The Art of Nigerian Women


Book Description

The Art of Nigerian Women by Chukwuemeka Bosah is a tightly packaged tome--an astonishingly delightful companion to a meme that was broached in the author's A Celebration of Modern Nigerian Art: 101 Nigerian Artists, published in 2010. In the current volume, Bosah marshals the intellectual capacity of some of the best scholars and curatorial impresarios in the field to contextualize the diversity of works of the artists featured. This work is a feat that must be acknowledged by students of Nigerian art for a number of reasons. First, this book contributes significantly to our knowledge of Nigerian art by its lasered focus on Nigerian women. Second, the author brings to the fore, in the process, a smorgasbord of creative enactments and analyses in an assortment of media by our womenfolk. Third, while Nigeria now boasts of a budding tribe of scholars on the visual arts, this is the first time, to my knowledge, that a book of this type has been published. And this brings us to the fourth reason: this book is the irrefutable demonstration of the maxim about lions having their own historians to obviate distortions that hunters would bring to the history of the hunt. This is a pioneering work, one that deserves a prominent place on the shelves of corporate, institutional, college, and personal libraries. Bosah deserves our admiration for the courage and resources ploughed into this work.







Postcolonial Modernism


Book Description

Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.




Artists of Nigeria


Book Description

Charts the development of modern Nigerian art, analyzing the achievements of leading artists while exploring arts movements within and surrounding the country throughout the past century, in a volume that includes coverage of the works of Olowere and Uche Okeke.










The Woman with the Artistic Brush


Book Description

Nike Davies is one of the few African women known internationally in contemporary art circles. The Woman with the Artistic Brush traces her life history and illustrates the strategies developed by women to mitigate male rule. Presenting a critique of the woman's place in contemporary Yoruba society from the perspective of a woman who lived it, this book covers Nike's life from the time of her mother's death when Nike was six to the culmination of her dream in the creation, against severe societal odds, of a center for arts and culture that has over 120 members. Along the way, The Woman with the Artistic Brush details how Nike ran away from home and joined a traveling theater group after her father tried to arrange her marriage, subsequently married and joined in the polygynous household of a noted artist from the popular Osogbo school, and finally broke clear of that situation after suffering sixteen years of domestic violence. The Woman with the Artistic Brush is another superb contribution to the Foremother Legacies series.




Reclaim


Book Description

Little has been published about African women artists to date. This is due to a general Western hegemony over the construction of histories and discourses, but also to discrimination against women across national borders. This publication attempts to fill some of the gaps and explore the patterns underlying these dynamics. It brings together research on the practices and lives of women from different African countries, from modernist artists to independence activists to contemporary voices. These proceedings emerge from the symposium "Reclaim: Narratives of African Women Artists," organised by AWARE: Archives of Women Artists, Research and Exhibitions in partnership with the Ecole du Louvre as part of the Africa2020 Season. They are a contribution to the revalorisation of the role of African women artists in cultural history, but also to broader reflections on the mechanisms of knowledge production both in Africa and in the West.