Poetry, Space, Landscape


Book Description

Social and historical theory of the conceptualisation of space from ancient times to the Renaissance.




Dan Kiley Landscapes


Book Description

Includes The work of Dan Kiley: a dialogue on design theory, a transcript of a symposium held 1982 at the University of Virginia School of Architecture.




Space, Place, and Landscape in Ancient Greek Literature and Culture


Book Description

This book brings together a collection of original essays that engage with cultural geography and landscape studies to produce new ways of understanding place, space, and landscape in Greek literature from the fifth and fourth centuries BCE. The authors draw on an eclectic collection of contemporary approaches to bring the study of ancient Greek literature into dialogue with the burgeoning discussion of spatial theory in the humanities. The essays in this volume treat a variety of textual spaces, from the intimate to the expansive: the bedroom, ritual space, the law courts, theatrical space, the poetics of the city, and the landscape of war. And yet, all of the contributions are united by an interest in recuperating some of the many ways in which the ancient Greeks in the archaic and classical periods invested places with meaning and in how the representation of place links texts to social practices.




Space, Place and Poetry in English and German, 1960–1975


Book Description

Space, Place and Poetry in English and German, 1960-1975 examines the work of Paul Celan, J. H. Prynne, Derek Mahon, Sarah Kirsch, Edwin Morgan and Ernst Jandl, bringing together postwar English- and German-language poetry and criticism on the theme of space, place and landscape. Nicola Thomas highlights hitherto underexplored connections between a wide range of poets working across the two language areas, demonstrating that space and place are vital critical categories for understanding poetry of this period. Thomas’s analysis reveals weaknesses in existing critical taxonomies, arguing for the use of ‘late modernist’ as a category with cross-cultural relevance, and promotes methodological exchange between the Anglophone and German traditions of landscape, space and place oriented poetic criticism, to the benefit of both.




The Necropastoral


Book Description

An exploration of poetry as an expression of biology




The Poetic Landscape


Book Description

An exploration of what constitutes the "poetic" in landscape painting today.t examines ways for artists in all mediums to express the poetic in theirainting. According to Elizabeth Mowry, a master of the poetic landscapeenre, a key element of his genre is evoking an emotional response in theiewer, which is achieved by the artist's arrangement of natural elements aseeply expressed through his or her imagination, intellect and feelings. Theaintings that grace these pages are all visual illustrations of the book'soncept of the poetic landscape. Paintings are examined through the specificoncerns for achieving the special sense of time and place found in theseandscapes such as colour, time of day, time of year, atmosphere and weather;s well as capturing the more illusive qualities that define this genre, suchs a sense of place recognition, leading and letting go, and grace of line.




Poetry & Geography


Book Description

Collected critical essays examine contemporary poetry in terms of cultural geography. Key themes are place and identity; literary cartographies; walking as trope and spatial practice; the poetics of edges, margins, and peripheries; landscape, language, and form.




Landscape, Seascape, and the Eco-Spatial Imagination


Book Description

Written from within the best traditions of ecocritical thought, this book provides a wide-ranging account of the spatial imagination of landscape and seascape in literary and cultural contexts from many regions of the world. It brings together essays by authors writing from within diverse cultural traditions, across historical periods from ancient Egypt to the postcolonial and postmodern present, and touches on an array of divergent theoretical interventions. The volume investigates how our spatial imaginations become "wired," looking at questions about mediation and exploring how various traditions compete for prominence in our spatial imagination. In what ways is personal experience inflected by prevailing cultural traditions of representation and interpretation? Can an individual maintain a unique and distinctive spatial imagination in the face of dominant trends in perception and interpretation? What are the environmental implications of how we see landscape? The book reviews how landscape is at once conceptual and perceptual, illuminating several important themes including the temporality of space, the mediations of place that form the response of an observer of a landscape, and the development of response in any single life from early, partial thoughts to more considered ideas in maturity. Chapters provide suggestive and culturally nuanced propositions from varying points of view on ancient and modern landscapes and seascapes and on how individuals or societies have arranged, conceptualized, or imagined circumambient space. Opening up issues of landscape, seascape, and spatiality, this volume commences a wide-ranging critical discussion that includes various approaches to literature, history and cultural studies. Bringing together research from diverse areas such as ecocriticism, landscape theory, colonial and postcolonial theory, hybridization theory, and East Asian Studies to provide a historicized and global account of our ecospatial imaginations, this book will be useful for scholars of landscape ecology, ecocriticism, physical and social geography, postcolonialism and postcolonial ecologies, comparative literary studies, and East Asian Studies.







Falling Landscape


Book Description

Poetry. "Silvia Curbelo's poetry is accomplished, daring, full of energy and intelligence; it is the generous manifestation of an authentic and original gift. Her poems embody imaginative honesty and a free-ranging and fresh sensibility. I think they should be welcomed and read with care."—W.S. Merwin




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