Orthodox Cyprus under the Latins, 1191–1571


Book Description

Medieval and Renaissance Cyprus was a fascinating place of ethnic, cultural, and religious encounters. Following almost nine centuries of Byzantine rule, Cyprus was conquered by the Crusaders in 1191, becoming (until 1571) the most important stronghold of Latin Christianity in the Eastern Mediterranean—first under the Frankish dynasty of the Lusignans, and later under the Venetians. Modern historiographical readings of Cypriot identity in medieval and early modern times have been colored by British colonialism, Greek nationalism, and Cyprocentric revisionism. Although these perspectives have offered valuable insights into the historical experience of Latin-ruled Cypriots, they have partially failed to capture the dynamics of noncoercive resistance to domination, and of identity preservation and adaptation. Orthodox Cyprus under the Latins, 1191–1571 readdresses the question of Cypriot identity by focusing on the Greek Cypriots, the island’s largest community during the medieval and early modern period. By bringing together theories from the fields of psychology, social anthropology, and sociology, this study explores continuities and discontinuities in the Byzantine culture and religious tradition of Cyprus, proposing a new methodological framework for a more comprehensive understanding of Cypriot Orthodoxy under Crusader and Venetian rule. A discussion of fresh evidence from hitherto unpublished primary sources enriches this examination, stressing the role of medieval and Renaissance Cyprus as cultural and religious province of the Byzantine and post-Byzantine Orthodox world.




Medieval Cyprus


Book Description

In December 2012 a group of scholars met in Münster to present their recent studies on the multifaceted history and culture of medieval Cyprus - and most of the papers presented at that conference are published in this volume. Several deal with the (political) history of the island: the reign of Isaakios Komnenos, the effects of the crusade of King Peter I in 1365, the so-called Ottoman-Venetian war. An overview of the three volumes of the Bullarium Cyprium is given. Aspects of economic life in medieval Cyprus are treated in three papers: organisation, management and economic activities of monastic estates in the Middle Byzantine period, medieval cane sugar production on the island, the commerce between the islands of Cyprus, Majorca and Sardinia. Papers on a major ecclesiastical complex dating from the early 7th century, on Cypriot artefacts of the 13th and 14th centuries used in daily life, on luxury metal objects from the Lusignan period, and on some rather disparate elements of 15th-century architecture in Cyprus give insights into the material culture of medieval Cyprus. Furthermore the topics of settlement patterns and insularity are treated in a paper on the successive relocations of the capital of the island of Cyprus from Late Antiquity to the Middle Ages. The book contains papers by Alexander Beihammer, Nicholas Coureas, Peter Edbury, Michael Grünbart, Michalis Olympios, Tassos Papacostas, Maria Parani, K. Scott Parker, Eleni Procopiou, Ulrike Ritzerfeld, Christopher Schabel, Marina Solomidou-Ieronymidou, Myrto Veiko and Joanita Vroom.




Imagining the Self, Constructing the Past


Book Description

Imagining the Self, Constructing the Past celebrates the various ways in which the Middle Ages and the Renaissance are adapted, recollected, and represented in our own day and age. Most of the chapters fit broadly into one of three categories: namely, the representation of the self in medieval and early modern history and literature; the recollection and utilization of the past in the Middle Ages and the Renaissance; and the role of the medieval and the early modern in our own society. Overall, the contributions to this volume bear witness to the importance of representation to our understanding of ourselves, each other, and our shared past.




Italy, Cyprus, and Artistic Exchange in the Medieval Mediterranean


Book Description

In this volume Anthi Andronikou explores the social, cultural, religious and trade encounters between Italy and Cyprus during the late Middle Ages, from ca. 1200 -1400, and situates them within several Mediterranean contexts. Revealing the complex artistic exchange between the two regions for the first time, she probes the rich but neglected cultural interaction through comparison of the intriguing thirteenth-century wall paintings in rock-cut churches of Apulia and Basilicata, the puzzling panels of the Madonna della Madia and the Madonna di Andria, and painted chapels in Cyprus, Lebanon, and Syria. Andronikou also investigates fourteenth-century cross-currents that have not been adequately studied, notably the cult of Saint Aquinas in Cyprus, Crusader propaganda in Santa Maria Novella in Florence, and a unique series of icons crafted by Venetian painters working in Cyprus. Offering new insights into Italian and Byzantine visual cultures, her book contributes to a broader understanding of cultural production and worldviews of the medieval Mediterranean.




The Harbour of all this Sea and Realm


Book Description

The Harbour of All This Sea and Realm offers an overview of the Lusignan, Genoese and Venetian history of the main port city of Cyprus, a Mediterranean crossroads. The essays contribute to the understanding of Famagusta's social and administrative structure, as well as the influences on its architectural, artisan, and art historical heritage from the thirteenth to sixteenth centuries. We read of crusader bishops from central France, metalworkers from Asia Minor, mercenaries from Genoa, refugees from Acre, and traders from Venice. The themes of the city's diasporas and cultural hybridity permeate and unify the essays in this collaborative effort. Some of the studies use archival sources to reconstruct the early stages of appearances of various buildings. Such research is of vital importance, given the threat to Famagusta's medieval and early modern heritage by its use as a military base since 1974.




The Military Orders


Book Description




Patrons and Painters on Cyprus


Book Description

The fresco decoration of the Royal Chapel in Pyrga on Cyprus is usually dated 1421. The coat of arms featuring the Cross of Jerusalem and the lion rampant points to royal French commissioners, namely members of the Lusignan dynasty. Western, French patronage left its imprint on this chapel in terms of architecture and pictorial decoration - although within a complex Cypriot frame. The study presents iconographical and stylistic evidence supporting a much earlier dating into the first half or the middle of the fourteenth century. The choice of scenes (with French tituli) has no comprehensive model on Cyprus. Significant western additions and variations distinguish this Lusignan program from other indigenous Cypriot predecessors and contemporaries. The iconographical analysis shows that the workshop made use of earlier Palaiologan Constantinopolitan models, such as the Kariye Camii mosaics. The iconography and the emotional pathos of some scenes suggest an awareness of western, French source material, and in particular of Franciscan book illuminations, Psalters, Missals, and Books of Hours. If this revised dating is correct, the program of decoration is an outstanding testament to royal, specifically Lusignan, commission and represents the first and most faithful adoption and adaptation of Palaiologan models in Cyprus.




Mechanisms of Exchange


Book Description

Featuring eight innovative studies by prominent scholars of medieval art and architecture, this special issue of Medieval Encounters examines the specific means by which art and architectural forms, techniques, and ideas were transmitted throughout the medieval world (ca. 1000-1500). While focusing on the Mediterranean region, the collection also includes essays that expand this geographic zone into a cultural and artistic one by demonstrating contact with near and distant neighbors, thereby allowing an expanded understanding of the interconnectedness of the medieval world. The studies are united by a focus on the specific mechanisms that enabled artistic and architectural interaction, as well as the individuals who facilitated these transmissions. Authors also consider the effects and collaboration of portable and monumental arts in the creation of intercultural artistic traditions. Contributors are: Justine Andrews, Maria Georgopoulou, Ludovico Geymonat, Heather E. Grossman, Eva Hoffman, Melanie Michailidis, Renata Holod, Scott Redford and Alicia Walker.







Miniature Painting in the Armenian Kingdom of Cilicia from the Twelfth to the Fourteenth Century


Book Description

Sirarpie Der Nersessian's scholarship has influenced the understanding of Armenian art and its Byzantine context. These two volumes are the culmination of six decades devoted to the exploration of Armenian art, and reflect a deep knowledge of the manuscripts and their creators.