The Makers of Rome


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These nine biographies illuminate the careers, personalities and military campaigns of some of Rome's greatest statesmen, whose lives span the earliest days of the Republic to the establishment of the Empire. Selected from Plutarch's Roman Lives, they include prominent figures who achieved fame for their pivotal roles in Roman history, such as soldierly Marcellus, eloquent Cato and cautious Fabius. Here too are vivid portraits of ambitious, hot-tempered Coriolanus; objective, principled Brutus and open-hearted Mark Anthony, who would later be brought to life by Shakespeare. In recounting the lives of these great leaders, Plutarch also explores the problems of statecraft and power and illustrates the Roman people's genius for political compromise, which led to their mastery of the ancient world.







Plutarch's Lives of Coriolanus, Caesar, Brutus and Antonius in North's Translation


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PREFACE. THE Author of this very practical treatise on Scotch Loch - Fishing desires clearly that it may be of use to all who had it. He does not pretend to have written anything new, but to have attempted to put what he has to say in as readable a form as possible. Everything in the way of the history and habits of fish has been studiously avoided, and technicalities have been used as sparingly as possible. The writing of this book has afforded him pleasure in his leisure moments, and that pleasure would be much increased if he knew that the perusal of it would create any bond of sympathy between himself and the angling community in general. This section is interleaved with blank shects for the readers notes. The Author need hardly say that any suggestions addressed to the case of the publishers, will meet with consideration in a future edition. We do not pretend to write or enlarge upon a new subject. Much has been said and written-and well said and written too on the art of fishing but loch-fishing has been rather looked upon as a second-rate performance, and to dispel this idea is one of the objects for which this present treatise has been written. Far be it from us to say anything against fishing, lawfully practised in any form but many pent up in our large towns will bear us out when me say that, on the whole, a days loch-fishing is the most convenient. One great matter is, that the loch-fisher is depend- ent on nothing but enough wind to curl the water, -and on a large loch it is very seldom that a dead calm prevails all day, -and can make his arrangements for a day, weeks beforehand whereas the stream- fisher is dependent for a good take on the state of the water and however pleasant and easy it may be for one living near the banks of a good trout stream or river, it is quite another matter to arrange for a days river-fishing, if one is looking forward to a holiday at a date some weeks ahead. Providence may favour the expectant angler with a good day, and the water in order but experience has taught most of us that the good days are in the minority, and that, as is the case with our rapid running streams, -such as many of our northern streams are, -the water is either too large or too small, unless, as previously remarked, you live near at hand, and can catch it at its best. A common belief in regard to loch-fishing is, that the tyro and the experienced angler have nearly the same chance in fishing, -the one from the stern and the other from the bow of the same boat. Of all the absurd beliefs as to loch-fishing, this is one of the most absurd. Try it. Give the tyro either end of the boat he likes give him a cast of ally flies he may fancy, or even a cast similar to those which a crack may be using and if he catches one for every three the other has, he may consider himself very lucky. Of course there are lochs where the fish are not abundant, and a beginner may come across as many as an older fisher but we speak of lochs where there are fish to be caught, and where each has a fair chance. Again, it is said that the boatman has as much to do with catching trout in a loch as the angler. Well, we dont deny that. In an untried loch it is necessary to have the guidance of a good boatman but the same argument holds good as to stream-fishing...




Plutarch's Lives of Coriolanus, Caesar, Brutus, and Antonius


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Excerpt from Plutarch's Lives of Coriolanus, Caesar, Brutus, and Antonius: In North's Translation This volume is designed first as an introduction to the complete Lives of Plutarch in Sir Thomas North's splendid version, and secondly as an attempt to provide the student with a critical edition of the sources of Shakespeare's three Roman plays. Shakespeare's indebtedness to North is discussed in every modern edition of these plays, but no editor of North hitherto has catered directly for the Shakespearean student, by supplying lineal references from the prose to the verse text. The system adopted in the Notes is that mere references are given where Shakespeare appears to have borrowed subject-matter only, and full quotations where he appears to have followed North's actual language. An Index is appended, containing a list of the references to the plays, arranged in order under Act and Scene. All references are to the Oxford Shakespeare, edited by Mr. W. J. Craig. In the d104 the spelling has been modernized throughout, subject to the preservation of all interesting or obsolete forms. The punctuation also has been revised and corrected for the sake of clearness, though the characteristic colon is preserved to the exclusion of the modern semi-colon. The reasons for this tampering with the text are two-fold. First, it is a frank concession to the reader's convenience. Black letter, long s's, and sixteenth century spelling attract the bibliophile, but too often hamper and annoy the student. Secondly, modernization helps to bring author and reader nearer together. Every book that is worth reading from other than antiquarian motives makes a truer appeal to literary taste when it is dressed in modern guise; and it may be remembered that Charles Lamb's perfect instinct demanded an old edition of the Anatomy of Melancholy but preferred a modem Shakespeare. The account of Sir T. North's life in the Introduction ( II) owes much to the invaluable Dictionary of National Biography, supplemented as regards his problematical connexion with Peterhouse by the kindness of Dr. T. A. Walker, Fellow of that College. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."




Shakespeare's Plutarch


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Plutarch's Lives of Coriolanus, Caesar, Brutus, and Antonius; in North's Translation


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This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1906 edition. Excerpt: ... Volumnia referred to above in Act v. Sc. 3. These passages will be found quoted in full in the notes. VIII. Plutarch And Non-shakespearean Drama. The influence of Plutarch is to be traced in the work of other writers besides Shakespeare in the history of English drama, although there is no other patent instance of deliberate appropriation of North's style and language. Among all the classical subjects of the drama none have proved more adaptable or more popular than Julius Caesar and Cleopatra, and Plutarch is the fountain-head of information about their lives. Julius Caesar figured upon the English stage long before Shakespeare placed him there, and the words of Polonius already quoted are an obvious allusion to an academic play on his fall. There is ah interesting example of a similar play of later date (1607) in the British Museum, entitled 'The Tragedie of Caesar and Pompey, or Caesar's Revenge. Priuately acted by the Studentes of Trinity College in Oxford'. It is typically academic (in the least complimentary sense), and portentously dull, for it carries on the declamatory traditions of Sackville's Gorboduc. The plot is constructed out of the narratives of Plutarch and Suetonius, with a jealous exclusion of all their lighter touches and illuminative details; but the writer probably read Plutarch in a Latin version, as did Stephen Gosson, who quotes him repeatedly in his School of Abuse, and had doubtless made use of his materials in his play of Catilins Conspiracies. Henslowe's Diary records more than one Caesar play anterior in date to Shakespeare's: e.g. on November 8, 1594, a new play, 'seser and pompie', and on June 18 in the following year, 'the 2 pte of sesore'. On May 22, 1602, is an entry of payments to Munday, Drayton, ...




Julius Caesar


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