Patria O Muerte


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Patria O Muerte!


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Nacido Patria o Muerte


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Nacido Patria o Muerte es un libro autobiogràfico que narra la experiencia vivida por un joven nacido bajo la llamada 'Revolución Cubana' liderada por Fidel Castro desde 1959 y originalmente dirigido a esos cubanos de la isla caribeña. So temor de que este sufrimiento quede borrado tal y como fue de la historia que le toco vivir en la Cuba de esos dias bajo la influencia del Sistema totalitario llevado por la mano de la hoz y el martillo del Kremlin moscovita, el autor relata su experiencia y conversiòn a la fe cristiana, no sin antes describir los procedimientos que el Campo Socialista de entonces usaba para adoctrinar a sus juventudes en las concepciones marxistas-leninistas del Imperio Comunista y sus ambiciones territoriales, encabezados por la Union de Repúblicas Socialistas Soviéticas. El libro incluye narrativa de su infancia en Ciudad Habana durante los anos 60s y 70s, también de los años en que el autor estudio en el Instituto Militar de las Fuerzas Aéreas Soviéticas de Krasnodar A. Serov; en Cuba como piloto de la aviación militar supersónica, y mas tarde confrontando a la Gestapo cubana. Vistenos en: http: //www.alejandroslibros.com




¿Patria O Muerte?


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¡Patria o muerte!


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Digte af Cubas nationaldigter (1902-1989)




Cuba


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"Explores the geography, history, government, economy, people, and culture of Cuba"--Provided by publisher.




Fidel in the Cuban Socialist Revolution


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The book makes accessible a selection of speeches and television appearances by Fidel Castro during the first two years of the Cuban Revolution, allowing for a fresh analysis of his ideological evolution towards socialism.




Patria O Muerte


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Cuba's state-run media outlets have long acted as conduits for the construction and reinforcement of Revolutionary ideology. This was particularly true during the Battle of Ideas, an ideological campaign that aimed to mobilize Cuban youth in the wake of the 1999 Elián González crisis. Drawing from social construction of reality theory, ideological criticism and narrative theory, and synthesizing ideological and deconstructive methods of analysis, this study uses a new theoretical model, the ideographic binary (IB) set, to examine how Revolutionary ideology was constructed and reinforced in Cuba's state-produced youth newspaper, Juventud Rebelde, and in speeches given by Fidel Castro at public rallies during the early years of the Battle of Ideas (1999- 2002). The findings show that ideology was expressed in the texts through five dominant IB sets. These sets functioned in their totality as a metanarrative that sought to address problematic aspects of the social, economic and political realities of post-Soviet Cuba in two major ways: by presenting the contemporary Cuban project of Revolution as a highstakes battle between binarized forces that worked either to support or undermine Revolutionary ideology, and by acknowledging and refuting potential arguments against the viability of the Revolution through moments of textual destabilization.




To Die in Cuba


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For much of the nineteenth century and all of the twentieth, the per capita rate of suicide in Cuba was the highest in Latin America and among the highest in the world--a condition made all the more extraordinary in light of Cuba's historic ties to the Catholic church. In this richly illustrated social and cultural history of suicide in Cuba, Louis A. Perez Jr. explores the way suicide passed from the unthinkable to the unremarkable in Cuban society. In a study that spans the experiences of enslaved Africans and indentured Chinese in the colony, nationalists of the twentieth-century republic, and emigrants from Cuba to Florida following the 1959 revolution, Perez finds that the act of suicide was loaded with meanings that changed over time. Analyzing the social context of suicide, he argues that in addition to confirming despair, suicide sometimes served as a way to consecrate patriotism, affirm personal agency, or protest injustice. The act was often seen by suicidal persons and their contemporaries as an entirely reasonable response to circumstances of affliction, whether economic, political, or social. Bringing an important historical perspective to the study of suicide, Perez offers a valuable new understanding of the strategies with which vast numbers of people made their way through life--if only to choose to end it. To Die in Cuba ultimately tells as much about Cubans' lives, culture, and society as it does about their self-inflicted deaths.