Notes on the Authorship of the Shakespeare Plays and Poems
Author : Basil Edwin Lawrence
Publisher :
Page : 412 pages
File Size : 36,11 MB
Release : 1925
Category :
ISBN :
Author : Basil Edwin Lawrence
Publisher :
Page : 412 pages
File Size : 36,11 MB
Release : 1925
Category :
ISBN :
Author : James Shapiro
Publisher : Simon and Schuster
Page : 356 pages
File Size : 25,97 MB
Release : 2011-04-19
Category : Biography & Autobiography
ISBN : 1416541632
Shakespeare scholar James Shapiro explains when and why so many people began to question whether Shakespeare wrote his plays.
Author : Patrick Cheney
Publisher : Cambridge University Press
Page : 297 pages
File Size : 47,38 MB
Release : 2008-06-26
Category : Literary Criticism
ISBN : 0521881668
This book considers Shakespeare as a literary figure, analysing his full professional career, both poetry and plays.
Author : John Hudson
Publisher : Amberley Publishing Limited
Page : 481 pages
File Size : 34,49 MB
Release : 2014-03-15
Category : Literary Criticism
ISBN : 1445621665
Amelia Bassano Lanier is proved to be a strong candidate for authorship of Shakespeare's plays: Hudson looks at the fascinating life of this woman, believed by many to be the dark lady of the sonnets, and presents the case that she may have written Shakespeare's plays.
Author : William Shakespeare
Publisher : BoD – Books on Demand
Page : 149 pages
File Size : 16,90 MB
Release : 2024-05-28
Category : Fiction
ISBN : 3368727974
Reprint of the original, first published in 1843.
Author : Scott McCrea
Publisher : Praeger
Page : 304 pages
File Size : 27,48 MB
Release : 2005-01-30
Category : Literary Criticism
ISBN :
Demonstrates that William Shakespeare of Stratford-upon-Avon really did write the plays and poems attributed to him via a literary forensics case that puts all other authorship theories to rest.
Author : Jeffrey Kahan
Publisher : Routledge
Page : 385 pages
File Size : 19,71 MB
Release : 2008-04-18
Category : Literary Criticism
ISBN : 1135973652
Is King Lear an autonomous text, or a rewrite of the earlier and anonymous play King Leir? Should we refer to Shakespeare’s original quarto when discussing the play, the revised folio text, or the popular composite version, stitched together by Alexander Pope in 1725? What of its stage variations? When turning from page to stage, the critical view on King Lear is skewed by the fact that for almost half of the four hundred years the play has been performed, audiences preferred Naham Tate's optimistic adaptation, in which Lear and Cordelia live happily ever after. When discussing King Lear, the question of what comprises ‘the play’ is both complex and fragmentary. These issues of identity and authenticity across time and across mediums are outlined, debated, and considered critically by the contributors to this volume. Using a variety of approaches, from postcolonialism and New Historicism to psychoanalysis and gender studies, the leading international contributors to King Lear: New Critical Essays offer major new interpretations on the conception and writing, editing, and cultural productions of King Lear. This book is an up-to-date and comprehensive anthology of textual scholarship, performance research, and critical writing on one of Shakespeare's most important and perplexing tragedies. Contributors Include: R.A. Foakes, Richard Knowles, Tom Clayton, Cynthia Clegg, Edward L. Rocklin, Christy Desmet, Paul Cantor, Robert V. Young, Stanley Stewart and Jean R. Brink
Author : John Casson
Publisher : Amberley Publishing Limited
Page : 559 pages
File Size : 40,11 MB
Release : 2016-04-15
Category : Literary Criticism
ISBN : 1445654679
Who really wrote the plays of Shakespeare?
Author : Mark Twain
Publisher : Library of Alexandria
Page : 7 pages
File Size : 47,86 MB
Release : 2020-09-28
Category : Fiction
ISBN :
Is Shakespeare Dead? is a short, semi-autobiographical work by American humorist Mark Twain. It explores the controversy over the authorship of the Shakespearean literary canon via satire, anecdote, and extensive quotation of contemporary authors on the subject. Mark Twain, pseudonym of Samuel Langhorne Clemens, (born November 30, 1835, Florida, Missouri, U.S.--died April 21, 1910, Redding, Connecticut), American humorist, journalist, lecturer, and novelist who acquired international fame for his travel narratives, especially The Innocents Abroad (1869), Roughing It (1872), and Life on the Mississippi (1883), and for his adventure stories of boyhood, especially The Adventures of Tom Sawyer (1876) and Adventures of Huckleberry Finn (1885). A gifted raconteur, distinctive humorist, and irascible moralist, he transcended the apparent limitations of his origins to become a popular public figure and one of America's best and most beloved writers. Samuel Clemens, the sixth child of John Marshall and Jane Lampton Clemens, was born two months prematurely and was in relatively poor health for the first 10 years of his life. His mother tried various allopathic and hydropathic remedies on him during those early years, and his recollections of those instances (along with other memories of his growing up) would eventually find their way into Tom Sawyer and other writings. Because he was sickly, Clemens was often coddled, particularly by his mother, and he developed early the tendency to test her indulgence through mischief, offering only his good nature as bond for the domestic crimes he was apt to commit. When Jane Clemens was in her 80s, Clemens asked her about his poor health in those early years: "I suppose that during that whole time you were uneasy about me?" "Yes, the whole time," she answered. "Afraid I wouldn't live?" "No," she said, "afraid you would." Insofar as Clemens could be said to have inherited his sense of humour, it would have come from his mother, not his father. John Clemens, by all reports, was a serious man who seldom demonstrated affection. No doubt his temperament was affected by his worries over his financial situation, made all the more distressing by a series of business failures. It was the diminishing fortunes of the Clemens family that led them in 1839 to move 30 miles (50 km) east from Florida, Missouri, to the Mississippi River port town of Hannibal, where there were greater opportunities. John Clemens opened a store and eventually became a justice of the peace, which entitled him to be called "Judge" but not to a great deal more. In the meantime, the debts accumulated. Still, John Clemens believed the Tennessee land he had purchased in the late 1820s (some 70,000 acres [28,000 hectares]) might one day make them wealthy, and this prospect cultivated in the children a dreamy hope. Late in his life, Twain reflected on this promise that became a curse: It put our energies to sleep and made visionaries of us--dreamers and indolent....It is good to begin life poor; it is good to begin life rich--these are wholesome; but to begin it prospectively rich! The man who has not experienced it cannot imagine the curse of it.
Author : Emma Smith
Publisher : Vintage
Page : 263 pages
File Size : 37,58 MB
Release : 2020-03-31
Category : Literary Criticism
ISBN : 1524748552
An electrifying new study that investigates the challenges of the Bard’s inconsistencies and flaws, and focuses on revealing—not resolving—the ambiguities of the plays and their changing topicality A genius and prophet whose timeless works encapsulate the human condition like no other. A writer who surpassed his contemporaries in vision, originality, and literary mastery. A man who wrote like an angel, putting it all so much better than anyone else. Is this Shakespeare? Well, sort of. But it doesn’t tell us the whole truth. So much of what we say about Shakespeare is either not true, or just not relevant. In This Is Shakespeare, Emma Smith—an intellectually, theatrically, and ethically exciting writer—takes us into a world of politicking and copycatting, as we watch Shakespeare emulating the blockbusters of Christopher Marlowe and Thomas Kyd (the Spielberg and Tarantino of their day), flirting with and skirting around the cutthroat issues of succession politics, religious upheaval, and technological change. Smith writes in strikingly modern ways about individual agency, privacy, politics, celebrity, and sex. Instead of offering the answers, the Shakespeare she reveals poses awkward questions, always inviting the reader to ponder ambiguities.