Paul McCarthy at Tate Modern


Book Description

From May to October 2003 two enormous inflatable sculptures will loom above visitors to Tate Modern and those strolling along the riverbank. The first, Blockhead, revisits one of McCarthy's trademark characters, a mutant cartoon character with a Pinocchio nose emerging from its cuboid head. At 35 meters, it towers as high as the fourth level of Tate Modern. The second sculpture is named Daddies Bighead. This 16-meter high figure has a body constructed from a giant replica of a ketchup bottle. McCarthy has frequently used ketchup in his performances and installations as a stand-in for blood and other bodily excretions. Much of his work has courted controversy, dealing as it does with iconic imagery taken from childhood and popular culture combined with sexually charged and transgressive elements. McCarthy has exhibited widely across the United States, Europe and Japan, and has undertaken collaborations with artists including Mike Kelly and Jason Rhoades. His works are in numerous major collections. A unique record of an artistic event, Paul McCarthy at Tate Modern includes a new interview with the artist, brand new dramatic installation photography, working drawings and models, and essays that will place this incredible work in the context of McCarthy's career.




Drawing from the Modern


Book Description

This package contains the following products: 9780781789820 Karch Focus on Nursing Pharmacology, 5e 9780781780698 Hogan-Quigley Bates' Nursing Guide to Physical Examination and History Taking 9781451183757 Hogan-Quigle Student Laboratory Manual for Bates' Nursing Guide




Pay for Your Pleasures


Book Description

Focuses on work by the three artists from the 1970s through the 1990s. Examines their participation in subcultural music scenes and discovers a common political strategy which lead them to create strange and unseemly imates that test the limites of art, gender roles, sex, acceptable behavior, poor taste, and the gag reflex.




Propo


Book Description




The Uncanny


Book Description

Erweiterte Neuauflage des legendären Arnheim-Katalogs von 1993 in zwei Auflagen: Im März die rein englische Ausgabe anlässlich der Ausstellung in der Tate Liverpool, im Juli 2004 eine Ausgabe mit deutschem Textanhang mit einem zusätzlichen Interview mit Mike Kelley anlässlich der Ausstellung im Museum Moderner Kunst Stiftung Ludwig, Wien. Museum Moderner Kunst, Stiftung Ludwig, Wien, Juli 2004




Franz West


Book Description

This publication ably examines both the artist's ironic, punk sensibility and his original approach to materials, colours and forms. Also included are examples of his lesser-known drawings and works on paper.




Beyond modernity?


Book Description

Beiträge von Stefan Bidner, Cosima von Bonin, Paul McCarthy, Thomas Feuerstein, Peter Gorschlüter, Christoph Hinterhuber, Richard Hoeck, Karin Pernegger, Ayse Erkmen, Natasa Ilic, Richard Jackson, Andreija Kulunčić, Dorit Margreiter, Anette Baldauf, John Miller, Markus Neuwirth, Roberto Orth, Raymond Pettibon, F.E. Rakuschan, Thomas Rainer, Jason Rhoades, Hans Weigand und Helmut Willke.




Paul McCarthy - Revised and Expanded Edition


Book Description

Definitive monograph on America's most challenging and influential artist Los-Angeles-based artist Paul McCarthy (b.1945) creates Disneyesque installations, sculptures of animal/vegetable/human hybrids and slapstick performances in a purge of a national subconscious. The psycho-sexual desires and anxieties induced by the media and the built environment of contemporary America emerge in his collisions of plastic prosthetic limbs and condiments that stand in for bodily fluids. These works have been variously deployed: through live actions, often documented on video, and more recently in outsized figures and artificial rural environments, combined in overtly sexual ways. McCarthy's work echoes that of European artists such as Joseph Beuys or the Viennese Aktionistes, but gives 'action art' a postmodern twist. This new revised and expanded edition includes contributions by luminaries such as Kristine Stiles, Ralph Rugoff, Massimiliano Gioni and Robert Storr.




Provocative Plastics


Book Description

Plastics have now been our most used materials for over fifty years. This book adopts a new approach, exploring plastics’ contribution from two perspectives: as a medium for making and their value in societal use. The first approach examines the multivalent nature of plastics materiality and their impact on creativity through the work of artists, designers and manufacturers. The second perspective explores attitudes to plastics and the different value systems applied to them through current research undertaken by design, materials and socio-cultural historians. The book addresses the environmental impact of plastics and elucidates the ways in which they can and must be part of the solution. The individual viewpoints are provocative and controversial but together they present a balanced and scholarly un-picking of the debate that surrounds this ubiquitous group of materials. The book is essential reading for a wide academic readership interested in the Arts and Humanities, especially Design and Design History; Anthropology; and Cultural, Material and Social Histories.




Why is that Art?


Book Description

Why Is That Art? addresses common questions that viewers raise about contemporary art: Why is that art? Why is it in an art museum? Who says it's art? If I did this, would it be art? Why is it good? Covering a broad, diverse, and engaging sampling of works--abstract and representational painting, monumental sculpture, performance art, video installations, films, and photographs--author Terry Barrett responds to these questions using three sources: the artists who created the works, philosophers of art, and art critics. Introducing students to a variety of established theories of art, he presents the traditional sets of criteria of Realism, Expressionism, and Formalism, which are in turn updated by recent sources of Poststructuralism. Barrett applies each of these theories to challenging works of contemporary art, pointing out the strengths and weaknesses of each mode of interpretation. He encourages students to consider many criteria when evaluating an artwork, to critically examine judgments made by others, and to make informed judgments of their own. Ideal for courses in aesthetics, art theory, art criticism, and the philosophy of art, Why Is That Art? is organized chronologically according to the history of aesthetics. It features sixty-seven illustrations (twenty-six in a full-color insert), discusses a wide range of American and European artists, and includes an exceptional overview of postmodern pluralism. This unique book will provide students with a newfound appreciation for contemporary art, scholarship, and reasoned argumentation, giving them the confidence to join the fascinating discourse on contemporary art.