He shows how Joplin's opera Treemonisha was a tribute to the woman he loved, a woman other biographers never even mentioned. Berlin also reveals that Joplin was an associate of Irving Berlin, and that he accused Berlin of stealing his music to compose Alexander's Ragtime Band in 1911. Berlin paints a vivid picture of the ragtime years, placing Scott Joplin's story in its historical context. The composer emerges as a representative of the first post-Civil War generation of African Americans, of the men and women who found in the world of entertainment a way out of poverty and lowly social status. King of Ragtime recreates the excitement of these pioneers, who dreamed of greatness as they sought to expand the limits society placed upon their race.




Out of Sight


Book Description

A product of old-fashioned, back-wearying, foundational scholarship, yet very readable, this book is certain to feature importantly in future studies of early jazz and its prehistory. Highly recommended. ? Library Journal. This volume makes possible the study of the rise of black music in the days that paved the way for the Harlem Renaissance?the brass bands, the banjo and mandolin clubs, the male quartets, and theatrical companies. Summing up: Essential. ? Choice Outstanding Academic Title. A landmark study, based on thousands of music-related references mined by the authors from a variety of contemporaneous sources, especially African American community newspapers, Out of Sight examines musical personalities, issues, and events in context. It confronts the inescapable marketplace concessions musicians made to the period's prevailing racist sentiment. It describes the worldwide travels of jubilee singing companies, the plight of the great black prima donnas, and the evolution of ?authentic? African American minstrels. Generously reproducing newspapers and photographs, Out of Sight puts a face on musical activity in the tightly knit black communities of the day. Drawing on hard-to-access archival sources and song collections, the book is of crucial importance for understanding the roots of ragtime, blues, jazz, and gospel. Essential for comprehending the evolution and dissemination of African American popular music from 1900 to the present, Out of Sight paints a rich picture of musical variety, personalities, issues, and changes during the period that shaped American popular music and culture for the next hundred years.







The Reverend Peter W. Clark


Book Description

Peter Clarks ministerial journey provides an in-depth understanding of the sacrifices and hardships faced by black Methodist preachers as they spread the gospel and expanded Methodism in the late nineteenth century and early twentieth century. It provides deep insight into the racial attitudes and economic conditions that prevailed in post-Reconstruction Louisiana. - Angella Current-Felder, author, Breaking Barriers: An African American Family & the Methodist Story I could feel the story better than most because I had been down some of the same roads Peter Clark traveled, although a hundred years later and under more comfortable circumstances. - Rev. James L. Killen, Jr., author, Pastoral Care in the Small Membership Church We sensed Peter Clarks strength and leadership throughout this very turbulent and racially charged time in our history. He would have been honored to have his life written about with such loving care. - Rev. Cindy Foster Serio, spiritual director and retreat leader, Mosaic Spiritual Formation Ministry The information regarding tuberculosis is insightful. The biography walks the reader through some very important points and offers some food for thought on the thinking at the time and implications for the race, the individual and the family unit. - Dr. Lisa Armitige, medical consultant, Heartland National TB Center




The Social Gospel in Black and White


Book Description

In a major revision of accepted wisdom, this book, originally published by UNC Press in 1991, demonstrates that American social Christianity played an important role in racial reform during the period between Emancipation and the civil rights movement. As organizations created by the heirs of antislavery sentiment foundered in the mid-1890s, Ralph Luker argues, a new generation of black and white reformers--many of them representatives of American social Christianity--explored a variety of solutions to the problem of racial conflict. Some of them helped to organize the Federal Council of Churches in 1909, while others returned to abolitionist and home missionary strategies in organizing the NAACP in 1910 and the National Urban League in 1911. A half century later, such organizations formed the institutional core of America's civil rights movement. Luker also shows that the black prophets of social Christianity who espoused theological personalism created an influential tradition that eventually produced Martin Luther King Jr.