Picasso's Tears


Book Description

Poetry. Written over the past 35 years, PICASSO'S TEARS is an epic account of Wong May's incisive, empathic, and visionary engagement with our strange and violent world. Politically inflamed and intensely personal, this fourth book of poems by Wong May marks the long-awaited re-emergence of a major, miraculous voice.




Pictures and Tears


Book Description

This deeply personal account of emotion and vulnerability draws upon anecdotes related to individual works of art to present a chronicle of how people have shown emotion before works of art in the past.




Picasso and the Painting That Shocked the World


Book Description

One of The Christian Science Monitor’s Best Nonfiction Books of 2018 “An engrossing read…a historically and psychologically rich account of the young Picasso and his coteries in Barcelona and Paris” (The Washington Post) and how he achieved his breakthrough and revolutionized modern art through his masterpiece, Les Demoiselles d’Avignon. In 1900, eighteen-year-old Pablo Picasso journeyed from Barcelona to Paris, the glittering capital of the art world. For the next several years he endured poverty and neglect before emerging as the leader of a bohemian band of painters, sculptors, and poets. Here he met his first true love and enjoyed his first taste of fame. Decades later Picasso would look back on these years as the happiest of his long life. Recognition came first from the avant-garde, then from daring collectors like Leo and Gertrude Stein. In 1907, Picasso began the vast, disturbing masterpiece known as Les Demoiselles d’Avignon. Inspired by the painting of Paul Cézanne and the inventions of African and tribal sculpture, Picasso created a work that captured the disorienting experience of modernity itself. The painting proved so shocking that even his friends assumed he’d gone mad, but over the months and years it exerted an ever greater fascination on the most advanced painters and sculptors, ultimately laying the foundation for the most innovative century in the history of art. In Picasso and the Painting That Shocked the World, Miles J. Unger “combines the personal story of Picasso’s early years in Paris—his friendships, his romances, his great ambition, his fears—with the larger story of modernism and the avant-garde” (The Christian Science Monitor). This is the story of an artistic genius with a singular creative gift. It is “riveting…This engrossing book chronicles with precision and enthusiasm a painting with lasting impact in today’s art world” (Publishers Weekly, starred review), all of it played out against the backdrop of the world’s most captivating city.




Seeing Through Tears


Book Description

Seeing Through Tears is a groundbreaking examination of crying behavior and the meaning behind our tears. Drawing from attachment theory and her own original research, Judith Nelson presents an exciting new view of crying as a part of our inborn equipment for establishing and maintaining emotional connections. In a comprehensive look at crying through the life cycle, this insightful volume presents a novel theoretical framework before offering useful and practical advice for dealing with this most fundamental of human behaviors.




Picasso and Portraiture


Book Description

This book, published to accompany a major exhibition at The Museum of Modern Art, New York, opening in April 1996, no doubt will long remain the definitive work on its subject.




Holy Tears


Book Description

What religion does not serve as a theater of tears? Holy Tears addresses this all but universal phenomenon with passion and precision, ranging from Mycenaean Greece up through the tragedy of 9/11. Sixteen authors, including many leading voices in the study of religion, offer essays on specific topics in religious weeping while also considering broader issues such as gender, memory, physiology, and spontaneity. A comprehensive, elegantly written introduction offers a key to these topics. Given the pervasiveness of its theme, it is remarkable that this book is the first of its kind--and it is long overdue. The essays ask such questions as: Is religious weeping primal or culturally constructed? Is it universal? Is it spontaneous? Does God ever cry? Is religious weeping altered by sexual or social roles? Is it, perhaps, at once scripted and spontaneous, private and communal? Is it, indeed, divine? The grief occasioned by 9/11 and violence in Afghanistan, Iraq, Israel, and elsewhere offers a poignant context for this fascinating and richly detailed book. Holy Tears concludes with a compelling meditation on the theology of weeping that emerged from pastoral responses to 9/11, as described in the editors' interview with Reverend Betsee Parker, who became head chaplain for the Office of the Chief Medical Examiner of New York City and leader of the multifaith chaplaincy team at Ground Zero. The contributors are Diane Apostolos-Cappadona, Amy Bard, Herbert Basser, Santha Bhattacharji, William Chittick, Gary Ebersole, M. David Eckel, John Hawley, Gay Lynch, Jacob Olúpqnà (with Solá Ajíbádé), Betsee Parker, Kimberley Patton, Nehemia Polen, Kay Read, and Kallistos Ware.




Picasso & Things


Book Description

''Picasso's still lifes, though less dramatic than his highly charged figurative pictures, include some of his most original, daring and emotionally complex work. This lavish catalogue of a traveling exhibition combines sensitive connoisseurship and ample illustrations (393 plates, 145 in color) to document Picasso's exploration of still lifes in paintings, sculpture, constructions, collages, drawings, prints and ceramics. The great analytical cubist experiments are here, along with many less familiar forays. Boggs, a Picasso scholarsufficient ID?seems circular/it's what this person does all day, every day, so stet.gs , shows how the artist raided the techniques of Cezanne, Rousseau, Braque, Matisse, Zurbaran and Chardin to produce powerful still lifes that bore his distinctive stamp. Bernadac and Leal, curators at the Musee Picasso in Paris, in separate essays investigate his obsession with food imagery and his "Don Juanism," or cheerful, promiscuous mixing of styles.''--




Picasso's One-liners


Book Description

Picasso's "one-liners" constitute a small but delightful contribution to the artist's great body of drawings. Although his prominence as a draughtsman has long been recognized, the unique nature of Picasso's one-liners has never been fully examined, or collected before in a single volume. These 50 drawings offer a fascinating look at this whimsical side of the artist's work. Color throughout.




Vanished Smile


Book Description

On August 21, 1911, Leonardo da Vinci’s most celebrated painting vanished from the Louvre. The prime suspects were as shocking as the crime: Pablo Picasso and Guillaume Apollinaire, young provocateurs of a new art. The sensational disappearing act captured the world’s imagination. Crowds stood in line to view the empty space on the museum wall. Thousands more waited, as concerned as if Mona Lisa were a missing person, for news of the lost painting. Almost a century later, questions still linger: Who really pinched Mona Lisa, and why? Part love story, part mystery, Vanished Smile reopens the puzzling case that transformed a Renaissance portrait into the most enduring icon of all time.




Crying


Book Description

This provocative and indispensable book provides a natural and cultural history of our most mysterious and complex human function: our ability to shed tears. All humans, and only humans, weep. Tears are sometimes considered pleasurable, sometimes dangerous, mysterious, deceptive, or profound. Tears of happiness, tears of joy, the proud tears of a parent, tears of mourning, tears of laughter, tears of defeat --what do they have in common? Why is it that at times of victory, success, love, reunion, and celebration the outward signs of our emotions are identical to those of our most profound experiences of loss? Why We Cry looks at the many different ways people have understood weeping, from the earliest known representation of tears in the fourteenth century B.C. through the latest neurophysiological research. Despite our most common romantic assumptions, what this brilliant book tells us is that tears are never pure, they are never simple.