Práctica Dibujo - XL Libro de ejercicios 6


Book Description

Dibujo a mano alzada - fácil. Incluso en este mundo digital, el dibujo a mano alzada es una receta de éxito para crear impresionantes obras de arte. La propia mano hace único al artista. Poca gente conoce sus verdaderas habilidades para dibujar. Pero incluso esos trazos no practicados crean magníficas imágenes. Su propia imperfección convierte los dibujos en obras de arte. Este libro de ejercicios le convertirá en un artista. El calcado es un método probadoy sencillo para aprender dibujo a mano alzada. Tras realizar sus ejercicios con este libro, conseguirá hacer sus bosquejos también sin plantilla, porque habrá desarrollado un sentido de la proporción y el contorno. Ya desde el primer intento creará impresionantes dibujos. Son originales, que podrá firmar con su nombre. Serán sus propias manos las que hayan creado esas preciosas obras de arte. Los bonitos diseños harán que disfrute de cada trazo. 132 páginas XL. 20 páginas impresas para los originales. www.practice-drawing.com




Practica Dibujo [Color] - XL Libro de Ejercicios 6


Book Description

Dibujo a mano alzada - f�cil. Incluso en este mundo digital, el dibujo a mano alzada es una receta de �xito para crear impresionantes obras de arte. La propia mano hace �nico al artista. Poca gente conoce sus verdaderas habilidades para dibujar. Pero incluso esos trazos no practicados crean magn�ficas im�genes. Su propia imperfecci�n convierte los dibujos en obras de arte. Este libro de ejercicios le convertir� en un artista. El calcado es un m�todo probadoy sencillo para aprender dibujo a mano alzada. Tras realizar sus ejercicios con este libro, conseguir� hacer sus bosquejos tambi�n sin plantilla, porque habr� desarrollado un sentido de la proporci�n y el contorno. Ya desde el primer intento crear� impresionantes dibujos. Son originales, que podr� firmar con su nombre. Ser�n sus propias manos las que hayan creado esas preciosas obras de arte. Los bonitos dise�os har�n que disfrute de cada trazo. 132 p�ginas XL. 20 p�ginas impresas para los originales.Color Edition. www.practice-drawing.com




Shri Sai Satcharita


Book Description




Práctica Dibujo - Libro de ejercicios 6: Retrato


Book Description

Por supuesto, esta versión digital no puede sustituir a la de bolsillo. Numerosas páginas blancas son las páginas de papel, en el que uno puede crear sus propios dibujos en el libro original. Mediante la inclusión de la plantilla de contorno fijo. Recomendamos las acciones para comprar en edición de bolsillo y utilizar este libro electrónico para información de color al colorear o expresado otra plantillas en curvas de nivel. Pero también se puede fijar una hoja de papel normal sobre la pantalla de su dispositivo móvil. Dibujo a mano alzada - fácil. Incluso en este mundo digital, el dibujo a mano alzada es una receta de éxito para crear impresionantes obras de arte. La propia mano hace único al artista. Poca gente conoce sus verdaderas habilidades para dibujar. Pero incluso esos trazos no practicados crean magníficas imágenes. Su propia imperfección convierte los dibujos en obras de arte. Este libro de ejercicios le convertirá en un artista. El calcado es un método probadoy sencillo para aprender dibujo a mano alzada. Tras realizar sus ejercicios con este libro, conseguirá hacer sus bosquejos también sin plantilla, porque habrá desarrollado un sentido de la proporción y el contorno. Ya desde el primer intento creará impresionantes dibujos. Son originales, que podrá firmar con su nombre. Serán sus propias manos las que hayan creado esas preciosas obras de arte. Los bonitos diseños harán que disfrute de cada trazo. 132 páginas. 20 páginas impresas para los originales. www.practice-drawing.com




Práctica Dibujo - XXL Libro de ejercicios 6


Book Description

1. Recortar las páginas de contorno2. Pegue ambas páginas3. Ponga debajo de la hoja de dibujo4. Contorno de trazado5. Continuar dibujando a mano alzadawww.Practice-Drawing.com




The Rebel


Book Description

The Rebel is the memoir of a revolutionary woman, Leonor Villegas de Magnon (1876-1955), who was a fiery critic of dictator Porfirio Diaz and a conspirator and participant in the Mexican Revolution. Villegas de Magnon rebelled against the ideals of her aristocratic class and against the traditional role of women in her society. In 1910 Villegas moved from Mexico to Laredo, Texas, where she continued supporting the revolution as a member of the Junta Revolucionaria (Revolutionary Council) and as a fiery editorialist in Laredo newspapers. In 1913, she founded La Cruz Blanca (The White Cross) to serve as a corps of nurses for the revolutionary forces active from the border region to Mexico City. Many women like Villegas de Magnon from both sides of the border risked their lives and left their families to support the revolution. Years later, however, when their participation had still been unacknowledged and was running the risk of being forgotten, Villegas de Magnon decided to write her personal account of this history. The Rebel covers the period from 1876 through 1920, documenting the heroic actions of the women. Written in the third person with a romantic fervor, the narrative interweaves autobiography with the story of La Cruz Blanca. Until now Villegas de Magnon's written contributions have remained virtually unrecognized - peripheral to both Mexico and the United States, fragmented by a border. Not only does her work attest to the vitality, strength and involvement of women in sociopolitical concerns, but it also stands as one of the very few written documents that consciously challenges stereotyped misconceptions of Mexican Americans held by both Mexicans and Anglo-Americans.




Between Ethics and Aesthetics


Book Description

This forum of current discussions of ethics and aesthetics addresses a cross-section of disciplines including literary theory, philosophy, women's studies, postcolonial theory, art history, Holocaust studies, theology, and others. Contributors, ranging from philosophers and literary critics to practicing artists and art curators, answer such questions as: In the age of the collapse of metaphysics, what is the relation between philosophical reflection and art? If we question the privilege accorded to the aesthetic, can ethics alone offer a solution to the crisis of representation? Is it possible and ethically viable to represent the other in speech and image? What happens at the conjunction of aesthetics and politics? Can one speak of aesthetic configurations of the space of community? Are the concepts of ethics and aesthetics gendered and repressive of sexual difference? Considering the many works that consider either ethics or aesthetics almost exclusively within the confines of particular disciplines, this collection crosses the boundaries and continues the debate outside the rigid parameters of specialized discourses.




The Diario of Christopher Columbus's First Voyage to America, 1492-1493


Book Description

This definitive edition of Columbus's account of the voyage presents the most accurate printed version of his journal available to date. Unfortunately both Columbus's original manuscript, presented to Ferdinand and Isabella along with other evidence of his discoveries, and a single complete copy have been lost for centuries. The primary surviving record of the voyage-part quotation, part summary of the complete copy-is a transcription made by Bartolome de las Casas in the 1530s. This new edition of the Las Casas manuscript presents its entire contents-including notes, insertions, and canceled text-more accurately, completely, and graphically than any other Spanish text published so far. In addition, the new translation, which strives for readability and accuracy, appears on pages facing the Spanish, encouraging on-the- spot comparisons of the translation with the original. Study of the work is further facilitated by extensive notes, documenting differences between the editors' transcription and translation and those of other transcribers and translators and summarizing current research and debates on unanswered current research and debates on unanswered questions concerning the voyage. In addition to being the only edition in which Spanish and English are presented side by side, this edition includes the only concordance ever prepared for the Diario. Awaited by scholars, this new edition will help reduce the guesswork that has long plagued the study of Columbus's voyage. It may shed light on a number of issues related to Columbus's navigational methods and the identity of his landing places, issues whose resolution depend, at least in part, on an accurate transcription of the Diario. Containing day-by-day accounts of the voyage and the first sighting of land, of the first encounters with the native populations and the first appraisals of his islands explored, and of a suspenseful return voyage to Spain, the Diario provides a fascinating and useful account to historians, geographers, anthropologists, sailors, students, and anyone else interested in the discovery-or in a very good sea story. Oliver Dunn received the PH.D. degree from Cornell University. He is Professor Emeritus in Purdue University and a longtime student of Spanish and early history of Spanish America. James E. Kelley, Jr., received the M.A. degree from American University. A mathematician and computer and management consultant by vocation, for the past twenty years he has studied the history of European cartography and navigation in late-medieval times. Both are members of the Society for the History of Discoveries and have written extensively on the history of navigation and on Columbus's first voyage, Although they remain unconvinced of its conclusions, both were consultants to the National geographic Society's 1986 effort to establish Samana Cay as the site of Columbus's first landing.




Cervantine Journeys


Book Description

Hutchinson focuses initially on movement as concept and metaphor, affirming its centrality in the conceptualization of all discursive activities. He draws on an array of authors including Heraclitus, Plato, Longinus, Rabelais, Nietzsche, Saussure, Frances Yates, Kristeva, Meschonnic, and Deleuze to demonstrate the "motion" of discourse and of those engaged in it. He then turns to Cervantes' novels to show how metaphors of movement and travel, appearing on nearly every page, dominate the conceptualization of the soul, the self, desire, love, and life processes. Viewing travel as a composite of concurrent modes of experience with differing content and rhythms, Hutchinson considers the concept of errancy, the nature of "place" and the traveler's shifting relations with it, and the values that travel may have as a motion, displacement, encounter, and goal. Of key importance are the means of improvisation developed en route. His re-examination of Bakhtin's "chronotope" in light of Cervante's novels reveals the dynamic character of time-spaces in which travelers move. He shows, moreover, that unlike typical Renaissance utopias the many worlds of Cervantes' novels have the principles of becoming and dissolution inscribed in them. Reflecting on the narrative of journeys both as memory and invention, Hutchinson concludes with an examination of the relations between travel experience and travel narrative and a discussion of the whereabouts of writers and readers in Cervantes' novels. The narration of journeys, he argues, necessitates and encourages improvisatory writing.




Southern Thought and Other Essays on the Mediterranean


Book Description

Valerio Ferme is the Harold and Edythe Toso Endowed Chair professor in Italian Studies at Santa Clara University. --Book Jacket.