Paintings of Abanindranath Tagore


Book Description

Study on the selected paintings of Abanindranath Tagore, 1871-1951, Indian painter; includes reproduction of the original paintings.




The Alternate Nation of Abanindranath Tagore


Book Description

This volume provides a revisionary critique of the art of Abanindranath Tagore, the founder of the national school of Indian painting, popularly known as the Bengal School of Art. The book categorically argues that the art of Abanindranath, which developed during the Bengal Renaissance in the 19th–20th centuries, was not merely a normalization of national or oriental principle, but was a hermeneutic negotiation between modernity and community. It establishes that his form of art—embedded in communitarian practices like kirtan, alpona, pet-naming, syncretism, and storytelling through oral allegories—sought a social identity within the inter-subjective context of locality, regionality, nationality, and trans-nationality. The author presents Abanindranath as a creative agent who, through his art, conducted a critical engagement with post-Enlightenment modernity and regional subalternity.




Abanindranath Tagore


Book Description




Some Notes on Indian Artistic Anatomy


Book Description

This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.




Paintings of Abanindranath Tagore


Book Description

Study on the selected paintings of Abanindranath Tagore, 1871-1951, Indian painter; includes reproduction of the original paintings.







The Last Harvest


Book Description

Rabindranath Tagore (1861-1941) is one of India's best known cultural icons. He was, and still remains, one of the most influential national figures of India, whose genius has transcended boundaries. Besides being a poet, he was a novelist, a writer of short stories and plays, a composer of songs, an essayist, and a philosopher. Painting was the last art form to enter his rich creative life. This publication is produced in conjunction with the travelling exhibitions of Rabindranath Tagore's paintings, as part of India's National Commemoration of 150th Birth Anniversary of Rabindranath Tagore, organised by the Ministry of Culture, Government of India. Since the whirlwind, 10-city international show that the poet-painter had undertaken in 1930, this is the first time that such a large body of Rabindranath's work is travelling internationally. Published in association with National Gallery of Modern Art, New Delhi.




Abanindranath Tagore


Book Description




Art and Nationalism in Colonial India, 1850-1922


Book Description

Partha Mitter's book is a pioneering study of the history of modern art on the Indian subcontinent from 1850 to 1922. The author tells the story of Indian art during the Raj, set against the interplay of colonialism and nationalism. The work addresses the tensions and contradictions that attended the advent of European naturalism in India, as part of the imperial design for the westernisation of the elite, and traces the artistic evolution from unquestioning westernisation to the construction of Hindu national identity. Through a wide range of literary and pictorial sources, Art and Nationalism in Colonial India balances the study of colonial cultural institutions and networks with the ideologies of the nationalist and intellectual movements which followed. The result is a book of immense significance, both in the context of South Asian history and in the wider context of art history.