The Antipoetry of Nicanor Parra
Author : Edith Grossman
Publisher :
Page : 316 pages
File Size : 31,63 MB
Release : 1972
Category :
ISBN :
Author : Edith Grossman
Publisher :
Page : 316 pages
File Size : 31,63 MB
Release : 1972
Category :
ISBN :
Author : C. K. Williams
Publisher : Farrar, Straus and Giroux
Page : 707 pages
File Size : 11,95 MB
Release : 2014-09-09
Category : Poetry
ISBN : 1466880570
Collected Poems brings together nearly four decades of C. K.Williams's work: more than four hundred poems that, though remarkable in their variety, have in common Williams's distinctive outlook—restless, passionate, dogged, and uncompromising in the drive to find words for the truth about life as we know it today. Williams's rangy, elastic lines are measures of thought, and in these pages we watch them unfold from his confrontational early poems through the open, expansive Tar and With Ignorance. His voice is both cerebral and muscular, capable of both the eightline poems of Flesh and Blood and the inward soundings of A Dream of Mind—and of both together in the award-winning recent books Repair and The Singing. These poems feel spontaneous, individual, and directly representative of the experience of which they sing; open to life, they chafe against summary and conclusion. Few poets leave behind them a body of work that is global in its ambition and achievement. C. K. Williams is one of them.
Author : Annette Thau
Publisher :
Page : 136 pages
File Size : 30,3 MB
Release : 1974
Category :
ISBN :
Author : Nicanor Parra
Publisher : Host Publications, Inc.
Page : 540 pages
File Size : 30,81 MB
Release : 2009
Category : Poetry
ISBN : 9780924047633
"Bilingual Spanish/English edition of the Chilean poetry collection by Nicanor Parra"--Provided by publisher.
Author : Aigustin Ostace
Publisher : Alpha & Omega Sapiens - Uppublishing Being / Augustin Ostace
Page : 52 pages
File Size : 34,29 MB
Release : 2019-02-27
Category : Poetry
ISBN :
ANTI-POETRY?... Something like anti-gravitation, like antimatter, like anti-art?... A hardliner into field of classical poetry? In trying of overcoming loneliness of verses, of strophes and of lines?… Poetry, as basic form of literature, must accept all its developing dimensions, of poet-o-logy, of poetry-pietism, of quasi-poetry, including those of ANTIPOETRY!... But ANTIPOETRY must be written and re-written with anti-words, with anti-syllables, with anti-letters, with anti-numbers and with anti-symbols, by creating and recreating a sum of anti-verses, of anti-lines, of anti-strophes, by turning down thus all what is known till today in classical poetry, whatever in scribes-manuscript, Gutenberg-print, or digital print of present ages… In the same time, ANTIPOETRY must induce or re-induce a feeling of anti-emotion, an anti-logical perception of poetry, of anti-allegory, of anti-metaphor, of anti-ballads, of anti-epos, of anti-epithet, of anti-hermetism, of anti-hymn content, of anti-ode sense, of anti-idyllic structure, of anti-parable form and so on… The Anti-Poet
Author : Charles Bernstein
Publisher : University of Chicago Press
Page : 342 pages
File Size : 47,90 MB
Release : 1999
Category : Biography & Autobiography
ISBN : 9780226044095
"Verse is born free but everywhere in chains. It has been my project to rattle the chains." (from "The Revenge of the Poet-Critic") In My Way, (in)famous language poet and critic Charles Bernstein deploys a wide variety of interlinked forms—speeches and poems, interviews and essays—to explore the place of poetry in American culture and in the university. Sometimes comic, sometimes dark, Bernstein's writing is irreverent but always relevant, "not structurally challenged, but structurally challenging." Addressing many interrelated issues, Bernstein moves from the role of the public intellectual to the poetics of scholarly prose, from vernacular modernism to idiosyncratic postmodernism, from identity politics to the resurgence of the aesthetic, from cultural studies to poetry as a performance art, from the small press movement to the Web. Along the way he provides "close listening" to such poets as Charles Reznikoff, Laura Riding, Susan Howe, Ezra Pound, Allen Ginsberg, and Gertrude Stein, as well as a fresh perspective on L=A=N=G=U=A=G=E, the magazine he coedited that became a fulcrum for a new wave of North American writing. In his passionate defense of an activist, innovative poetry, Bernstein never departs from the culturally engaged, linguistically complex, yet often very funny writing that has characterized his unique approach to poetry for over twenty years. Offering some of his most daring work yet—essays in poetic lines, prose with poetic motifs, interviews miming speech, speeches veering into song—Charles Bernstein's My Way illuminates the newest developments in contemporary poetry with its own contributions to them. "The result of [Bernstein's] provocative groping is more stimulating than many books of either poetry or criticism have been in recent years."—Molly McQuade, Washington Post Book World "This book, for all of its centrifugal activity, is a singular yet globally relevant perspective on the literary arts and their institutions, offered in good faith, yet cranky and poignant enough to not be easily ignored."—Publishers Weekly "Bernstein has emerged as postmodern poetry's sous-chef of insouciance. My Way is another of his rich concoctions, fortified with intellect and seasoned with laughter."—Timothy Gray, American Literature
Author : Truong Tran
Publisher : Kaya Press
Page : 184 pages
File Size : 10,93 MB
Release : 2021-10-26
Category : Poetry
ISBN : 9781885030757
A furious, multiform examination of the devastation wrought by anti-Asian racism in America Truong Tran's provocative collection of poetry, prose and essays is a stunning rebuttal to the idea of anti-Asian racism as a victimless crime. Written with a compulsion for lucidity that transforms outrage into clarity, Book of the Other resists the luxury of metaphor to write about the experience of being shut out, shut down and othered as a queer, working-class teacher, immigrant and refugee. What emerges from Tran's sharp-eyed experiments in language and form is an achingly beautiful acknowledgment of the estrangement from self forced upon those seduced by the promise of color-blind acceptance and the rigorous, step by step act of recollection needed to find one's way home to oneself. Truong Tran was born in Saigon, Vietnam, in 1969. He is the author of six previous collections of poetry, The Book of Perceptions, Placing the Accents, Dust and Conscience, Within the Margins, Four Letter Words and 100 words (coauthored with Damon Potter). He also authored the children's book Going Home Coming Home, and an artist monograph, I Meant to Say Please Pass the Sugar. He is the recipient of the Poetry Center Prize, the Fund for Poetry Grant, the California Arts Council Grant and numerous San Francisco Arts Commission Grants. Tran lives in San Francisco where he teaches art and poetry.
Author : Judith Chernaik
Publisher : Penguin UK
Page : 296 pages
File Size : 49,83 MB
Release : 2012-11-01
Category : Poetry
ISBN : 0141389532
This wonderful new edition of Poems on the Underground is published to celebrate the 150th anniversary of the Underground in 2013. Here 230 poems old and new, romantic, comic and sublime explore such diverse topics as love, London, exile, families, dreams, war, music and the seasons, and feature poets from Sappho to Carol Ann Duffy and Wendy Cope, including Chaucer and Shakespeare, Milton, Blake and Shelley, Whitman and Dickinson, Yeats and Auden, Seamus Heaney and Derek Walcott and a host of younger poets. It includes a new foreword and over two dozen poems not included in previous anthologies.
Author : Nightboat Books
Publisher : Nightboat Books
Page : pages
File Size : 47,85 MB
Release : 2021-09-14
Category : Poetry
ISBN : 9781643621104
Author : Vsevolod Nekrasov
Publisher :
Page : 0 pages
File Size : 41,53 MB
Release : 2013
Category : Russian poetry
ISBN : 9781933254982
I Live I See presents a comprehensive survey of the work of Vsevolod Nekrasov (1934-1999), the Soviet literary underground's foremost minimalist. Exploring urban, rural, and purely linguistic environs with an economy of lyrical means and a dark sense of humor, Nekrasov's groundbreaking early poems rupture the stultified language of Soviet cliché while his later work tackles the excesses of the new Russian order. I Live I See is a testament to Nekrasov's lifelong conviction that art can not only withstand, but undermine oppression. "Nekrasov's artistic method is a sort of critique of poetic reason, only the result of the critique is poetry; the dissected, devalued verse line is reborn -- into lyric." -- Vladislav Kulakov