Book Description
She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed indigenous peoples.
Author : Renée Hulan
Publisher : McGill-Queen's Press - MQUP
Page : 256 pages
File Size : 23,21 MB
Release : 2002
Category : Literary Criticism
ISBN : 0773522271
She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed indigenous peoples.
Author : Renée Hulan
Publisher : McGill-Queen's Press - MQUP
Page : 262 pages
File Size : 12,22 MB
Release : 2002
Category : Literary Criticism
ISBN : 9780773522282
In Northern Experience and the Myths of Canadian Culture Renée Hulan disputes the notion that the north is a source of distinct collective identity for Canadians. Through a synthesis of critical, historical, and theoretical approaches to northern subjects in literary studies, she challenges the epistemology used to support this idea. By investigating mutually dependent categories of identity in literature that depicts northern peoples and places, Hulan provides a descriptive account of representative genres in which the north figures as a central theme - including autobiography, adventure narrative, ethnography, fiction, poetry, and travel writing. She considers each of these diverse genres in terms of the way it explains the cultural identity of a nation formed from the settlement of immigrant peoples on the lands of dispossessed, indigenous peoples. Reading against the background of contemporary ethnographic, literary, and cultural theory, Hulan maintains that the collective Canadian identity idealized in many works representing the north does not occur naturally but is artificially constructed in terms of characteristics inflected by historically contingent ideas of gender and race, such as self-sufficiency, independence, and endurance, and that these characteristics are evoked to justify the nationhood of the Canadian state.
Author : Marit K. Munson
Publisher : McGill-Queen's Press - MQUP
Page : 517 pages
File Size : 47,31 MB
Release : 2013-10-01
Category : Social Science
ISBN : 0773589201
Before Ontario there was ice. As the last ice age came to an end, land began to emerge from the melting glaciers. With time, plants and animals moved into the new landscape and people followed. For almost 15,000 years, the land that is now Ontario has provided a home for their descendants: hundreds of generations of First Peoples. With contributions from the province's leading archaeologists, Before Ontario provides both an outline of Ontario's ancient past and an easy to understand explanation of how archaeology works. The authors show how archaeologists are able to study items as diverse as fish bones, flakes of stone, and stains in the soil to reconstruct the events and places of a distant past - fishing parties, long-distance trade, and houses built to withstand frigid winters. Presenting new insights into archaeology’s purpose and practice, Before Ontario bridges the gap between the modern world and a past that can seem distant and unfamiliar, but is not beyond our reach. Contributors include Christopher Ellis (University of Western Ontario), Neal Ferris (University of Western Ontario/Museum of Ontario Archaeology), William Fox (Canadian Museum of Civilization/Royal Ontario Museum), Scott Hamilton (Lakehead University), Susan Jamieson (Trent University Archaeological Research Centre - TUARC), Mima Kapches (Royal Ontario Museum), Anne Keenleyside (TUARC), Stephen Monckton (Bioarchaeological Research), Marit Munson (TUARC), Kris Nahrgang (Kawartha Nishnawbe First Nation), Suzanne Needs-Howarth (Perca Zooarchaeological Research), Cath Oberholtzer (TUARC), Michael Spence (University of Western Ontario), Andrew Stewart (Strata Consulting Inc.), Gary Warrick (Wilfrid Laurier University), and Ron Williamson (Archaeological Services Inc).
Author : Lorna Roth
Publisher : McGill-Queen's Press - MQUP
Page : 324 pages
File Size : 46,36 MB
Release : 2005
Category : Business & Economics
ISBN : 9780773528567
A definitive history of the pioneering efforts of Television Northern Canada and APTN.
Author : Mick Smith
Publisher : Routledge
Page : 335 pages
File Size : 38,50 MB
Release : 2016-05-06
Category : Science
ISBN : 1317144643
Recent years have witnessed a rapid rise in engagement with emotion and affect across a broad range of disciplines in the humanities and social sciences, with geographers among others making a significant contribution by examining the emotional intersections between people and places. Building on the achievements of Emotional Geographies (2005), the editors have brought together leading scholars such as Nigel Thrift, Alphonso Lingis and Frances Dyson as well as young, up and coming academics from a diverse range of disciplines to investigate feelings and affect in various spatial and social contexts, environments and landscapes. The book is divided into five sections covering the themes of remembering, understanding, mourning, belonging, and enchanting.
Author : Renée Hulan
Publisher : Springer
Page : 94 pages
File Size : 22,45 MB
Release : 2017-11-29
Category : Literary Criticism
ISBN : 3319693298
Climate Change and Writing the Canadian Arctic explores the impact of climate change on Canadian literary culture. Analysis of the changing rhetoric surrounding the discovery of the lost ships of the Franklin expedition serves to highlight the political and economic interests that have historically motivated Canada’s approach to the Arctic and shaped literary representations. A recent shift in Canadian writing away from national sovereignty to circumpolar stewardship is revealed in detailed close readings of Kathleen Winter’s Boundless and Sheila Watt-Cloutier’s The Right to Be Cold.
Author : Daniel Fischlin
Publisher : Duke University Press
Page : 213 pages
File Size : 31,62 MB
Release : 2020-04-24
Category : Music
ISBN : 1478009128
The contributors to Playing for Keeps examine the ways in which musical improvisation can serve as a method for negotiating violence, trauma, systemic inequality, and the aftermaths of war and colonialism. Outlining the relation of improvisatory practices to local and global power structures, they show how in sites as varied as South Africa, Canada, Egypt, the United States, and the Canary Islands, improvisation provides the means for its participants to address the past and imagine the future. In addition to essays, the volume features a poem by saxophonist Matana Roberts, an interview with pianist Vijay Iyer about his work with U.S. veterans of color, and drawings by artist Randy DuBurke that chart Nina Simone's politicization. Throughout, the contributors illustrate how improvisation functions as a model for political, cultural, and ethical dialogue and action that can foster the creation of alternate modes of being and knowing in the world. Contributors. Randy DuBurke, Rana El Kadi, Kevin Fellezs, Daniel Fischlin, Kate Galloway, Reem Abdul Hadi, Vijay Iyer, Mark Lomanno, Moshe Morad, Eric Porter, Sara Ramshaw, Matana Roberts, Darci Sprengel, Paul Stapleton, Odeh Turjman, Stephanie Vos
Author : Janne Korkka
Publisher : Rodopi
Page : 315 pages
File Size : 27,71 MB
Release : 2013-09-01
Category : Literary Criticism
ISBN : 9401209790
The problems of knowing and representing the other are acute every time we encounter a text as writers or readers. Ethical Encounters engages with the representation of encounters with alterity in the writings of the Canadian author Rudy Wiebe. Drawing on Emmanuel Levinas’s philosophy on the ethics of encountering the other, the book argues that Wiebe’s writings show that the self’s knowledge offers an inadequate basis for ethically valid representations of those encounters. In the search for ethical ways of engaging with alterity, Wiebe’s writings offer new ways of employing silence and the presence of the unknowable as means to explore encounters with alterity. Ethical Encounters shows that dividing Wiebe’s work into two sharply distinct categories of ‘Mennonite’ and ‘First Nations’ writings overlooks important connections between the author’s central works and may seriously hinder the interrogation of narrative engagement with alterity. While such human encounters resonate against ethical strategies of representation, the greatest challenge for the ethics of encounter in Wiebe’s texts arises in encounters with the alterity of space. Ethical Encounters engages with both physical and narrative spaces which are not permanently fixed in landscape or geography, or in human perceptions of place, arguing that the most radical expressions of alterity in Wiebe’s writings emerge in encounters with the spaces of the Canadian North. The study raises questions about the relationship between the self and the other as they concern knowing: what does the self know when it claims to know another person or space? How does the narrating self negotiate the seeming collapse of its own knowledge when it encounters others whose stories cannot be known? Ethical Encounters casts new light not just on Wiebe’s writings but also on how we as authors and readers engage with expressions of alterity which refuse to be transformed into familiar, knowable forms. Janne Korkka is post-doctoral researcher and coordinator of the North American Studies programme in the Department of English, University of Turku, Finland. His main research interests lie in the problems of representing space and encountering alterity in Canadian writing. He is co-editor of Seeking the Self – Encountering the Other: Diasporic Narrative and the Ethics of Representation (2008). He teaches Canadian and postcolonial literatures and North American Studies, and publishes mainly on Canadian writing.
Author : Carol Payne
Publisher : McGill-Queen's Press - MQUP
Page : 265 pages
File Size : 20,63 MB
Release : 2013-06-01
Category : Photography
ISBN : 0773588949
Mandated to foster a sense of national cohesion The National Film Board of Canada's Still Photography Division was the country's official photographer during the mid-twentieth century. Like the Farm Security Administration and other agencies in the US, the NFB used photographs to serve the nation. Division photographers shot everything from official state functions to images of the routine events of daily life, producing some of the most dynamic photographs of the time, seen by millions of Canadians - and international audiences - in newspapers, magazines, exhibitions, and filmstrips. In The Official Picture, Carol Payne argues that the Still Photography Division played a significant role in Canadian nation-building during WWII and the two decades that followed. Payne examines key images, themes, and periods in the Division's history - including the depiction of women munitions workers, landscape photography in the 1950s and 60s, and portraits of Canadians during the Centennial in 1967 - to demonstrate how abstract concepts of nationhood and citizenship, as well as attitudes toward gender, class, linguistic identity, and conceptions of race were reproduced in photographs. The Official Picture looks closely at the work of many Division photographers from staff members Chris Lund and Gar Lunney during the 1940s and 1950s to the expressive documentary photography of Michel Lambeth, Michael Semak, and Pierre Gaudard, in the 1960s and after. The Division also produced a substantial body of Northern imagery documenting Inuit and Native peoples. Payne details how Inuit groups have turned to the archive in recent years in an effort to reaffirm their own cultural identity. For decades, the Still Photography Division served as the country's image bank, producing a government-endorsed "official picture" of Canada. A rich archival study, The Official Picture brings the hisotry of the Division, long overshadowed by the Board's cinematic divisions, to light.
Author : Bruce Erickson
Publisher : UBC Press
Page : 253 pages
File Size : 22,64 MB
Release : 2013-06-15
Category : History
ISBN : 0774822511
More than an ancient means of transportation and trade, the canoe has come to be a symbol of Canada itself. In Canoe Nation, Bruce Erickson chronicles the story of the canoe in the Canadian imagination. He argues that the canoe’s sentimental power has come about through a set of narratives that attempt to legitimize a particular vision of Canada and explores how the canoe went from being an industrial-economic vehicle to a purely recreational vessel. From Alexander Mackenzie to Grey Owl to Pierre Elliott Trudeau, the canoe has been overvalued as a connection to the “nature” of Canada. Examining voyageur re-enactments, turn-of-the-century sportsman stories, and the subsequent “greening” of the canoe, this book shows how this symbol authenticates Canada’s reputation as a tolerant, environmentalist nation, even when there is abundant evidence to the contrary. Ultimately, the stories we tell about the canoe need to be understood as moments in the ever-contested field of cultural politics.