The More Extravagant Feast


Book Description

* One of the Boston Globe's Best Books of 2020 * Winner of the Walt Whitman Award of the Academy of American Poets, selected by Li-Young Lee The More Extravagant Feast focuses on the trophic exchanges of a human body with the world via pregnancy, motherhood, and interconnection—the acts of making and sustaining other bodies from one’s own, and one’s own from the larger world. Leah Naomi Green writes from attentiveness to the vast availability and capacity of the weedy, fecund earth and from her own human place within more-than-human life, death, and birth. Lyrically and spiritually rich, striving toward honesty and understanding, The More Extravagant Feast is an extraordinary book of awareness of our dependency on ecological systems—seen and unseen.




Coyote Bush


Book Description

Coyote Bush is a book that pays homage to the earth. It is a paean to the stars and their constellations, the clouds and the wind, to the horses, cows, deer, and dogs, all who blessedly live without language. In these poems of place, Nash traces and retraces his time-worn paths into the hills of Northern California. He is content at times just to watch the light change or lie down in the hollow a pregnant doe has made in the night. But these are also poems of refuge and discovery, poems of love and of suffering. We find relationships, childhood memories, sudden enlightenment, rising to the surface, just as we are ready for them. Nash finds his place among the elements, firmly rooted between earth and sky.




Domestic Work


Book Description

In this debut collection, Natasha Trethewey draws moving domestic portraits of families, past and present, caught in the act of earning a living and managing their households. Small moments taken from a labour-filled day reveal the equally hard emotional work of memory and forgetting, and the extraordinary difficulty of trying to live with or without someone.













All Heathens


Book Description

All Heathens is a declaration of ownership—of bodies, of histories, of time. Revisiting Magellan’s voyage around the world, these poems explore the speaker’s Filipino American identity by grappling with her relationship to her family and notions of diaspora, circumnavigation, and discovery. Whether rewriting the origin story of Eve (“I always imagined that the serpent had the legs of a seductive woman in black nylons”), or ruminating on what-should-have-been-said “when the man at the party said he wanted to own a Filipino,” Chan paints wry, witty renderings of anecdotal and folkloric histories, while both preserving and unveiling a self-identity that dares any other to try and claim it.