Noël Coward in Two Keys


Book Description

Two existing plays, a one act and a two act, both utilising the same setting and cast numbers (including one common character) presented in a single production. These two plays are also part of the set: Suite in three keys.




New York Magazine


Book Description

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.







Richard Barr


Book Description

In Richard Barr: The Playwright’s Producer, author David A. Crespy investigates the career of one of the theatre’s most vivid luminaries, from his work on the film and radio productions of Orson Welles to his triumphant—and final—production of Stephen Sondheim’s Sweeney Todd: The Demon Barber of Fleet Street. Explored in detail along the way are the producer’s relationship with playwright Edward Albee, whose major plays such as A Zoo Story and Who’s Afraid of Virginia Woolf Barr was the first to produce, and his innovative productions of controversial works by playwrights like Samuel Beckett, Terrence McNally, and Sam Shepard. Crespy draws on Barr’s own writings on the theatre, his personal papers, and more than sixty interviews with theatre professionals to offer insight into a man whose legacy to producers and playwrights resounds in the theatre world. Also included in the volume are a foreword and an afterword by Edward Albee, a three-time Pulitzer Prize–winning playwright and one of Barr’s closest associates.




The Noel Coward Diaries


Book Description

'A gold mine of gossip with a cast of thousands' GUARDIAN The unexpurgated diaries of one of the greatest, most talented, and wittily flamboyant characters of the 20th century - with a new introduction by Stephen Fry 'Compulsive reading' SUNDAY TIMES '19th February 1956. A A Milne has died. Lord Beaverbrook has not ... Larry is going to make a movie of The Sleeping Prince with Marilyn Monroe, which might conceivably drive him round the bend' '28th February 1960 Princess Margaret has announced her engagement to Tony Armstrong-Jones ... He looks quite pretty, but whether or not the marriage is entirely suitable remains to be seen.' Noel Coward was a renowned actor, dramatist, director - and star. His incredible zest, versatility and unrivalled wit are revealed in these diaries, with a cast of characters ranging from The Beatles to the Queen, Churchill to Marilyn Monroe. Touching, funny and revealing, THE NOEL COWARD DIARIES is a superb account of one of the greatest entertainers of all time.




The New York Times Theatre Reviews 1999-2000


Book Description

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.




Theatre World


Book Description

(Theatre World). Highlights of this new Theatre World , now in its 57th year, include The Producers with Matthew Broderick and Nathan Lane, One Flew Over the Cuckoo's Nest with Gary Sinise, Judgment at Nuremberg with Maximillian Schell, Design for Livin g with Alan Cumming, 42nd Street , A Class Act and Lily Tomlin's The Search for Signs of Intelligent Life in the Universe . During the 2000-2001 season, Theatre World was awarded with a Special Tony Honor for Excellence in the Theatre. Theatre World , the statistical and pictorial record of the Broadway and Off-Broadway season, touring companies and professional regional companies throughout the United States, is a classic in its field. The book is complete with cast listings, replacements, producers, directors, authors, composers, opening and closing dates, song titles and much, much more. There are special sections with autobiographical data, obituary information and major drama awards. New features to this edition include: an introduction by editor John Willis; separate Off-Broadway and Off-Off Broadway sections; new Longest Runs listing; and an expanded Awards and Regionals section. "Nothing brings back a theatrical season better, or holds on to it more lovingly, than John Willis' Theatre World ." Harry Haun, Playbill




Ottemiller's Index to Plays in Collections


Book Description

The standard location tool for full-length plays published in collections and anthologies in England and the United States since the beginning of the 20th century, Ottemiller's Index to Plays in Collections has undergone seven previous editions, the latest in 1988, covering 1900 through 1985. In this new edition, Denise Montgomery has expanded the volume to include collections published in the entire English-speaking world through 2000 and beyond. This new volume lists more than 3,500 new plays and 2,000 new authors, as well as birth and/or death information for hundreds of authors. Representing the largest expansion between editions, this updated volume is a valuable resource for libraries worldwide.




Historical Dictionary of Contemporary American Theater


Book Description

Historical Dictionary of Contemporary American Theater. Second Edition covers theatrical practice and practitioners as well as the dramatic literature of the United States of America from 1930 to the present. The 90 years covered by this volume features the triumph of Broadway as the center of American drama from 1930 to the early 1960s through a Golden Age exemplified by the plays of Eugene O’Neill, Elmer Rice, Thornton Wilder, Lillian Hellman, Tennessee Williams, Arthur Miller, William Inge, Lorraine Hansberry, and Edward Albee, among others. The impact of the previous modernist era contributed greatly to this period of prodigious creativity on American stages. This volume will continue through an exploration of the decline of Broadway as the center of U.S. theater in the 1960s and the evolution of regional theaters, as well as fringe and university theaters that spawned a second Golden Age at the millennium that produced another – and significantly more diverse – generation of significant dramatists including such figures as Sam Shepard, David Mamet, Maria Irené Fornes, Beth Henley, Terrence McNally, Tony Kushner, Paula Vogel, Lynn Nottage, Suzan-Lori Parks, Sarah Ruhl, and numerous others. The impact of the Great Depression and World War II profoundly influenced the development of the American stage, as did the conformist 1950s and the revolutionary 1960s on in to the complex times in which we currently live. Historical Dictionary of the Contemporary American Theater, Second Edition contains a chronology, an introduction, and an extensive bibliography. The dictionary section has more than 1.000 cross-referenced entries on plays, playwrights, directors, designers, actors, critics, producers, theaters, and terminology. This book is an excellent resource for students, researchers, and anyone wanting to know more about American theater.




The Dream


Book Description

A passionate clear-sighted look at the day-to-day life of a working actor, The Dream follows Leigh Lawson as he performs with the Royal Shakespeare Company, taking a brief excursion to America to appear in a Coward double-bill. Invited by the RSC to play both Oberon and Theseus in A Midsummer Night's Dream, he navigates his way through the separate difficulties posed by each role, survives the first night at London's Barbican, and returns to Stratford upon Avon, the scene of many of his childhood escapades and the source of his love affair with the theatre. The book draws the reader inside the mind of an actor: his fears and reveries; his pragmatism and superstition; his shifting feelings about rehearsals and performances, and the oddities of audiences. Vivid, warm-hearted and perceptive, The Dream will delight everybody with an interest in the theatre.