Manuscripts of the Greek Bible


Book Description

After a thorough survey of the fundamentals of Greek palaeograpy, the author discusses many of the distinctive features of biblical manuscripts, such as musical neumes, lectionaries, glosses, commentaries and illuminations.







Reconstructing the Reality of Images


Book Description

This examination of realia in Byzantine religious painting provides valuable information on Byzantine dress, household effects and implements, while introducing at the same time an alternative, literally 'objective', approach to the study of the formative processes of Byzantine art.




Armenian Gospel Iconography


Book Description

This is the first monographic study of the Glajor Gospel, a 14th-century illuminated Armenian manuscript. In addition to critical studies of the iconography of the illuminations, the authors provide the history of the manuscript and the political and cultural setting in which it was produced, and the history of the monastery and school of Glajor.




The Codex Amiatinus and its “Sister” Bibles: Scripture, Liturgy, and Art in the Milieu of the Venerable Bede


Book Description

The Codex Amiatinus and its “Sister” Bibles examines the full Bibles (Bibles containing every scriptural text that producers deemed canonical) made at the northern English monastery of Wearmouth–Jarrow under Abbot Ceolfrith (d. 716) and the Venerable Bede (d. 735), and the religious, cultural, and intellectual circumstances of their production. The key manuscript witness of this monastery’s Bible-making enterprise is the Codex Amiatinus, a massive illustrated volume sent toward Rome in June 716, as a gift to St. Peter. Amiatinus is the oldest extant, largely intact Latin full Bible. Its survival is the critical reason that Ceolfrith’s Wearmouth–Jarrow has long been recognized as a pivotal center in the evolution of the design, structure, and contents of medieval biblical codices. See inside the book.







Studies in Armenian Art


Book Description

Nira Stone (1938-2013) was a scholar of Armenian and Byzantine Art. Her broad and close acquaintance with the field of Armenian art history covered many fields of Armenian artistic creativity. Nira Stone made notable contributions to the study of Armenian manuscript painting, mosaics, and other forms of artistic expression. Of particular interests are her researches on this art in its historical and religious contexts, such as the study of apocryphal elements in Armenian Gospel iconography, the place of the mosaics of Jerusalem in the context of mosaics in Byzantine Palestine, and of the interplay between religious movements, such as hesychasm, and Armenian manuscript painting.




A Companion to Birgitta of Sweden


Book Description

St. Birgitta of Sweden (d. 1373) is one of the most celebrated female visionaries and authors of the Middle Ages and a central figure in the history of late-medieval religion. An aristocratic widow, Birgitta left her native country in 1349 and settled in Rome, where she established herself as an outspoken critic of the Avignon Papacy and an advocate of spiritual and ecclesiastical reform. Birgitta founded a new monastic order, and her major work, The Heavenly Book of Revelations, circulated widely in a variety of monastic, reformist, and intellectual milieus following her death. This volume offers an introduction to the saint and the reception of her work written by experts from various disciplines. In addition to acquainting the reader with the state of the scholarship, the study also presents fresh interpretations and new perspectives on Birgitta and the sources for her life and writings. Contributors: Roger Andersson, Nirit Ben-Aryeh Debby, Unn Falkeid, Anna Fredriksson, Birgitta Fritz, Ann M. Hutchison, F. Thomas Luongo, Maria H. Oen, Anders Piltz, and Pavlína Rychterová.




New York Cruciform Lectionary


Book Description

For elegance and beauty, the Constantinopolitan scribes set standards rarely surpassed. The Gospel lectionary was among the books that attracted the most enthusiastic attention of scribes, illuminators, and their patrons. As an important liturgical item, the lectionary was often exquisitely decorated. The subject of this study, the lectionary in the Pierpont Morgan Library, is unusual even among such luxury manuscripts because its scribe laboriously copied every page of text in the shape of a cross. It is one of just three such manuscripts made in Constantinople around the middle of twelfth century, and it is the only one that contains narrative illustration. Jeffrey Anderson provides a full description of the manuscript, and he has translated and indexed its calendar of saints. Each of the miniatures is reproduced, described, and discussed, and Anderson relates some scenes to versions found in other Byzantine lectionaries and Gospels. The illustrations are attributed to two illuminators, and in a separate chapter Anderson situates their contributions with regard to the ruling, writing, and illumination of the pages. He also relates, through style, the cruciform lectionaries to dated twelfth-century monuments to establish their place in the history of Byzantine art.