The Sunset Assumption


Book Description




The Assumption of the Rogues and Rascals


Book Description

First published in 1978, and widely considered to be the sequel to her masterpiece 'By Grand Central Station I Sat Down and Wept', this remarkable book further established Smart's reputation as a brave and inspirational writer. A still beautiful woman, 31 years old with four children by a faithless lover, cannot break the habit of expectation. She must learn to submit to the cold, bare, unglamorous tenets of reality - the untenable position of love. She must learn to deflect Grand Passion into an acceptance of the rogues and rascals with their radiant faces, who buy her a bitter with borrowed cash. Out of a passionate youth, through pain and harsh revelation, she has attained a maturity - a certain knowledge that the cost of rapture is high and that there is no looking back. Hers is a voice that distils a woman's determination for survival - a voice that rises up from everyday life, from the bus queue, the Underground, the pub - and in Elizabeth Smart's hand is wrought into something magnificent.




Reading Poetry


Book Description

Reading Poetry offers a comprehensive and accessible guide to the art of reading poetry. Successive chapters introduce key skills and critical or theoretical issues, enabling users to read poetry with enjoyment, insight and an awareness of the implications of what they are doing. This new edition includes a new chapter on ‘Post-colonial Poetry’, a substantial increase in the number of end-of-chapter interactive exercises, and a comprehensive Glossary of poetic terms. Not just an add-on, the Glossary works as a key resource for the structuring of particular topics in any individual teaching or learning programme. Many of the exercises and interactive discussions develop not only the skills of competent close reading but also the necessary confidence and experience in locating historical and other contextual information through library or internet searches. The aim is to enhance readers' literary and scholarly competence – and to make it fun!










Cursor Mundi


Book Description




The Poems of T. S. Eliot: Volume I


Book Description

The first volume of the first paperback edition of The Poems of T. S. Eliot This two-volume critical edition of T. S. Eliot’s poems establishes a new text of the Collected Poems 1909–1962, rectifying accidental omissions and errors that have crept in during the century since Eliot’s astonishing debut, “The Love Song of J. Alfred Prufrock.” In addition to the masterpieces, The Poems of T. S. Eliot contains the poems of Eliot’s youth, which were rediscovered only decades later; poems that circulated privately during his lifetime; and love poems from his final years, written for his wife, Valerie. Calling upon Eliot’s critical writings as well as his drafts, letters, and other original materials, Christopher Ricks and Jim McCue have provided a commentary that illuminates the imaginative life of each poem. This first volume respects Eliot’s decisions by opening with his Collected Poems 1909–1962 as he arranged and issued it shortly before his death. This is followed by poems uncollected but either written for or suitable for publication, and by a new reading text of the drafts of The Waste Land. The second volume opens with the two books of verse of other kinds that Eliot issued: Old Possum’s Book of Practical Cats and Anabasis, his translation of St.-John Perse’s Anabase. Each of these sections is accompanied by its own commentary. Finally, pertaining to the entire edition, there is a comprehensive textual history that contains not only variants from all known drafts and the many printings but also extended passages amounting to hundreds of lines of compelling verse.




The State of Stylistics


Book Description

The State of Stylistics contains a broad collection of papers that investigate how stylistics has evolved throughout the late 20th and early 21st centuries. In so doing, it considers how stylisticians currently perceive their own respective fields of enquiry. It also defines what stylistics is, and how we might use it in research and teaching.







The Post-Mortem Vindication of Jesus in the Sayings Gospel Q


Book Description

Q 13:34-35, the Jerusalem Logion, aligns the rejection of the speaker by Jerusalem both with the abandonment of Jerusalem's house and with the future invisibility and return of the speaker: 'You will not see me until you say, Blessed is the Coming One in the name of the Lord' (13:35b). The coincidence of not seeing language with a reference to a future coming is reminiscent of the connection, in Jewish literature especially, between the assumption and eschatological function. The book proposes that this reference to Jesus' assumption is a clue to how Q conceives of the post-mortem vindication of Jesus, since numerous Q sayings presuppose a knowledge of Jesus' death. In support of this, the book argues that in Hellenistic Jewish writings assumption was not always considered to be an escape from death (as in the biblical instances of Enoch and Elijah), but could happen at or after death, as was more clearly the case in Greek thought. Such a strategy of vindication is necessary for Q because it evidences a belief in Jesus' ongoing existence and future return as the Son of Man, and because resurrection though a feature of Q's eschatology is not individually applied to Jesus. A similar view is presupposed by the pre-Markan empty tomb tradition, which describes the disappearance of Jesus' body but narrates neither the resurrection itself nor an appearance of the risen Jesus. The book also draws out implications of the thesis for the place of the Sayings Gospel Q within the early Christian movements, particularly vis-vis the vindication of Jesus.