The Cambridge History of European Romantic Literature


Book Description

Examining Romanticism's pan-European circulation of people, ideas, and texts, this history re-analyses the period and Britain's place in it.




A Companion to European Romanticism


Book Description

This companion is the first book of its kind to focus on the whole of European Romanticism. Describes the way in which the Romantic Movement swept across Europe in the early nineteenth century. Covers the national literatures of France, Germany, Italy, Poland, Russia and Spain. Addresses common themes that cross national borders, such as orientalism, Napoleon, night, nature, and the prestige of the fragment. Includes cross-disciplinary essays on literature and music, literature and painting, and the general system of Romantic arts. Features 35 essays in all, from leading scholars in America, Australia, Britain, France, Italy, and Switzerland.




Caricature and Realism in the Romantic Novel


Book Description

A counter-intuitive history of literary caricature, exploring how caricature helped make the realist novel in the Romantic period.




Coleridge and the Geometric Idiom


Book Description

When Coleridge described the landscapes he passed through while scrambling among the fells, mountains, and valleys of Britain, he did something unprecedented in Romantic writing: to capture what emerged before his eyes, he enlisted a geometric idiom. Immersed in a culture still beholden to Euclid's Elements and schooled by those who subscribed to its principles, he valued geometry both for its pragmatic function and for its role as a conduit to abstract thought. Indeed, his geometric training would often structure his observations on religion, aesthetics, politics, and philosophy. For Coleridge, however, this perspective never competed with his sensitivity to the organic nature of his surroundings but, rather, intermingled with it. Situating Coleridge's remarkable ways of seeing within the history and teaching of mathematics and alongside the eighteenth century's budding interest in non-Euclidean geometry, Ann Colley illuminates the richness of the culture of walking and the surprising potential of landscape writing.




Mary Wollstonecraft and Political Economy


Book Description

A compelling new account of Wollstonecraft as incisive critic of the material, moral, and psychological conditions of commercial modernity.




Romantic Epics and the Mission of Empire


Book Description

A lively account of the Romantic-era revival of epic literature set against the background of British imperialism's evangelical turn.




Experimentalism in Wordsworth's Later Poetry


Book Description

"Experimentalism in Wordsworth's Later Poetry Tim Fulford provides detailed readings of a range of little-known, late and difficult poems which together present an alternative Wordsworth to the one we are used to. This newly-revealed Wordsworth continued experimenting with form, genre and style as his career progressed so as to ponder the challenging experiences presented by later life. Fulford invites the reader to engage, through Wordsworth's poetry, with such broadly-felt concerns as quarantine, isolation, mental illness and bereavement. Focused yet broad in chronological scope, this study also considers the literature of Wordsworth's old age in relation to his earlier work. Tim Fulford is the author of many books and articles on the literature and history of the Romantic Period (1780-1840), and is the editor of The New Cambridge Companion to Coleridge (2022). His monograph Wordsworth's Poetry 1815-45 (2019) won the Robert Penn Warren/Cleanth Brooks Award for Literary Scholarship 2020. His edition The Collected Letters of Sir Humphry Davy (co-edited with Sharon Ruston) (2020) won an honourable mention in the MLA biennial Morton N. Cohen Award For A Distinguished Edition Of Letters"--




Orientations


Book Description

Excerpts from over 100 travel writings of Europe, from 16th c. pilgrimage diaries thru early specimens of modern tourism accounts to 20th c. impressions from the other side of the Iron Curtain By focusing on east European travel writings, this work enlarges both the documentary base and the terms of the debate over a rich source for discussions of identities and mentalities; knowledge and power; gender; and cultural change. The texts – chosen for their relevance, but literary criteria have also been taken into account – illustrate the variety of ways in which east Europeans have written about the West. Most of the material is presented in English for the first time or, in a few cases, rescued from dusty oblivion in long out-of-print volumes. Each text is introduced with a short passage placing it in context. This is the first volume of the three-part set East Looks West. Vol. 2. Under Eastern Eyes. A Comparative Introduction to East European Travel Writing on Europe, 1550–2000; Vol. 3. A Bibliography of East European Travel Writing on Europe.




Romantic Fiction and Literary Excess in the Minerva Press Era


Book Description

Jane Austen's ironic reference to 'the trash with which the press now groans' is only one of innumerable Romantic complaints about fiction's newly overwhelming presence. This book draws on evidence from over one hundred Romantic novels to explore the changes in publishing, reviewing, reading, and writing that accompanied the unprecedented growth in novel publication during the Romantic period. With particular focus on the infamous Minerva Press, the most prolific fiction-producer of the age, Hannah Hudson puts its popular authors in dialogue with writers such as Walter Scott, Ann Radcliffe, Maria Edgeworth, and William Godwin. Using paratextual materials including reviews, advertisements, and authorial prefaces, this book establishes the ubiquity of Romantic anxieties about literary 'excess', showing how beliefs about fictional overproduction created new literary hierarchies. Ultimately, Hudson argues that this so-called excess was a driving force in fictional experimentation and the advertising and publication practices that shaped the genre's reception. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.




Romantic Futures


Book Description

Romantic Futures is a collection which explores the significance of futurity in British Romanticism from a comparative perspective in three defining manifestations: the future as conscious legacy, by which is meant both influences or continuities and the (anticipations of) impact on the future; the future as revealed by prophecy, whether via religious figures or superstitions; and a meditation on the temporality of the future, or the future as a concept. The book brings together a wide range of theoretical and disciplinary perspectives: from utopian studies, history, religion, and cultural theory to future studies, neuroscience, video games, and art history. Aiming to increase and diversify current critical engagement and highlight the contemporary relevance of the Romantics’ multivalent preoccupation with the future, this collection renews the dialogue between Romanticism and our critical relation to its contemporaneity, especially as it speaks to current understandings of the future in the sciences, arts, and humanities.