Philodemus, On Poems, Books 3-4


Book Description

An edition, with Greek text, translation, and scholarly commentary, of Books 3 and 4 of the On Poems by the Epicurean philosopher and poet Philodemus of Gadara (1st century BC). Philodemus's work offers unique insights into ancient literary criticism, from Aristotle to Horace.




The Good Poem According to Philodemus


Book Description

This book elucidates the poetics of Philodemus of Gadara, a first century BCE Epicurean philosopher and poet, whose On Poems survives in extensive fragments among the Herculaneum papyri. Although his treatise was primarily polemical and lacks positive exposition, his views are often recoverable from a careful reading of the debates, occasional direct evidence, and attention to his basic Epicurean commitments. His main critical principle is that form and content are inseparable and mutually-reinforcing: a change in one means a change in the other. The poet uses this marriage of form and content to create the psychological effect of the poem in the audience. This effect is hard to pin down exactly. Poems produce "additional thoughts" in the audience, and these entertain them. It seems clear that Philodemus expected good poets to arrange form and content suggestively, so that the poems could exert a lasting pull on the minds of the audience. Additionally, this book summarizes the views of Philodemus' opponents, the technical terminology of literary criticism in the Hellenistic period, and the history of Epicureanism's engagement with poetics. Epicurus did not write an On Poems but Metrodorus did, and this is probably Philodemus' touchstone for his own views. Zeno of Sidon, Demetrius Laco, Siro, and other Epicureans are examined as well. The book concludes with an appendix of topics examined by Philodemus, such as genre, mimesis, "appropriateness," utility, and various technical terms.




On Poems


Book Description

The On Poems by Philodemus (c. 110-35 BC), the Epicurean philosopher and poet who taught Vergil and influenced Horace, is our main source for Hellenistic literary theory. In Book 1 Philodemus summarizes a survey of previously unknown poetic and aesthetic theories. Compiled by Crates of Mallos this survey reviews the critical theories of earlier Epicureans, Peripatetics, and Stoics, who argued in some way that sound is the source of poetic excellence, and that the ear, unaided by the mind, can judge it. Philodemus led the reaction against this invasion of Hellenistic literary criticism by musical theory, arguing that form and content are interrelated, and that substantive content, not pretty sound, is what makes poetry worthwhile. The 200 fragments of Book 1 were entirely jumbled after its discovery at the site of Vesuvius' destruction of Herculaneum. This edition reconstitutes their original sequence, according to a new method, while exploiting previously unknown manuscript sources and new techniques for reading the extant pieces. In thus restoring this important aesthetic treatise from antiquity, it makes a major addition to the corpus of classical literature.




Vergil, Philodemus, and the Augustans


Book Description

"This is an outstanding collection. It is beautifully produced and provides a fascinating insight into one of the most promising and productive areas of current Vergilian scholarship." —Vergilius The Epicurean teacher and poet Philodemus of Gadara (c. 110-c. 40/35 BC) exercised significant literary and philosophical influence on Roman writers of the Augustan Age, most notably the poets Vergil and Horace. Yet a modern appreciation for Philodemus' place in Roman intellectual history has had to wait on the decipherment of the charred remains of Philodemus' library, which was buried in Herculaneum by the eruption of Vesuvius in 79 AD. As improved texts and translations of Philodemus' writings have become available since the 1970s, scholars have taken a keen interest in his relations with leading Latin poets. The essays in this book, derived from papers presented at the First International Symposium on Philodemus, Vergil, and the Augustans held in 2000, offer a new baseline for understanding the effect of Philodemus and Epicureanism on both the thought and poetic practices of Vergil, Horace, and other Augustan writers. Sixteen leading scholars trace his influence on Vergil's early writings, the Eclogues and the Georgics, and on the Aeneid, as well as on the writings of Horace and others. The volume editors also provide a substantial introduction to Philodemus' philosophical ideas for all classicists seeking a fuller understanding of this pivotal figure.




Between Ecstasy and Truth


Book Description

As well as producing one of the finest of all poetic traditions, ancient Greek culture produced a major tradition of poetic theory and criticism. Halliwell's volume offers a series of detailed and challenging interpretations of some of the defining authors and texts in the history of ancient Greek poetics: the Homeric epics, Aristophanes' Frogs, Plato's Republic, Aristotle's Poetics, Gorgias's Helen, Isocrates' treatises, Philodemus' On Poems, and Longinus On the Sublime. The volume's fundamental concern is with how the Greeks conceptualized the experience of poetry and debated the values of that experience. The book's organizing theme is a recurrent Greek dialectic between ideas of poetry as, on the one hand, a powerfully enthralling experience in its own right (a kind of 'ecstasy') and, on the other, a medium for the expression of truths which can exercise lasting influence on its audiences' views of the world. Citing a wide range of modern scholarship, and making frequent connections with later periods of literary theory and aesthetics, Halliwell questions many orthodoxies and received opinions about the texts analysed. The resulting perspective casts new light on ways in which the Greeks attempted to make sense of the psychology of poetic experience - including the roles of emotion, ethics, imagination, and knowledge - in the life of their culture.




Oxford Handbook of Epicurus and Epicureanism


Book Description

This volume offers authoritative discussions of all aspects of the philosophy of Epicurus (340-271 BCE) and then traces Epicurean influences throughout the Western tradition. It is an unmatched resource for those wishing to deepen their knowledge of Epicureanism's powerful arguments about death, happiness, and the nature of the material world.




Philodemus, on Death


Book Description

"On Death," by the Epicurean philosopher Philodemus of Gadara, is among the most significant philosophical treatments of the theme surviving from the Greco-Roman world. The author was an influential figure in first-century B.C.E. Roman society, associated with poets such as Virgil and politicians such as the father-in-law of Julius Caesar. The surviving copies of his treatises were carbonized following the eruption of Vesuvius in 79 C.E. This edition contains the Greek text, newly reconstituted with the help of the infrared imaging technology that has revolutionized the study of Philodemus s works in the twenty-first century, and completely translated into English for the first time. An extensive introduction provides background on Philodemus and his writings, accompanying notes enrich the text, and forty-four pages of photographs illustrate the papyrus manuscript from which the translation is drawn.




Hellenistic Tragedy


Book Description

Ancient Greek tragedy is ubiquitously studied and researched, but is generally considered to have ended, as it began, in the fifth century BC. However, plays continued to be written and staged in the Greek world for centuries, enjoying a period of unprecedented popularity and changing significantly from the better known Classical drama. Hellenistic drama also heavily influenced the birth of Roman tragedy and the development of other theatrical forms and literature (including comedies, mime and Greek romance). Hellenistic Tragedy: Texts, Translations and a Critical Survey offers a comprehensive picture of tragedy and the satyr play from the fourth century BCE. The surviving fragments of this dramatic genre are presented, alongside English translations and critical analysis, as well as a survey of the main writers involved and an exploration of the genre's formation, later influence and staging. Key features of the plays are analysed through extant texts and other evidence, including plots based on contemporary political themes, mythical subjects and Biblical themes, and features of metre and language. Practical elements of Hellenistic performance are also discussed, including those which have become the hallmarks of ancient theatre: actors' costumes of long robes, kothurnoi and high onkos-masks, the theatre building and the closed stage on the logeion. Piecing together a synthetic picture of Hellenistic tragedy and the satyr play, the volume also examines the key points of departure from earlier drama, including the mass audience, the mutual influence of Greek and Eastern traditions and the changes inside the genre which prove Hellenistic drama was an important stage in the development of the European theatre.




How Women Became Poets


Book Description

"This book that shows how ancient poets broke the silence of literary gender norms to express their own voices, and thus illuminating long neglected discussions of gender in the ancient world. In How Women Became Poets, Emily Hauser provides a startling new history of classical literature that redefines the canon as a constant struggle to be heard through, and sometimes despite, gender. By bringing together recent studies in ancient authorship, gender, and performativity, Hauser offers gendered lens to issues of voice and identity in classical literature and poetry. What emerges from this is a new literary history that reframes the authors of classical literature as both enforcing and exploring gender, and shows for the first time how women broke the silence of gender norms around literary production to express their own voices. By revisiting traditional assumptions about the canon of Greek literature, and highlighting the articulated construction of masculinity in Greek poetic texts, the book places ancient women poets back onto center stage as principal actors in the drama of the debate around what it means to create poetry. Much of the importance of this work is adding in female authors to the history of Greek literature, both well-known and marginal, while demonstrating how the idea of the author was born in the battleground of gender"--




Affective Relations and Personal Bonds in Hellenistic Antiquity


Book Description

The intense bonds among the king and his family, friends, lovers, and entourage are the most enticing and intriguing aspects of Alexander the Great’s life. The affective ties of the protagonists of Alexander’s Empire nurtured the interest of the ancient authors, as well as the audience, in the personal life of the most famous men and women of the time. These relations echoed through time in art and literature, to become paradigm of positive or negative, human behavior. By rejecting the perception of the Macedonian monarchy as a positivist king-army based system, and by looking for other political and social structures Elizabeth Carney has played a crucial role in prompting the current re-appraisal of the Macedonian monarchy. Her volumes on Women and Monarchy in Ancient Macedonia (University of Oklahoma Press, 2000), Olympias: Mother of Alexander the Great (Routledge, 2006), Arsinoë of Egypt and Macedon: A Royal Life (Oxford University Press, 2013) have been game-changers in the field and has offered the academic world a completely new perspective on the network of relationships surrounding the exercise of power. By examining Macedonian and Hellenistic dynastic behavior and relations, she has shown the political yet tragic, heroic thus human side, thus connecting Hellenistic political and social history. Building on the methodological approach and theoretical framework engendered by Elizabeth Carney’s research, this book explores the complex web of personal relations, inside and outside the oikos (family), governing Alexander’s world, which sits at the core of the inquiry into the human side of the events shedding light light on the personal dimension of history. Inspired by Carney’s seminal work on Ancient Macedonia, the volume moves beyond the traditionally rationalist and positivist approaches towards Hellenistic antiquity, into a new area of humanistic scholarship, by considering the dynastic bloodlines as well as the affective relations. The volume offers a discussion of the intra and extra familial network ruling the Mediterranean world at the time of Philip and Alexander. Building on present scholarship on relations and values in Hellenistic Monarchies, the book contributes to a deeper historical understanding of the mutual dialogue between the socio-cultural and political approaches to Hellenistic history.