Pirandello’s Visual Philosophy


Book Description

This collection draws on cutting-edge work that crosses traditional disciplinary boundaries to offer new perspectives on the importance of visuality and the imagination in the work of Luigi Pirandello, the great Italian modernist. The volume re-examines traditional critical notions central to the study of Pirandello by focusing on the importance of the visual imagination in his poetics and aesthetics, an area of multimedia investigation which has not yet received ample attention in English-language books. Putting scholarship on Pirandello in conversation with new work on the multimedia dimensions of modernism, the volume examines how Pirandello worked across and was adapted through multiple media. It also brings Pirandello into a cross-disciplinary dialogue with new approaches to Italian cultural studies to show how his work remains relevant to scholarly conversations across the field. The essays in this collection highlight the ways in which Pirandello is engaged not only in literature and theatre but also in the visual arts, film, and music. At the same time, they emphasize the ways in which this multimedia creativity enables Pirandello to pursue complex philosophical thoughts, and how scholars’ interpretation of his works can provide new insights into problems facing us today. Crossing from aesthetics and a study of modernist notions of creative imagination into studies of multimedia works and adaptations, the volume argues that Pirandello should be understood as a thinker in images whose legacy can be felt across the arts and into the realm of 21st-century theories of literary cognition.




Understanding Luigi Pirandello


Book Description

This is an introduction to the life and literary contributions of a Nobel Prize winner and one of Italy's most distinguished writers, Luigi Pirandello. It evaluates the significance of his influence on 20th century literature.




Pirandello and Film


Book Description

Italian playwright Luigi Pirandello (1867-1936) is one of the preeminent figures of the modern European theater. His masterpiece, Six Characters in Search of an Author, set loose a riot during its first performance in Rome in 1921. This play about six unfortunate characters abandoned by their author in the middle of a tawdry drama, is an unsettling, supremely self-conscious work that is ultimately about theatrical artifice and artistic creation itself. Pirandello and Film examines Pirandello's many efforts-none of them finally successful-to transform Six Characters into a movie. The authors examine Pirandello's views on film and its relation to theater, his varying approaches to creating a film adaptation of Six Characters, and the efforts of directors and film moguls in Germany and Hollywood to fashion a cinematic version of the play. The book also presents an array of important documents, including some that have never before appeared in English: a Prologue (or prose sketch) for a 1926 film; a Scenario (a more detailed prose sketch) prepared by Pirandello and Adolph Lantz in the late 1920s for a German film version of Six Characters; an English-language film sketch written in 1935 by Pirandello and Saul Colin; and a letter from Max Reinhardt and the German emigri Hollywood film director Joseph von Sternberg to Saul Colin regarding the proposed film treatment of the play. These documents, together with the authors' critical text, provide a detailed portrait of Pirandello's developing view of film as an appropriate medium for his revolutionary dramatic innovations. Nina daVinci Nichols, a professor of English at Rutgers University, is the author of Ariadne's Lives, Man, Myth & Monument,and two novels: Moira's Room and Child of the Night. Jana O'Keefe Bazzoni, an associate professor of speech at Baruch College, has published articles in The Luigi Pirandello Companion, Performing Arts Journal, and Modern Drama. Maurice Charney, a professor of English at Rutgers University, is the author of All of Shakespeare, Comedy High and Low, and Sexual Fiction.




Pirandello's Love Letters to Marta Abba


Book Description

In February 1925, the 58-year-old world-famous playwright Luigi Pirandello met Marta Abba, an unknown, beautiful actress less than half his age, and fell in love with her. She was to become, until his death in December 1936, not only his confidante but also his inspiring muse and artistic collaborator, helping him in his plans to reform Italian theater under the Fascist regime. Pirandello's love for the young actress was neither a literary infatuation nor a form of fatherly affection, but rather an unfulfilled, desperate passion that secretly consumed him during the last decade of his life. Bitterly disillusioned by the conditions of the theatrical world in Italy, Pirandello and Abba shared a dream of going abroad to earn their fortune and returning to Italy with the means to establish a national theater dedicated to high artistic standards. In March 1929, when Marta finally yielded to family pressure and left Pirandello alone in Berlin to revive her Italian stage career and to end rumors over their involvement, he endured a devastating heartbreak and fell into a life-threatening depression--more profound and long-lasting than any of his biographers have yet imagined. The hundreds of letters Pirandello wrote to Abba during these years are the only source that reveals the true story of his relentless torment. Selected, translated, and introduced here for the first time in any language, these powerful and moving documents reward the reader with the unique experience of living in intimacy with a profound poet of human pain. Here Pirandello encourages his beloved in her difficult career as actor/manager, rejoices in her triumphs, and desperately implores her to return to him. The letters are filled with glimpses of this major artistic personality at some of his most distinctive moments--such as the award of the Nobel Prize, his meetings with Mussolini, and Marta's long-dreamed-of success on Broadway--but they remain foremost an authentic confession of a Pirandello, without the mask of his art, telling the story of his real-life tragedy. In 1986, two years before she died, Marta Abba authorized the publication of the present correspondence so that the world might understand how deeply Pirandello had suffered. This English-language volume contains a selection of 164 letters from the complete edition of 552, which Princeton University Press will publish in cooperation with Mondadori, in the original Italian, in 1995. Originally published in 1994. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.




Portrait of the Artist and His Mother in Twentieth-Century Italian Culture


Book Description

The power exercised by the mother on the son in Mediterranean cultures has been amply studied. Italy is a special case in the Modern Era and the phenomenon of Mammismo italiano is indeed well known. Scholars have traced this obsession with the mother figure to the Catholic cult of the Virgin Mary, but in fact, it is more ancient. What has not been adequately addressed however, is how Mammismo italiano has been manifested in complex ways in various modern artistic forms. Portrait of the Artist and His Mother in Twentieth-Century Italian Culture focuses on case studies of five prominent creative personalities, representing different, sometimes overlapping artistic genres (Luigi Pirandello, Pier Paolo Pasolini, Dino Buzzati, Carlo Levi, Federico Fellini). The author examines how the mother-son relationship not only affected, but actually shaped their work. Although the analysis uses mainly a psychological and psychoanalytical critical approach, the belief of the author, substantiated by historians, anthropologists and sociologists, is that historical and cultural conditions contributed to and reinforced the Italian character. This book concludes with an analysis of some examples of Italian film comedies, such as Fellini's and Monicelli's where mammismo/vitellonismo is treated with a lighter tone and a pointed self irony.




Pirandello and His Muse


Book Description

With sensitive commentary on the letters, Daniela Bini reads the plays the old maestro wrote for the young actress as the sublimation of an erotic impulse he denied throughout his life. From Diana and Tuda to The Mountain Giants, Bini maintains, Pirandello makes love to Marta in the only way he could, the mystical union of the creator and his muse.




A Study Guide for Luigi Pirandello's "Right You Are! (If You Think You Are)"


Book Description

A Study Guide for Luigi Pirandello's "Right You Are! (If You Think You Are)," excerpted from Gale's acclaimed Drama For Students. This concise study guide includes plot summary; character analysis; author biography; study questions; historical context; suggestions for further reading; and much more. For any literature project, trust Drama For Students for all of your research needs.




Humanities


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The Outlook


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Verdi, Opera, Women


Book Description

Prologue : Verdi and his audience -- War -- Prayer -- Romance -- Sexuality -- Marriage -- Death -- Laughter.




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