Opera Librettists and Their Works
Author :
Publisher :
Page : 528 pages
File Size : 46,55 MB
Release : 1987
Category : Librettists
ISBN :
Author :
Publisher :
Page : 528 pages
File Size : 46,55 MB
Release : 1987
Category : Librettists
ISBN :
Author : Charles H. Parsons
Publisher :
Page : 456 pages
File Size : 42,66 MB
Release : 1987
Category : Librettists
ISBN :
Author : Gabriela Pereira
Publisher : Penguin
Page : 306 pages
File Size : 35,4 MB
Release : 2016-07-08
Category : Language Arts & Disciplines
ISBN : 1599639343
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
Author : Rodney Bolt
Publisher : Bloomsbury Publishing USA
Page : 460 pages
File Size : 31,22 MB
Release : 2008-12-11
Category : Biography & Autobiography
ISBN : 1596919825
In 1805, Lorenzo Da Ponte was the proprietor of a small grocery store in New York. But since his birth into an Italian Jewish family in 1749, he had already been a priest, a poet, the lover of many women, a scandalous Enlightenment thinker banned from teaching in Venice, the librettist for three of Mozart's most sublime operas, a collaborator with Salieri, a friend of Casanova, and a favorite of Emperor Joseph II. He would go on to establish New York City's first opera house and be the first professor of Italian at Columbia University. An inspired innovator but a hopeless businessman, who loved with wholehearted loyalty and recklessness, Da Ponte was one of the early immigrants to live out the American dream. In Rodney Bolt's rollicking and extensively researched biography, Da Ponte's picaresque life takes readers from Old World courts and the back streets of Venice, Vienna, and London to the New World promise of New York City. Two hundred and fifty years after Mozart's birth, the life and legacy of his librettist Da Ponte are as astonishing as ever.
Author : Naomi Andre
Publisher : University of Illinois Press
Page : 386 pages
File Size : 47,24 MB
Release : 2018-05-04
Category : Music
ISBN : 0252050614
From classic films like Carmen Jones to contemporary works like The Diary of Sally Hemings and U-Carmen eKhayelitsa, American and South African artists and composers have used opera to reclaim black people's place in history. Naomi André draws on the experiences of performers and audiences to explore this music's resonance with today's listeners. Interacting with creators and performers, as well as with the works themselves, André reveals how black opera unearths suppressed truths. These truths provoke complex, if uncomfortable, reconsideration of racial, gender, sexual, and other oppressive ideologies. Opera, in turn, operates as a cultural and political force that employs an immense, transformative power to represent or even liberate. Viewing opera as a fertile site for critical inquiry, political activism, and social change, Black Opera lays the foundation for innovative new approaches to applied scholarship.
Author : Emanuele Senici
Publisher : Cambridge University Press
Page : 290 pages
File Size : 22,73 MB
Release : 2004-04-29
Category : Music
ISBN : 9780521001953
Publisher Description
Author : Stephen Mould
Publisher : Routledge
Page : 178 pages
File Size : 31,75 MB
Release : 2021-02-09
Category : Music
ISBN : 1000338606
Curation as a concept and a catchword in modern parlance has, over recent decades, become deeply ingrained in modern culture. The purpose of this study is to explore the curatorial forces at work within the modern opera house and to examine the functionaries and processes that guide them. In turn, comparisons are made with the workings of the traditional art museum, where artworks are studied, preserved, restored, displayed and contextualised – processes which are also present in the opera house. Curatorial roles in each institution are identified and described, and the role of the celebrity art curator is compared with that of the modern stage director, who has acquired previously undreamt-of licence to interrogate operatic works, overlaying them with new concepts and levels of meaning in order to reinvent and redefine the operatic repertoire for contemporary needs. A point of coalescence between the opera house and the art museum is identified, with the transformation, towards the end of the nineteenth century, of the opera house into the operatic museum. Curatorial practices in the opera house are examined, and further communalities and synergies in the way that ‘works’ are defined in each institution are explored. This study also considers the so-called ‘birth’ of opera around the start of the seventeenth century, with reference to the near-contemporary rise of the modern art museum, outlining operatic practice and performance history over the last 400 years in order to identify the curatorial practices that have historically been employed in the maintenance and development of the repertoire. This examination of the forces of curation within the modern opera house will highlight aspects of authenticity, authorial intent, preservation, restoration and historically informed performance practice.
Author : Fred Plotkin
Publisher : Hyperion
Page : 520 pages
File Size : 39,9 MB
Release : 1994-12
Category : Music
ISBN :
Written by an opera insider and featuring an introduction by Placido Domingo, here is a thorough, friendly, and truly complete guide to learning how to love and appreciate the opera. After a brief history of opera, the book includes a guide to operatic terms, a minute-by-minute listener's guide to 11 central works, a list of recommended books and recordings and much more.
Author : Mary F. McVicker
Publisher : McFarland
Page : 283 pages
File Size : 48,41 MB
Release : 2016-08-23
Category : Music
ISBN : 0786495138
The history of women in the opera is a grand story. Women were singers and patrons, of course, but from opera's beginnings in Renaissance Italy, they were also opera composers and librettists. At first it was exclusively for the nobility. In the 19th century, with the emergence of the middle class and the rise of nationalism, there were more public theaters and opera seemed to be everywhere. This meant more opportunities for composers, though men predominated. This book focuses on the women, from the 16th century to today, who had successful careers in opera, many of them well known in their time.
Author : Jacqueline Letzter
Publisher : Univ of California Press
Page : 360 pages
File Size : 13,67 MB
Release : 2001-08-12
Category : History
ISBN : 0520226534
At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".