Polychromatic Screen Printing


Book Description

Polychromatic screen printing is for painters, monoprinters, watercolorists, textile artists, screen printers, deconstructed screen printers, and anyone interested in obtaining multiples from one painted image on paper or fabric. Why labor over one painting when you can paint once and get multiples? This innovative process produces a limited-edition series from the original painted screen - with no color registration. Similar to an extended monoprint process, it yields 4-6 prints from a single painted image. For all levels of ability. No solvents are used. This method combines both painting and printing. It allows the same flexibility and spontaneity as painting on paper or fabric. You simply paint all the colors of your image directly on one print screen. One pull of the squeegee prints the image onto fabric or paper. Then pull the squeegee again for more prints. This newly expanded book is a complete step-by-step manual for the process with 88 photos and 11 illustrations. Included is background information for traditional screen printing, highlighting the distinct advantages of polychromatic screen printing.




Breakdown Printing


Book Description

This book explores a method of silkscreen printing which involves applying thick dye paints or print paste directly on to the back of the screen, allowing it to dry, and then printing off with more dye paint or print paste. In this way the print medium is gradually dissolving the dried on dye on the screen, breaking it down to print an evolving array of colours, marks and textures, and producing interesting distressed, organic and disintegrating effects.




Gumoil Photographic Printing, Revised Edition


Book Description

There is renewed interest among art photographers in a number of historic printing techniques because of the remarkable effects they produce. The reader will discover how to create beautifully tinted mono- and polychromatic gum and oil images using the author's version of this 19th century technique. Step-by-step illustrated instructions with directions for further experimentation provide a perfect source for learning this new, yet old, printing technique. Gumoil printing involves contact-printing a positive transparency onto gum-coated paper. Oil paint is then applied and rubbed into nongummed areas of the print. With bleach etching, mono- and polychromatic variations are possible. A chapter on digital printing combines the new and the historic, making this technique even more accessible for the art photographer.




Imagery On Fabric


Book Description

Jean Ray Laury takes the reader step-by-step through techniques and technology for transferring images to fabric, with full-color photos and information on how to safely accomplish beautiful results. She leaves nothing unexplained about these methods and products. Lettering, photos, drawings - the possibilities are endless. Included are detailed explanations and complete material lists for each process, along with troubleshooting tips that provide tested solutions for any problems you may encounter. Topics cover working with copiers and computer printers, drawing and painting, dye transfers, silk screening, stamp printing, discharge printing, high-sensitive processes, and Polaroid. This classic text is an indispensable reference and sourcebook for anyone working with textiles.




The White Shaman Mural


Book Description

Folded plate (1 leaf, 39 x 61 cm, folded to 19 x 16 cm) in pocket.




The Unknown Masterpiece


Book Description




The Surface Designer's Handbook


Book Description

Beginning with studio practices and safety rules, this information-packed handbook is appropriate for both newcomers and experienced dyers but assumes that readers have a serious interest in textile design. An overview of dyeing starts with fibers and fabrics and discusses all aspects of the dyes favored by textile studios--fiber reactive, acid, vat, and disperse--before explaining discharging, screen printing, monoprinting, stamping, stenciling, resist dyeing, devore, and painting. Would-be fabric artists are advised along the way to identify a personal approach to dyeing--free spirit? rule-follower?--and color photographs of work by today's top fiber artists elucidate prevailing styles. Recipes and techniques are accompanied by step-by-step instructions with photographs, and a concealed spiral binding allows the book to lie flat. Ten appendices include a worksheet for recording chemicals, procedures, and costs for all projects; a guide to washing fabric; descriptions of stock solutions, thickeners, and steaming; a metric conversion table; and a guide to water temperatures.




The Theory of the Moiré Phenomenon


Book Description

Who has not noticed, on one o~casion or another, those intriguing geometric patterns which appear at the intersection Of repetitive structures such as two far picket fences on a hill, the railings on both sides of a bridge, superposed layers of fabric, or folds of a nylon curtain? This fascinating phenomenon, known as the moire effect, has found useful applications in several fields of science and technology, such as metrology, strain analysis or even document authentication and anti-counterfeiting. However, in other situations moire patterns may have an unwanted, adverse effect. This is the case in the printing world, and, in particular, in the field of colour reproduction: moire patterns which may be caused by the dot-screens used for colour printing may severely deteriorate the image quality and tum into a real printer's nightmare. The starting point of the work on which this book is based was, indeed, in the research of moire phenomena in the context of the colour printing process. The initial aim of this research was to understand the nature and the causes of the superposition moire patterns between regular screens in order to find how to avoid, or at least minimize, their adverse effect on colour printing. This interesting research led us, after all, to a much more far reaching mathematical understanding of the moire phenomenon, whose interest stands in its own right, independently of any particular application.




Handbook of Print Media


Book Description

Printers nowadays are having to learn new technologies if they are to remain competitive. This innovative, practical manual is specifically designed to cater to these training demands. Written by an expert in the field, the Handbook is unique in covering the entire spectrum of modern print media production. Despite its comprehensive treatment, it remains an easy-to-use, single-volume reference, with all the information clearly structured and readily retrievable. The author covers both traditional as well as computer-aided technologies in all stages of production, as well as electronic media and multimedia. He also deals with training, research, strategies and trends, showing readers how to implement the latest methods. With 1,200 pages, containing 1,500 illustrations - over half in colour - the Handbook conveys the current state of technology together with its specific terminology. The accompanying CD-ROM includes the entire manual in fully searchable form, plus additional software tools. Invaluable information for both beginners and "old hands" in printing works, publishing houses, trade associations, the graphics industry, and their suppliers.




Luxury Arts of the Renaissance


Book Description

Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.