Postcards From Surfers


Book Description

A short shot of brilliant storytelling one of the most celebrated modern Australian short stories is now available to read by itself, wherever you are. A young woman from Melbourne visits her parents, and Auntie Lorna, in Surfers Paradise. As she stays with them, and writes postcard after postcard home, she thinks back on relationships that have shaped her. Helen Garner's collection Postcards from Surfers heralded a new generation of Australian writing, and her beautifully detailed, honest and evocative prose is on perfect display in this the title story.




The Cambridge Guide to Women's Writing in English


Book Description

An alphabetized volume on women writers, major titles, movements, genres from medieval times to the present.




Postcards from Surfers


Book Description

These stories are about life and love; of looking back and longing; of what it means to be a stranger, on foreign ground and known, told with the piercing familiarity and resonance we have come to expect. Honest, often very funny and always woven in ways that surprise, the se stories tease out everyday life to show the darkness underneath....




Clark Little


Book Description

Instagram sensation Clark Little shares his most remarkable photographs from inside the breaking wave, with a foreword by world surfing champion Kelly Slater. “One of the world’s most amazing water photographers . . . Now we get to experience up-close these moments of bliss.”—Jack Johnson, musician and environmentalist Surfer and photographer Clark Little creates deceptively peaceful pictures of waves by placing himself under the deadly lip as it is about to hit the sand. "Clark's view" is a rare and dangerous perspective of waves from the inside out. Thanks to his uncanny ability to get the perfect shot--and live to share it--Little has garnered a devout audience, been the subject of award-winning documentaries, and become one of the world's most recognizable wave photographers. Clark Little: The Art of Waves compiles over 150 of his images, including crystalline breaking waves, the diverse marine life of Hawaii, and mind-blowing aerial photography. This collection features his most beloved pictures, as well as work that has never been published in book form, with Little's stories and insights throughout. Journalist Jamie Brisick contributes essays on how Clark gets the shot, how waves are created, swimming with sharks, and more. With a foreword by eleven-time world surfing champion Kelly Slater and an afterword by the author on his photographic practice and technique, Clark Little: The Art of Waves offers a rare view of the wave for us to enjoy from the safety of land.




The American Surfer


Book Description

This book examines the surfer, one of the most significant and enduring archetypes in American popular culture. Lawler sets the surfer against the backdrop of the negative reactions to it by those groups responsible for enforcing the Puritan discipline, offering a fresh take on the relationship between commercial culture and counterculture.




By the Book


Book Description

"By the Book is an indispensable history of the literature of Queensland from its establishment as a separate colony in the mid-nineteenth century through major economic, political and cultural transformations to the beginning of the twenty-first century. Queensland figures in the Australian imagination as a frontier, a place of wild landscapes and wilder politics, but also as Australia's playground, a soft tourist paradise of warm weather and golden beaches. Based partly on real historical divergences from the rest of Australia, these contradictory images have been questioned and scrutini.




The Encyclopedia of Surfing


Book Description

With 1,500 alphabetical entries and 300 illustrations, this resource is a comprehensive review of the people, places, events, equipment, vernacular, and lively history of this fascinating sport.




Monkey Grip


Book Description

Helen Garner’s gritty, lyrical first novel divided the critics on its publication in 1977. Today, Monkey Grip is regarded as a masterpiece—the novel that shines a light on a time and a place and a way of living never before presented in Australian literature: communal households, music, friendships, children, love, drugs, and sex. When Nora falls in love with Javo, she is caught in the web of his addiction; and as he moves between loving her and leaving, between his need for her and promises broken, Nora’s life becomes an intense dance of loving and trying to let go. Helen Garner is one of Australia’s finest authors. In 2006 she received the inaugural Melbourne Prize for Literature, and in 2016 she won the prestigious Windham–Campbell Prize for non-fiction. Her novels include Monkey Grip, The Children’s Bach, Cosmo Cosmolino and The Spare Room. I rolled and rolled in the water, deafening my ears while I thought of, and discarded, all the reasons why I shouldn’t go. I popped up, hanging on to the rail, hair streaming on my neck. ‘OK. I’ll come.’ Javo was looking at me. So, afterwards, it is possible to see the beginning of things, the point at which you had already plunged in, while at the time you thought you were only testing the water with your toe. ‘Garner is a natural storyteller.’ James Wood, New Yorker ‘Her use of language is sublime.’ Scotsman ‘This is the power of Garner’s writing. She drills into experience and comes up with such clean, precise distillations of life, once you read them they enter into you. Successive generations of writers have felt the keen influence of her work and for this reason Garner has become part of us all.’ Australian ‘Its embattled characters are so real that by the last page you feel not just that you have read a magnificent novel but that you have experienced life itself.’ The Times on The Spare Room 'What Garner offers in these novels is an alternative to the cloying metafiction of the late 20th century and the washed-out realism of the 21st. They are undeniably of their time – the 1970s commitment to the liberating possibilities of sex, drugs and communal living in Monkey Grip, the hangover nursed in the 1980s in The Children’s Bach – but they also belong to a literary epoch we think of as long gone, as they earnestly strive to resurrect a modernist art of estrangement.' London Review of Books




Surfer Girls in the New World Order


Book Description

In Surfer Girls in the New World Order, Krista Comer explores surfing as a local and global subculture, looking at how the culture of surfing has affected and been affected by girls, from baby boomers to members of Generation Y. Her analysis encompasses the dynamics of international surf tourism in Sayulita, Mexico, where foreign women, mostly middle-class Americans, learn to ride the waves at a premier surf camp and local women work as manicurists, maids, waitresses, and store clerks in the burgeoning tourist economy. In recent years, surfistas, Mexican women and girl surfers, have been drawn to the Pacific coastal town’s clean reef-breaking waves. Comer discusses a write-in candidate for mayor of San Diego, whose political activism grew out of surfing and a desire to protect the threatened ecosystems of surf spots; the owners of the girl-focused Paradise Surf Shop in Santa Cruz and Surf Diva in San Diego; and the observant Muslim woman who started a business in her Huntington Beach home, selling swimsuits that fully cover the body and head. Comer also examines the Roxy Girl series of novels sponsored by the surfwear company Quiksilver, the biography of the champion surfer Lisa Andersen, the Gidget novels and films, the movie Blue Crush, and the book Surf Diva: A Girl’s Guide to Getting Good Waves. She develops the concept of “girl localism” to argue that the experience of fighting for waves and respect in male-majority surf breaks, along with advocating for the health and sustainable development of coastal towns and waterways, has politicized surfer girls around the world.




A Writing Life


Book Description

‘This is literary critique and biography at its finest. Australian Financial Review Helen Garner is one of Australia’s most important and most admired writers. She is revered for her fearless honesty in the pursuit of her craft. But Garner also courts controversy, not least because she refuses to be constrained by the rules of literary form. She has never been afraid to write herself into her nonfiction, and many of her own experiences help to shape her fiction. But who is the ‘I’ in Helen Garner’s work? Bernadette Brennan’s A Writing Life is the first full-length study of Garner’s forty years of work, a literary portrait that maps all of her books against the different stages of her life. Brennan has had access to previously unavailable papers in Garner’s archive, and she provides a lively and rigorous reading of the books, journals and correspondence of one of Australia’s most beloved women of letters. Dr Bernadette Brennan is an academic and researcher in contemporary Australian writing, literature and ethics. She is the author of a number of publications, including a monograph on Brian Castro and two edited collections: Just Words?: Australian Authors Writing for Justice (UQP 2008), and Ethical Investigations: Essays on Australian Literature and Poetics (Vagabond 2008). She lives in Sydney. Garner has always been a boundary-crosser. Refusing the constrictions of literary genre she has sought to write across and craft her own versions of them. She readily admits to a ‘me’ character in all her work. That character is a carefully constructed self. In her fiction, she unsettles her readers’ assumptions about protagonists by creating ‘Helen’ characters, most blatantly in ‘Little Helen’s Sunday Afternoon’, ‘Habe Dank’ and The Spare Room. In so doing, she demonstrates the complexity of a constructed fictional self. ‘Billed as “the first full-length study of Garner’s 40 years of work, a literary portrait that maps all of her books against the different stages of her life”. Well, who wouldn’t want to read that?’ Australian ‘Bernadette Brennan’s ingenious A Writing Life: Helen Garner and Her Work, which gets around the subject’s resistance to biography by viewing her life through her writing, as Garner herself does.’ Susan Wyndham, Best Books of 2017, Australian Book Review ‘Brennan’s depiction of Garner’s fearless approach to the very difficult subjects of The First Stone, Joe Cinque’s Consolation and This House of Grief is beautifully modulated and a real triumph. She has captured and interpreted an important writer and her work beautifully.’ Books + Publishing ‘Brennan has produced a literary portrait that more than does its subject justice. It is not a biography; Garner was quite clear that she didn’t want that, but because Garner is so often present in her own writing, it’s inevitable that her life is reflected in the discussion of her works. This helps put her works in context, and a picture emerges of an amazing writer...Bernadette Brennan has done us all a great favour in delivering this immensely enjoyable book.’ Mark Rubbo, Readings ‘Brennan is an astute and sensitive reader of Garner’s work.’ Big Issue ‘The writing is clear, measured, and graceful throughout...The readings of the fiction are astute and straightforward, tracing Garner’s development from the allegedly unstructured Monkey Grip, which in fact offers a formal equivalent to the push-me pull-you vagaries of love and junk, through the perfection of The Children’s Bach and the experiments in voice and style in Postcards from Surfers, to the late-style bareness and hardness of The Spare Room.’ Sydney Morning Herald 'This book offers an illuminating discussion of Garner’s boundary crossing work. Its own magic lies in bringing elements of memoir and criticism into an absorbing conversation that begins with a rich contextualisation of Garner’s work, and extends into the literary and ethical questions with which Brennan has long been concerned.’Australian ‘Absorbing, informative and engaging read.’ Conversation ‘Brennan examines both assumptions by tracing Garner’s steps to becoming a full-time writer in a style that is both thoughtful and readable.’ Australian Book Review ‘Bernadette Brennan brings a calm eye and an easy grace to her descriptions of Garner’s life, literature and impact on Australia’s cultural and socio-political landscape...She draws a more complex picture of one of our best known and most skilled writers than we’ve enjoyed in a full-length volume before.’ A Bigger Brighter World ‘Probably my favourite book so far [this year]. A marvellous tribute to one of Australia’s great writers.’ Mark Rubbo, The Best Books We’ve Read This Year (So Far) 2017, Readings ‘Bernadette Brennan’s first full-length study of Helen Garner’s work, A Writing Life, has inspired me to pile Garner’s books on my bedside table, and to look at each of them again with fresh eyes.’ The Best Books We’ve Read This Year (So Far) 2017, Readings ‘A remarkably shrewd study of Garner’s work knitted with a tender representation of her personal life.’ Mascara Literary Review ‘Brennan performs a kind of call for literature, its criticism as well as creation.’ Sydney Review of Books ‘You might also include academic Bernadette Brennan’s superb literary portrait of Garner, A Writing Life: Helen Garner and Her Work, which combines a close analysis of Garner’s work with illuminating insights into her life. Garner gave Brennan unprecedented access to her archives and spent long hours in conversation with her. It shows.’ Sydney Morning Herald, Can’t-Put-Down Titles for Summer ‘A book for those who want to understand Garner’s work more. But, it is also a book which makes clear the significant contribution Garner has made to Australian literature. And, in doing that, it is itself a significant book.’ Whispering Gums




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