Paolo Venini and His Furnace


Book Description

"A protagonist of Murano glass in the 20th century, Paolo Venini (1985-1959) with his passionate activity spanning almost forty years, made a decisive contribution to the vitality of the art of glass, achieving extraordinary results soon recognized also internally. A native of Milan and a former partner in the Cappellin Venini firm, in 1925 he founded the V.S.M. Venini & C. glassworks with Napoleone Martinuzzi and Francesco Zecchin as partners, from whom he separated in 1932. Becoming president of the company, he worked untiringly as the undisputed director and manager of the Venini firm up to his death, which occurred in 1959. In defining the catalogue of the glassworks, he also contributed as the inventor of new series of glass pieces in themed-1930s, but in particular during the 1950s. This volume, the fruit of in-depth research based mainly on the unpublished material coming from the Venini Historical Archive, illustrates principally this aspect of his activity through a succession of some three hundred models. For the greater part of these Paolo Venini had recourse to the traditional Murano techniques, of which he gave a refined and innovative interpretation, resulting in the Zanfirico reticello, Mosaico zanfirico and Mosaico multicolore series and the highly coloured a murine glass pieces. The influence of Nordic design was also significant, being reinterpreted through Murano eyes. The volume also documents the contribution of the artists who worked with him intermittently between the 1930s and the 1950s, called upon by Venini himself or arriving independently because of their interest in glass and/or the quality of the work at the furnace. Two hundred and fifty glass pieces tell the story of the collaboration of the Swedish ceramic artists Tyra Lundgren, of Gio Ponti, Piero Fornasetti, the painters Eugene Berman and Riccardo Licata, but also the Americans Ken Scott and Charles Lin Tissot. To them must be added the architects, Massimo Vignelli and Tobia Scarpa, and the Norwegian designer, Grete Korsmo." -- Book jacket.




Venetian Glass


Book Description

This book offers the reader a comprehensive and visually fascinating excursion into the history of Venetian glass from 1900 until today : the most significant period of Muranese glass.




Conciatore


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Modern Glass


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Proceedings of the 2nd International and Interdisciplinary Conference on Image and Imagination


Book Description

This book gathers peer-reviewed papers presented at the 1st International and Interdisciplinary Conference on Image and Imagination (IMG 2019), held in Alghero, Italy, in July 2019. Highlighting interdisciplinary and multi-disciplinary research concerning graphics science and education, the papers address theoretical research as well as applications, including education, in several fields of science, technology and art. Mainly focusing on graphics for communication, visualization, description and storytelling, and for learning and thought construction, the book provides architects, engineers, computer scientists, and designers with the latest advances in the field, particularly in the context of science, arts and education.




Venini Glass, 1921-1986


Book Description

"Venini. Catalogue Raisonne 1921-1986" offers an in-depth account of the involving company history of the glassworks set up by Paolo Venini in 1921 and carried forward by members of the Venini family up until 1986, the year in which the business was sold off. Alongside the comprehensive catalogue containing some 250 descriptions detailing each item produced in over six decades of activity, the book's curator Anna Venini Diaz de Santillana has traced the history of the 'Vetrerie Venini' glasshouse through each successive master craftsman's term as art director: Napoleone Martinuzzi, Carlo Scarpa, Paolo Venini himself, Tomaso Buzzi, Fulvio Bianconi, and Ludovico Diaz de Santillana. The careful analysis underlying each critical essay and the breadth of topics covered make this book an invaluable reference work on the creative enterprise and outstanding achievements of Venini & C., long acknowledged as an international hallmark of quality in the applied arts. With its rich array of illustrations and catalogue of the firm's key production items, and an extensive reference section comprising glossary, bibliography, and list of exhibitions, this book is the most exhaustive directory of the Venini glasshouse's production. In addition to the renowned "Catalogo verde" and "Catalogo rosso," the curator has included the legendary "Catalogo blue," and essential reference source for historians, collectors, dealers, and connoisseurs of art. Anna Venini Diaz de Santillana Daughter of Paolo Venini and Ginette Gignous, Anna acquired extensive experience on the workshop floor, first alongside her father, then beside her husband the architect Ludovico Diaz de Santillana, who took over themanagement of the works in 1959. An expert in the art of glassmaking, Anna has organised exhibitions around the world. Today, her children Laura and Alessandro continue the family's distinguished tradition as independent masters of the glassmaker's art. Rosa Barovier Mentasti One of the world's leading scholars of the history of glassmaking on Murano; has numerous publications to her name, and has curated various collections. Maria Novella Benzoni Graduated in the History of Art, with a specialisation in modern glass at the University of Udine; presently a consultant of the Fondazione Giorgio Cini in Venice. Victoria Milne Writer, exhibition curator, and graphic artist specialising in design and architecture; from 1992 to 1995 she was editor-in-chief of the American periodical "Glass Magazine." Helmut Ricke Eminent specialist in the applied arts, particularly glass and European sculpture; director of the Kunstmuseum in Dusseldorf, which houses one of the most complete collections of glass artefacts in Europe. Valerio Terraroli Lecturer in the History of Art Criticism at the University of Pavia, and analyst of trends in modern style, particular of Art Deco.




The Rough Guide to Venice & the Veneto


Book Description

The Rough Guide to Venice & the Veneto is the essential travel guide with clear maps and coverage of the regions unforgettable attractions. From the spiraling Scala de Bevalo to Europe's biggest collection of contemporary art in the Dogana di Mare, The Rough Guide to Venice & the Veneto unearths the best sites, hotels, restaurants, cafés and nightlife across every price range. You'll find the lowdown on the now-trendy Rialto area and the latest news on the flood barrier and Venice's other conservation projects as well as the little-known nooks and crannies you should be exploring. The Rough Guide to Venice & the Veneto includes sections on the city's beautiful water-lapped palaces and lively festivals with specialist coverage of Venetian painting, sculpture and architecture and detailed information on the best markets and shopping-spots. Explore all corners of the region with authoritative background on everything from San Marco to the palazzi of the Canal Grande, relying on the clearest maps of any guide. Make the Most of Your Time with The Rough Guide to Venice & the Veneto.




Italian Glass, Murano, Milan, 1930-1970


Book Description

"Two introductory essays trace the development of Italian art glass within the context of European glassmaking as a whole and examine the intimate world of glass manufacturing on Murano, with its unique combination of tradition and innovation. The superb color plates reproduce work by all the major designers and manufacturers. Italian art glass is not synonymous with Murano, however, and a notable feature of the book is the marvelous work produced in Milan by Erwin Burger and the firm Fontana Arte."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved







Choosing Craft


Book Description

Choosing Craft explores the history and practice of American craft through the words of influential artists whose lives, work, and ideas have shaped the field. Editors Vicki Halper and Diane Douglas construct an anecdotal narrative that examines the post-World War II development of modern craft, which came of age alongside modernist painting and sculpture and was greatly influenced by them as well as by traditional and industrial practices. The anthology is organized according to four activities that ground a professional life in craft--inspiration, training, economics, and philosophy. Halper and Douglas mined a wide variety of sources for their material, including artists' published writings, letters, journal entries, exhibition statements, lecture notes, and oral histories. The detailed record they amassed reveals craft's dynamic relationships with painting, sculpture, design, industry, folk and ethnic traditions, hobby craft, and political and social movements. Collectively, these reflections form a social history of craft. Choosing Craft ultimately offers artists' writings and recollections as vital and vivid data that deserve widespread study as a primary resource for those interested in the American art form.




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