Pharmakon, or The Story of a Happy Family


Book Description

An honest, insightful , and ruefully funny look at the fate of one American family vis-à-vis the rise of modern psychopharmacology, Pharmakon, or The Story of a Happy Family is nothing less than a contemporary epic. The novel follows William Friedrich, an ambitious professor of psychology at Yale in the early 1950s, who has stumbled upon a drug that promises happiness to those who ingest it and fame and fortune to the man who can synthesize it. But when a brilliant and troubled research subject commits murder, the consequences will haunt Friedrich and his family for years to come.




A Stranger Like You


Book Description

By the acclaimed novelist of All Things Cease to Appear “An intense, provocative thriller.”—Publishers Weekly (starred review) Hedda Chase is a top-flight executive producer at Gladiator Films, fast-tracked in the business since she graduated from Yale. An aggressive businesswoman, she recently pulled the plug on a film project initiated by one of her predecessors. The screenwriter on the project was Hugh Waters, a wannabe with a dead-end marriage and a day job at an insurance company. This script was his ticket out-until Hedda tampered with his plans, claiming his violence was over the top, his premise not credible, and his ending implausible. Hugh decides to prove otherwise by staging his script’s ending and casting Hedda Chase as the victim. He flies to Los Angeles and finds Hedda, kidnaps her, and locks her in the trunk of her vintage BMW in the parking lot at LAX. He leaves the keys in the ignition, the parking ticket on the dash, and lets “destiny” take its course. This is the set-up for a troubling, smart, deadly look at women and images of women, at media as a high-stakes game and the selling of a war as theatre. Brundage’s Los Angeles is a casual battleground that trades carelessly in lives and dreams. As always, her characters are complicated, surprising, and intense in this high velocity, provocative novel.




Representations of Science in Twenty-First-Century Fiction


Book Description

This collection of essays explores current thematic and aesthetic directions in fictional science narratives in different genres, predominantly novels, but also poetry, film, and drama. The ten case studies, covering a range of British and American texts from the late twentieth to the twenty-first centuries, reflect the diversity of representations of science in contemporary fiction, including psychopharmacology and neuropathology, quantum physics and mathematics, biotechnology, genetics, and chemical weaponry. This collection considers how texts engage with science and technology to explore relations between bodies and minds, how such connectivities shape conceptions and narrations of the human, and how the speculative view of science fiction features alongside realist engagements with the Victorian period and modernism. Utilizing an interdisciplinary approach, contributors offer new insights into narrative engagement with science and its place in life today, in times past, and in times to come.




Pharmakon


Book Description

It is 1950s America and madness is in the air. In a world where the 'cures' for craziness include coma therapy, cyanide treatment and full-frontal lobotomies, Dr. William T. Friedrich, a young and ambitious psychology professor at Yale, stumbles upon a tropical plant that seems to possess the secret ingredient of happiness. In Casper Gedsic, a fiercely intelligent, socially inept, near-suicidal maths student, he seems to have found the perfect guinea pig. But when his experiments goes awry, Casper's thirst for revenge turns murderous and his actions have consequences that will haunt Friedrich and his family forever...




Standard Catalog for Public Libraries


Book Description

Includes an abridged edition of 1908 catalog issued under title: English prose fiction ... list of about 800 title.




Jacques Derrida (Routledge Revivals)


Book Description

First published in 1992, this book represents the first major attempt to compile a bibliography of Derrida’s work and scholarship about his work. It attempts to be comprehensive rather than selective, listing primary and secondary works from the year of Derrida’s Master’s thesis in 1954 up until 1991, and is extensively annotated. It arranges under article type a huge number of works from scholars across numerous fields — reflecting the interdisciplinary and controversial nature of Deconstruction. The substantial introduction and annotations also make this bibliography, in part, a critical guide and as such will make a highly useful reference tool for those studying his philosophy.




Queer Writing


Book Description

Queer Writing provides the first full-length study of homoeroticism in Jean Genet's fiction. It shows how the theory of writing elaborated in his work provides a new way to understand homosexual literature, not as the inscription of a stable sexual subjectivity but as the mobilization of a perverse dynamic within the text.




Dissemination


Book Description

Interpretations of Plato, Stéphane Mallarmé, and Philippe Sollers’ writings in three essays: “Plato’s Pharmacy,” “The Double Session,” and “Dissemination.” “The English version of Dissemination [is] an able translation by Barbara Johnson . . . Derrida’s central contention is that language is haunted by dispersal, absence, loss, the risk of unmeaning, a risk which is starkly embodied in all writing. The distinction between philosophy and literature therefore becomes of secondary importance. Philosophy vainly attempts to control the irrecoverable dissemination of its own meaning, it strives—against the grain of language—to offer a sober revelation of truth. Literature—on the other hand—flaunts its own meretriciousness, abandons itself to the Dionysiac play of language. In Dissemination—more than any previous work—Derrida joins in the revelry, weaving a complex pattern of puns, verbal echoes and allusions, intended to ‘deconstruct’ both the pretension of criticism to tell the truth about literature, and the pretension of philosophy to the literature of truth.” —Peter Dews, The New Statesman




Creolizing the Nation


Book Description

Winner, 2022 Nicolás Cristóbal Guillén Batista Outstanding Book Award Creolizing the Nation identifies the nation-form as a powerful resource for political struggles against colonialism, racism, and other manifestations of Western hegemony in the Global South even as it acknowledges the homogenizing effects of the politics of nationalism. Drawing on Caribbean, decolonial, and Latina feminist resources, Kris F. Sealey argues that creolization provides a rich theoretical ground for rethinking the nation and deploying its political and cultural apparatus to imagine more just, humane communities. Analyzing the work of thinkers such as Édouard Glissant, Frantz Fanon, Gloria Anzaldúa, María Lugones, and Mariana Ortega, Sealey shows that a properly creolizing account of the nation provides an alternative imaginary out of which collective political life might be understood. Creolizing practices are always constitutive of anticolonial resistance, and their ongoing negotiations with power should be understood as everyday acts of sabotage. Sealey demonstrates that the conceptual frame of the nation is not fated to re-create colonial instantiations of nationalism but rather can support new possibilities for liberation and justice.




Victim and Victimizer


Book Description

This book attempts an interesting exercise in character analysis. It scrutinizes the speeches of Joseph in such a way as to expose the problematic nature of his claims to know God's intentions. While Judah is forced by Joseph's test to choose slavery for the sake of his father's survival, the ironic reversal of Judah's role from victimizer to victim is undercut by the rationale by which he had Joseph sold in order to save him. Unwittingly, Joseph mistakes this rationale as a divine principle that undergirds his suffering and he dreams of domination for the same purpose of survival. He is unaware of Judah's real predicament and this double blindness calls into doubt the coalescence of perspectives of Joseph and the narrator.




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