Nuttall's Journal


Book Description

Thomas Nuttall was a self-educated botanist who came to the United States from Liverpool in 1808. This 1821 work is the only surviving complete journal of one of his many American scientific explorations. Covering his travels in Arkansas and what is now Oklahoma from October, 1818-February, 1820, the Journal follows Nuttall's route from Philadelphia to Pittsburgh, down the Ohio River to its mouth, then down the Mississippi River to the Arkansas Post, and up the Arkansas River with a side trip to the Red River. Filled with valuable details on the plants, animals, and geology of the region, as well as penetrating observations of the resident native tribes, the military establishment at Fort Smith, the arrival of the first governor of Arkansas Territory, and the beginnings of white settlement, this is a valuable source of information regarding the land and people in the areas of the Louisiana Purchase.




James D. Nuttall Diary


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Johannesburg


Book Description

Johannesburg: The Elusive Metropolis is a pioneering effort to insert South Africa’s largest city into urban theory, on its own terms. Johannesburg is Africa’s premier metropolis. Yet theories of urbanization have cast it as an emblem of irresolvable crisis, the spatial embodiment of unequal economic relations and segregationist policies, and a city that responds to but does not contribute to modernity on the global scale. Complicating and contesting such characterizations, the contributors to this collection reassess classic theories of metropolitan modernity as they explore the experience of “city-ness” and urban life in post-apartheid South Africa. They portray Johannesburg as a polycentric and international city with a hybrid history that continually permeates the present. Turning its back on rigid rationalities of planning and racial separation, Johannesburg has become a place of intermingling and improvisation, a city that is fast developing its own brand of cosmopolitan culture. The volume’s essays include an investigation of representation and self-stylization in the city, an ethnographic examination of friction zones and practices of social reproduction in inner-city Johannesburg, and a discussion of the economic and literary relationship between Johannesburg and Maputo, Mozambique’s capital. One contributor considers how Johannesburg’s cosmopolitan sociability enabled the anticolonial projects of Mohandas Ghandi and Nelson Mandela. Journalists, artists, architects, writers, and scholars bring contemporary Johannesburg to life in ten short pieces, including reflections on music and megamalls, nightlife, built spaces, and life for foreigners in the city. Contributors: Arjun Appadurai, Carol A. Breckenridge, Lindsay Bremner, David Bunn, Fred de Vries, Nsizwa Dlamini, Mark Gevisser, Stefan Helgesson, Julia Hornberger, Jonathan Hyslop, Grace Khunou, Frédéric Le Marcis, Xavier Livermon, John Matshikiza, Achille Mbembe, Robert Muponde, Sarah Nuttall, Tom Odhiambo, Achal Prabhala, AbdouMaliq Simone




Bomb Culture


Book Description







A Journal of Travels Into the Arkansa Territory, During the Year 1819


Book Description

A journey from Philadelphia, down the Ohio and Mississippi Rivers to the Arkansas, continuing across Arkansas to the interior of the modern Oklahoma, returning via the Arkansas and Mississippi Rivers, and then to New Orleans.







The Land Between the Rivers


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A retelling of Thomas Nuttall's near-death expedition up the Arkansas River in the early years of the nineteenth century




Why Does Tragedy Give Pleasure?


Book Description

Why does tragedy give pleasure? Why do people who are neither wicked nor depraved enjoy watching plays about suffering or death? Is it because we see horrific matter controlled by majestic art? Or because tragedy actually reaches out to the dark side of human nature? A. D. Nuttall's wide-ranging, lively and engaging book offers a new answer to this perennial question. The 'classical' answer to the question is rooted in Aristotle and rests on the unreality of the tragic presentation: no one really dies; we are free to enjoy watching potentially horrible events controlled and disposed in majestic sequence by art. In the nineteenth century, Nietzsche dared to suggest that Greek tragedy is involved with darkness and unreason and Freud asserted that we are all, at the unconscious level, quite wicked enough to rejoice in death. But the problem persists: how can the conscious mind assent to such enjoyment? Strenuous bodily exercise is pleasurable. Could we, when we respond to a tragedy, be exercising our emotions, preparing for real grief and fear? King Lear actually destroys an expected majestic sequence. Might the pleasure of tragedy have more to do with possible truth than with 'splendid evasion'?




Multicultural Counseling Competencies


Book Description

This book will provide practitioners, researchers and counsellor trainers with the knowledge they need to influence more competent therapeutic practice with a diverse clientele. It is a companion volume to Volume 7 in the Multicultural Aspects of Counseling series.