Pierrot & Columbine (The Pierrot ́s Love Series)


Book Description

Anne, a teenage girl who dreams of being a dancer suffers an obsession and becomes haunted by a ghost of a ballerina in the nineteenth century, who prefers to be called Tata, and who, like a rat, appears out of nowhere and goes beyond, literally, in a blink of an eye, twerking, trolling and twisting facts and factions, and who insists into contacting her in every possible way (even by cell phone and text messages) to tell her story. So she decides to write her story in the form of a play giving vent to her artistic vein, before the ghost dancer make her wiah to cutting the veins of them both, tormenting her from head to toe. As it were not enough many tangles and so many caveats and ties to be untied sneakers, here comes another ghost that looks like it came to torment her too. Giovanni, boyfriend and possible serial killer, and that also seems to have a deep relationship with the teenager proves to be helpful and kind to her, but everything seems to be just a clever way to conquer her world to dominate her and make she do everything he tells her to do, to insert her in their midst to be involved in the same case. Then he begins to tell the story from his point of view. Having two versions, in which one is she going to believe? And as she finishes her own story, will she be able to convey? She hopes to resolve the issue as soon as possible, before they devour or engage her further in a tangle of misunderstandings. Or she will start to disbelieve her own ears and lose herself in the path of her own acquittal tied into an emotional imbalance that at first reveals a tough ancestor line to tread. For this she will need all her courage thus find heroin in her veins, to be able to go face her faith... Or her dreadful fate.




Sing, Pierrot, Sing


Book Description

Long ago and without fail, three characters brought delight to audiences: the pantalooned Pierrot; Columbine, ever saucy and adroit; and Harlequin her lover, full of good natured drolleries and amusing tricks. From the legacy left by French pantomime and the Italian commedia dell'arte, this original story in pictures has been fashioned, with a special kind of ending to transcend time. The words, as in all mime, are in the eyes of the listener.




The Bright Island


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The Director's Prism


Book Description

Finalist, 2017 Theatre Library Association George Freedley Memorial Award Shortlist, 2019 Prague Quadrennial Best Scenography and Design Publication Award The Director's Prism investigates how and why three of Russia's most innovative directors— Vsevolod Meyerhold, Alexander Tairov, and Sergei Eisenstein—used the fantastical tales of German Romantic writer E. T. A. Hoffmann to reinvent the rules of theatrical practice. Because the rise of the director and the Russian cult of Hoffmann closely coincided, Posner argues, many characteristics we associate with avant-garde theater—subjective perspective, breaking through the fourth wall, activating the spectator as a co-creator—become uniquely legible in the context of this engagement. Posner examines the artistic poetics of Meyerhold's grotesque, Tairov's mime-drama, and Eisenstein's theatrical attraction through production analyses, based on extensive archival research, that challenge the notion of theater as a mirror to life, instead viewing the director as a prism through whom life is refracted. A resource for scholars and practitioners alike, this groundbreaking study provides a fresh, provocative perspective on experimental theater, intercultural borrowings, and the nature of the creative process.




Twelve Classic One-Act Plays


Book Description

Ideal for performers looking for inexpensive material, this collection of royalty-free, one-act plays contains classics by well-known playwrights. Featured productions include Glaspell's Trifles, Synge's Riders to the Sea, and Strindberg's The Stronger, plus works by Aristophanes, Chekhov, Millay, O'Neill, and others.




Arial da capo


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Pierrot's Mother


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Breathless


Book Description

Explores how early radio and sound recording influenced modernist literature. Breathless explores early sound recording and the literature that both foreshadowed its invention and was contemporaneous with its early years, revealing the broad influence of this new technology at the very origins of Modernism. Through close readings of works by Edgar Allan Poe, Stéphane Mallarmé, Charles Cros, Paul Valéry, Villiers de L'Isle-Adam, Jules Verne, and Antonin Artaud, Allen S. Weiss shows how sound recording's uncanny confluence of human and machine would transform our expectations of mourning and melancholia, transfiguring our intimate relation to death. Interdisciplinary, the book bridges poetry and literature, theology and metaphysics. As Breathless shows, the symbolic and practical roles of poetry and technology were transformed as new forms of nostalgia and eroticism arose.







Aria da Capo; A Play in One Act


Book Description

Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.