Notes on the Ancient Geography of Gandhara
Author : Alfred Foucher
Publisher :
Page : 62 pages
File Size : 18,95 MB
Release : 1915
Category : Gandhara (India)
ISBN :
Author : Alfred Foucher
Publisher :
Page : 62 pages
File Size : 18,95 MB
Release : 1915
Category : Gandhara (India)
ISBN :
Author : Alfred Foucher
Publisher :
Page : 39 pages
File Size : 44,5 MB
Release : 1974
Category : Khyber Pakhtunkhwa (Pakistan)
ISBN :
Author : Wannaporn Rienjang
Publisher : Archaeopress
Page : 202 pages
File Size : 35,94 MB
Release : 2019-03-15
Category : Art
ISBN : 1789691877
Gandhāran art is usually regarded as a single phenomenon – a unified regional artistic tradition or 'school'. Indeed it has distinctive visual characteristics, materials, and functions, and is characterized by its extensive borrowings from the Graeco-Roman world. Yet this tradition is also highly varied. Even the superficial homogeneity of Gandhāran sculpture, which constitutes the bulk of documented artistic material from this region in the early centuries AD, belies a considerable range of styles, technical approaches, iconographic choices, and levels of artistic skill. The geographical variations in Gandhāran art have received less attention than they deserve. Many surviving Gandhāran artefacts are unprovenanced and the difficulty of tracing substantial assemblages of sculpture to particular sites has obscured the fine-grained picture of its artistic geography. Well documented modern excavations at particular sites and areas, such as the projects of the Italian Archaeological Mission in the Swat Valley, have demonstrated the value of looking at sculptures in context and considering distinctive aspects of their production, use, and reuse within a specific locality. However, insights of this kind have been harder to gain for other areas, including the Gandhāran heartland of the Peshawar basin. Even where large collections of artworks can be related to individual sites, the exercise of comparing material within and between these places is still at an early stage. The relationship between the Gandhāran artists or 'workshops', particular stone sources, and specific sites is still unclear. Addressing these and other questions, this second volume of the Gandhara Connections project at Oxford University’s Classical Art Research Centre presents the proceedings of a workshop held in March 2018. Its aim is to pick apart the regional geography of Gandhāran art, presenting new discoveries at particular sites, textual evidence, and the challenges and opportunities of exploring Gandhāra’s artistic geography.
Author : Royal Institute of British Architects
Publisher :
Page : 374 pages
File Size : 23,3 MB
Release : 1916
Category : Architecture
ISBN :
Author : Sally Wriggins
Publisher : Routledge
Page : 308 pages
File Size : 15,50 MB
Release : 2020-06-11
Category : Political Science
ISBN : 1000011097
The saga of the seventh-century Chinese monk Xuanzang, who completed an epic sixteen-year journey to discover the heart of Buddhism at its source in India, is a splendid story of human struggle and triumph. One of China's great heroes, Xuanzang is introduced here for the first time to Western readers in this richly illustrated book.
Author : Asiatic Society (Kolkata, India)
Publisher :
Page : 546 pages
File Size : 49,74 MB
Release : 1921
Category : Asia
ISBN :
Includes indexes to Numismatic supplements.
Author :
Publisher :
Page : 532 pages
File Size : 45,40 MB
Release : 1921
Category : Asia
ISBN :
Includes section "Numismatic supplement," no. 5-45 (previously issued in the society's Journal, later in its Journal, 3rd ser.).
Author : Royal Asiatic Society of Bengal
Publisher :
Page : 566 pages
File Size : 49,59 MB
Release : 1921
Category :
ISBN :
Author : Mishi Saran
Publisher : Penguin Books India
Page : 460 pages
File Size : 33,73 MB
Release : 2012-07
Category : Fiction
ISBN : 9780143064398
No Marketing Blurb
Author : Benjamin Fleming
Publisher : Routledge
Page : 414 pages
File Size : 47,94 MB
Release : 2014-03-26
Category : Religion
ISBN : 1135013721
Traditionally, research on the history of Asian religions has been marked by a bias for literary evidence, privileging canonical texts penned in ‘classical’ languages. Not only has a focus on literary evidence shaped the dominant narratives about the religious histories of Asia, in both scholarship and popular culture, but it has contributed to the tendency to study different religious traditions in relative isolation from one another. Today, moreover, historical work is often based on modern textual editions and, increasingly, on electronic databases. What may be lost, in the process, is the visceral sense of the text as artifact – as a material object that formed part of a broader material culture, in which the boundaries between religious traditions were sometimes more fluid than canonical literature might suggest. This volume brings together specialists in a variety of Asian cultures to discuss the methodological challenges involved in integrating material evidence for the reconstruction of the religious histories of South, Southeast, Central, and East Asia. By means of specific ‘test cases,’ the volume explores the importance of considering material and literary evidence in concert. What untold stories do these sources help us to recover? How might they push us to reevaluate historical narratives traditionally told from literary sources? By addressing these questions from the perspectives of different subfields and religious traditions, contributors map out the challenges involved in interpreting different types of data, assessing the problems of interpretation distinct to specific types of material evidence (e.g., coins, temple art, manuscripts, donative inscriptions) and considering the issues raised by the different patterns in the preservation of such evidence in different locales. Special attention is paid to newly-discovered and neglected sources; to our evidence for trade, migration, and inter-regional cultural exchange; and to geographical locales that served as "contact zones" connecting cultures. In addition, the chapters in this volume represent the rich range of religious traditions across Asia – including Hinduism, Buddhism, Taoism, Shinto, and Chinese religions, as well as Islam and eastern Christianities.