Sing, Pierrot, Sing


Book Description

Long ago and without fail, three characters brought delight to audiences: the pantalooned Pierrot; Columbine, ever saucy and adroit; and Harlequin her lover, full of good natured drolleries and amusing tricks. From the legacy left by French pantomime and the Italian commedia dell'arte, this original story in pictures has been fashioned, with a special kind of ending to transcend time. The words, as in all mime, are in the eyes of the listener.




Pierrot


Book Description

Pierrot is one of Alexandre Dumas' stranger tales, a delightful mishmash of humor, adventure, satire, and poignancy. While presented as a children's tale, it has plenty of layers making it a satisfying read for grownups as well.




Pierrot


Book Description

Robert Storey's lively and gracefully written study of Pierrot is the first scholarly history of this fascinating popular figure. Unlike previous studies of commedia dell'arte characters; this book focuses as much on Pierrot as a literary metaphor and mask as on the roles and dimensions of his stage character. Originally published in 1978. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Pierrot in Petrograd


Book Description

Douglas Clayton examines the tradition of commedia dell'arte as the Russian modernists inherited it, from its origins in Italian street theatre through its various transformations: in Italy (Gozzi and Goldini's plays); in France (the development of Pierrot and the restructuring of the plot); and in Germany (Tieck's and Hoffmann's metatheatre). He also analyses crucial texts by Gozzi, Lothar, Benavente, and Schnitzler that came to play a central role in the Russian theatre. Tracing the history of commedia dell'arte on the Russian stage, he demonstrates that the introduction of the tradition was theory-driven and discusses several milestone productions in the pre- and post-revolutionary period. Clayton examines the impact of commedia dell'arte, russified as the new theatrical genre of balagan, on both popular and lesser-known Russian playwrights, and, in conclusion, explores the significance of the commedia dell'arte as a theoretical underpinning for Sergei Eisenstein's theories of theatre and film.




Pierrot/Lorca


Book Description

Examines the importance of Pierrot, as an image of marginality and failure and a symbol of hidden sexuality, in García Lorca's imagery and literary and personal life.




Pierrot!


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Triumph of Pierrot


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Pierrot of the World


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Pierrot and his world


Book Description

Pierrot, a theatrical stock character known by his distinctive costume of loose white tunic and trousers, is a ubiquitous figure in French art and culture. This richly illustrated book offers an account of Pierrot’s recurrence in painting, printmaking, photography and film, tracing this distinctive type from the art of Antoine Watteau to the cinema of Occupied France. As a visual type, Pierrot thrives at the intersection of theatrical and marketplace practices. From Watteau’s Pierrot (c. 1720) and Édouard Manet’s The Old Musician (1862) to Nadar and Adrien Tournachon’s Pierrot the Photographer (1855) and the landmark film Children of Paradise (1945), Pierrot has given artists a medium through which to explore the marketplace as a form for both social life and creative practice. Simultaneously a human figure and a theatrical mask, Pierrot elicits artistic reflection on the representation of personality in the marketplace.




One Year of Pierrot


Book Description