Oliver Twist; Volume 3


Book Description

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Oliver Twist


Book Description

Oliver Twist, Vol. I of 3 is a wonderful twist on the original Oliver Twist, Vol. I of 3. If you are a long time fan of the Charles Dickens original, you'll be curious how true this book is to the original. The book makes a departure from the original and may be the most wacky by-product for the Charles Dickens fan. In this expanded edition of Oliver Twist, Vol. I of 3, 85 percent of the original text has been preserved but fused with how Charles Dickens would write it today.... It's the perfect read for literature lovers, Charles Dickens fans, and anyone who loves a reanimated Oliver Twist, Vol. I of 3.




Oliver Twist, Vol. I (of 3)


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Along the way, he also began writing his own short stories and materials, often serializing them in monthly installments in publications, a popular method of publishing in the 19th century. Many of Dickens' novels were written with the concept of social reform in mind, and Dickens' work was often praised for its realism, comic genius and unique personalities. By the time he died at the relatively young age of 58 from a stroke, he was already Europe's most famous writer. At the same time, however, Dickens' ability as a writer was nearly unrivaled, with his ability to write in prose unquestioned and unmatched. Charles Dickens needs no formal introduction, having been the most popular English writer of the 19th century and still one of the most popular writers in history today. Dickens was obsessed with reading, making him a natural journalist by the age of 20, when he began a career in journalism. His obituary noted that Dickens was a "sympathiser with the poor, the suffering, and the oppressed." Dickens was interred in Westminster Abbey, a rare honor bestowed only among the greatest and most accomplished Britons. Unlike most writers, Dickens would not write an entire story before it began its serialization, allowing him to work on the fly and leave plot lines up in the air with each opportunity.




Oliver Twist Illustrated


Book Description

The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.







Oliver Twist. Volume 1 of 3


Book Description







Oliver Twist : Om Illustrated Classics


Book Description

Oliver Twist is a story of a young orphan, Oliver, and his attempts to stay good in a depraved society. The book exposes the miseries of poverty and its degrading effects through society. Oliver embodies innocence and incorruptibility. He was born and raised in a workhouse, then forced to live with a group of petty criminals and finally was adopted by a generous old man to live with him happily. He faces many obstacles and lives through many horrors throughout the novel. The cruelty of institutions and bureaucracies towards the unfortunate is perhaps the pre-eminent theme of the book, and essentially what makes it a social novel. Like a true Dickensian narrative, the dichotomy between Good and Evil are very clearly marked out. The story with many twists and turns keeps the reader engaged and imparts hope that benevolence can overcome and depravity.




Oliver Twist. Volume 3 of 3


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Oliver Twist, Volume 1 (of 3) (Illustrations)


Book Description

Example in this ebook CHAPTER I. TREATS OF THE PLACE WHERE OLIVER TWIST WAS BORN, AND OF THE CIRCUMSTANCES ATTENDING HIS BIRTH. Among other public buildings in a certain town which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, it boasts of one which is common to most towns, great or small, to wit, a workhouse; and in this workhouse was born, on a day and date which I need not take upon myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events, the item of mortality whose name is prefixed to the head of this chapter. For a long time after he was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared, or, if they had, being comprised within a couple of pages, that they would have possessed the inestimable merit of being the most concise and faithful specimen of biography extant in the literature of any age or country. Although I am not disposed to maintain that the being born in a workhouse is in itself the most fortunate and enviable circumstance that can possibly befal a human being, I do mean to say that in this particular instance it was the best thing for Oliver Twist that could by possibility have occurred. The fact is, that there was considerable difficulty in inducing Oliver to take upon himself the office of respiration,—a troublesome practice, but one which custom has rendered necessary to our easy existence,—and for some time he lay gasping on a little flock mattress, rather unequally poised between this world and the next, the balance being decidedly in favour of the latter. Now, if during this brief period, Oliver had been surrounded by careful grandmothers, anxious aunts, experienced nurses, and doctors of profound wisdom, he would most inevitably and indubitably have been killed in no time. There being nobody by, however, but a pauper old woman, who was rendered rather misty by an unwonted allowance of beer, and a parish surgeon who did such matters by contract, Oliver and nature fought out the point between them. The result was, that, after a few struggles, Oliver breathed, sneezed, and proceeded to advertise to the inmates of the workhouse the fact of a new burden having been imposed upon the parish, by setting up as loud a cry as could reasonably have been expected from a male infant who had not been possessed of that very useful appendage, a voice, for a much longer space of time than three minutes and a quarter. As Oliver gave this first proof of the free and proper action of his lungs, the patchwork coverlet which was carelessly flung over the iron bedstead, rustled; the pale face of a young female was raised feebly from the pillow; and a faint voice imperfectly articulated the words, “Let me see the child, and die.” The surgeon had been sitting with his face turned towards the fire, giving the palms of his hands a warm and a rub alternately; but as the young woman spoke, he rose, and advancing to the bed’s head, said, with more kindness than might have been expected of him— “Oh, you must not talk about dying yet.” “Lor bless her dear heart, no!” interposed the nurse, hastily depositing in her pocket a green glass bottle, the contents of which she had been tasting in a corner with evident satisfaction. “Lor bless her dear heart, when she has lived as long as I have, sir, and had thirteen children of her own, and all on ’em dead except two, and them in the wurkus with me, she’ll know better than to take on in that way, bless her dear heart! Think what it is to be a mother, there’s a dear young lamb, do.” To be continue in this ebook