Book Description
A history of American music, its diversity, and the cultural influences that helped it develop.
Author : Gilbert Chase
Publisher : University of Illinois Press
Page : 768 pages
File Size : 26,29 MB
Release : 1992
Category : Music
ISBN : 9780252062759
A history of American music, its diversity, and the cultural influences that helped it develop.
Author : Timothy E. Scheurer
Publisher : Popular Press
Page : 198 pages
File Size : 22,58 MB
Release : 1989
Category : Music
ISBN : 9780879724665
Beginning with the emergence of commercial American music in the nineteenth century, Volume 1 includes essays on the major performers, composers, media, and movements that shaped our musical culture before rock and roll. Articles explore the theoretical dimensions of popular music studies; the music of the nineteenth century; and the role of black Americans in the evolution of popular music. Also included--the music of Tin Pan Alley, ragtime, swing, the blues, the influences of W. S. Gilbert and Rodgers and Hammerstein, and changes in lyric writing styles from the nineteenth century to the rock era.
Author : Denes Agay
Publisher : Barnes & Noble Publishing
Page : 428 pages
File Size : 20,83 MB
Release : 1975
Category : Songs
ISBN : 9780760717295
Popular songs sung by the American people from colonial days to our time are presented in chronological sequence. Includes words, music, and guitar chords.
Author : Irving Berlin
Publisher : A-R Editions, Inc.
Page : 305 pages
File Size : 26,59 MB
Release : 1994-01-01
Category : Piano music (Ragtime)
ISBN : 0895793059
Author : Bill C. Malone
Publisher : University of Oklahoma Press
Page : 464 pages
File Size : 14,91 MB
Release : 2017-02-17
Category : Music
ISBN : 0806158506
For over fifty years, Bill C. Malone has researched and written about the history of country music. Today he is celebrated as the foremost authority on this distinctly American genre. This new collection brings together his significant article-length work from a variety of sources, including essays, book chapters, and record liner notes. Sing Me Back Home distills a lifetime of thinking about country and southern roots music. Malone offers the heartfelt story of his own working-class upbringing in rural East Texas, recounting how in 1939 his family’s first radio, a battery-powered Philco, introduced him to hillbilly music and how, years later, he went on to become a scholar in the field before the field formally existed. Drawing on a hundred years of southern roots music history, Malone assesses the contributions of artists such as William S. Hays, Albert Brumley, Joe Thompson, Jimmie Rodgers, Johnny Gimble, and Elvis Presley. He also explores the intricate relationships between black and white music styles, gospel and secular traditions, and pop, folk, and country music. Author of many books, Malone is best known for his pioneering volume County Music, U.S.A., published in 1968. It ranks as the first comprehensive history of American country music and remains a standard reference. This compilation of Malone’s shorter—and more personal—essays is the perfect complement to his earlier writing and a compelling introduction to the life’s work of America’s most respected country music historian.
Author : Ray Broadus Browne
Publisher : Popular Press
Page : 364 pages
File Size : 23,89 MB
Release : 1980
Category : Social Science
ISBN : 9780879721619
This collection of essays examines various rituals and ceremonies in American popular culture, including architecture, religion, television viewing, humor, eating, and dancing.
Author : Steve Sullivan
Publisher : Scarecrow Press
Page : 1027 pages
File Size : 33,5 MB
Release : 2013-10-04
Category : Music
ISBN : 0810882965
From John Philip Sousa to Green Day, from Scott Joplin to Kanye West, from Stephen Foster to Coldplay, The Encyclopedia of Great Popular Song Recordings, Volumes 1 and 2 covers the vast scope of its subject with virtually unprecedented breadth and depth. Approximately 1,000 key song recordings from 1889 to the present are explored in full, unveiling the stories behind the songs, the recordings, the performers, and the songwriters. Beginning the journey in the era of Victorian parlor balladry, brass bands, and ragtime with the advent of the record industry, readers witness the birth of the blues and the dawn of jazz in the 1910s and the emergence of country music on record and the shift from acoustic to electrical recording in the 1920s. The odyssey continues through the Swing Era of the 1930s; rhythm & blues, bluegrass, and bebop in the 1940s; the rock & roll revolution of the 1950s; modern soul, the British invasion, and the folk-rock movement of the 1960s; and finally into the modern era through the musical streams of disco, punk, grunge, hip-hop, and contemporary dance-pop. Sullivan, however, also takes critical detours by extending the coverage to genres neglected in pop music histories, from ethnic and world music, the gospel recording of both black and white artists, and lesser-known traditional folk tunes that reach back hundreds of years. This book is ideal for anyone who truly loves popular music in all of its glorious variety, and anyone wishing to learn more about the roots of virtually all the music we hear today. Popular music fans, as well as scholars of recording history and technology and students of the intersections between music and cultural history will all find this book to be informative and interesting.
Author :
Publisher :
Page : 420 pages
File Size : 21,50 MB
Release : 1924
Category : Art
ISBN :
Author : Hamilton Easter Field
Publisher :
Page : 772 pages
File Size : 39,91 MB
Release : 1924
Category : Art
ISBN :
Author : Billy Coleman
Publisher : Taylor & Francis
Page : 180 pages
File Size : 39,80 MB
Release : 2024-12-09
Category : Music
ISBN : 104029670X
This book brings together a trail blazing collection of music scholars to explore the intersections, frictions, and resonances between nineteenth-century American music and history. In the nineteenth-century United States, music was everywhere: from places of worship to the workplace, the parlor, the stage, and the street. Music accompanied paths of reform, supported both radical and conservative agendas, and helped Americans of all kinds to express patriotism, identity and resistance. The chapters in this volume unsettle longstanding assumptions about the types of music that were important to nineteenth-century Americans, where that music was performed, why, and for whom. And they underline the ability of music and musical practices to shed new light on questions of race, class, gender, and memorialization in the United States across the long nineteenth century. The volume offers insights for how and why to integrate nineteenth-century American music into history classrooms and highlights the need to embrace the challenge of interdisciplinary work to realize its greatest benefits. This book will be relevant for students and researchers of American music history, cultural studies, and interdisciplinary historical analysis. The chapters in this book were originally published as a special issue of American Nineteenth Century History.