Prudentius and the Landscapes of Late Antiquity


Book Description

Prudentius and the Landscapes of Late Antiquity offers a thematic analysis of the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. Cillian O'Hogan sets Prudentius in the context of other late antique authors, including Lactantius, Jerome, Augustine, and Endelechius, and argues that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. This volume examines his conception of the world as a text, his use of intertextuality to describe literary journeys, his view of the civic function of Christian martyrdom, his conception of heaven, and his attitude towards art and architecture, combining philological and intertextual criticism with approaches drawn from the fields of book history, cultural geography, and theology to paint a fuller and richer picture of the greatest of the Christian Latin poets.




Prudentius and the Landscapes of Late Antiquity


Book Description

Prudentius and the Landscapes of Late Antiquity offers a thematic analysis of the poetry of the late Latin poet Prudentius, focusing in particular on his descriptions of the geographical and cultural landscapes of late antiquity. Cillian O'Hogan sets Prudentius in the context of other late antique authors, including Lactantius, Jerome, Augustine, and Endelechius, and argues that the poet makes use of allusion to Augustan and early imperial Latin authors to present the late Roman landscape as one markedly altered by the arrival of Christianity, though retaining the grandeur of the pagan past. This volume examines his conception of the world as a text, his use of intertextuality to describe literary journeys, his view of the civic function of Christian martyrdom, his conception of heaven, and his attitude towards art and architecture, combining philological and intertextual criticism with approaches drawn from the fields of book history, cultural geography, and theology to paint a fuller and richer picture of the greatest of the Christian Latin poets.




Living Martyrs in Late Antiquity and Beyond


Book Description

This book demonstrates that living martyrdom was an important spiritual aspiration in the late antique Latin west and argues that, consequently, attempts to define, study, or locate martyrdom must move away from conceptualizations that require or center on death. After an introduction that traces the persistence of "living martyrs" as real objects of spiritual devotion and emulation across the span of Christian history and discusses why such martyrs have been overlooked, the book focuses on three significant authors from the late ancient Latin west for whom martyrdom did not require death: the Spanish poet Prudentius (c. 348–413), the senator-turned-ascetic Paulinus of Nola (353–431), and the influential North African bishop Augustine of Hippo (354–430). Through historically and literarily contextualized close readings of their work, this book shows that each of these three authors attempted to create a new paradigm of martyrdom focused on living, rather than dying, for God. By focusing on these living martyrs, we are able to see more clearly the aspirations and agendas of those who promoted them as martyrs and how their martyrological discourse illuminates the variety of ways that martyrdom is and can be mobilized (in any era) to construct new, community-creating worldviews. Living Martyrs in Late Antiquity and Beyond is an important resource for historians of Christianity, scholars of religious studies, and anyone interested in exploring or understanding martyrological discourse. The Introduction of this book is available for free in PDF format as Open Access from the individual product page at www.routledge.com. It has been made available under a Creative Commons Attribution-Non Commercial-No Derivatives 4.0 license.




Prudentius, Spain, and Late Antique Christianity


Book Description

This book provides an innovative approach to the Hispano-Roman Christian poet Prudentius and his poetry. It is a breakthrough in Prudentian scholarship which unifies the differing disciplines of history, archaeology, literature and art history in arguing that Prudentius and his envisaged Spanish audience cannot be fully understood in isolation from their environment in late fourth- and early fifth-century Spain. Paula Hershkowitz focuses on Prudentius' Peristephanon, his collection of verses celebrating the deaths of martyrs, and places these poems within the context of Prudentius' world, uniquely employing material, visual and textual remains as evidence for its religious, social and cultural affiliations. It also draws on this material evidence to contextualise Prudentius' awareness of the significance of the visual as a means of promoting beliefs against the background of this crucial formative period in religious history when many of his Spanish audience were not yet fully committed to the Christian faith.




The Genres of Late Antique Christian Poetry


Book Description

Classicizing Christian poetry has largely been neglected by literary scholars, but has recently been receiving growing attention, especially the poetry written in Latin. One of the objectives of this volume is to redress the balance by allowing more space to discussions of Greek Christian poetry. The contributions collected here ask how Christian poets engage with (and are conscious of) the double reliance of their poetry on two separate systems: on the one hand, the classical poetic models and, on the other, the various genres and sub-genres of Christian prose. Keeping in mind the different settings of the Greek-speaking East and the Latin-speaking West, the contributions seek to understand the impact of historical setting on genre, the influence of the paideia shared by authors and audiences, and the continued relevance of traditional categories of literary genre. While our immediate focus is genre, most of the contributions also engage with the ideological ramifications of the transposition of Christian themes into classicizing literature. This volume offers important and original case studies on the reception and appropriation of the classical past and its literary forms by Christian poetry.




A Late Antique Poetics?


Book Description

The poetry of the late Roman world has a fascinating history. Sometimes an object of derision, sometimes an object of admiration, it has found numerous detractors and defenders among classicists and Latin literary critics. This volume explores the scholarly approaches to late Latin poetry that have developed over the last 40 years, and it seeks especially to develop, complement and challenge the seminal concept of the 'Jeweled Style' proposed by Michael Roberts in 1989. While Roberts's monograph has long been a vade mecum within the world of late antique literary studies, a critical reassessment of its validity as a concept is overdue. This volume invites established and emerging scholars from different research traditions to return to the influential conclusions put forward by Roberts. It asks them to examine the continued relevance of The Jeweled Style and to suggest new ways to engage it. In a joint effort, the nineteen chapters of this volume define and map the jeweled style, extending it to new genres, geographic regions, time periods and methodologies. Each contribution seeks to provide insightful analysis that integrates the last 30 years of scholarship while pursuing ambitious applications of the jeweled style within and beyond the world of late antiquity.




Greek and Latin Poetry of Late Antiquity


Book Description

Promotes a bilingual (Latin/Greek) focus to shed new light on the poetics and aesthetics of late antique poetry.




Genesis in Late Antique Poetry


Book Description

The biblical book of Genesis stands nearly without parallel in the shared history of Judaism, Christianity, and Islam. Because of its abiding importance to late antique theology and practical life across religious boundaries, it gave rise to a wide range of literary responses. The essays in this book study an array of Jewish and Christian responses to Genesis as they took shape in specific literary forms—the unique genres of late antique poetry. While late antique and early medieval Jews and Christians did not always agree in their interpretations of Genesis, they participated broadly in a shared culture of poetic production. Some of these poetic genres paralleled one another simply as distinct examples of metered speech, while others emerged in conversation and through mutual influence. Though late antique poems developed in a variety of languages and across religious boundaries, scholarly study of late antique poetry has tended to isolate the phenomenon according to language. As a corrective to this linguistic isolation, this book initiates a comparative conversation around the Jewish and Christian poetry that emerged in late antique Aramaic, Greek, Hebrew, Latin, and Syriac. Tending equally to exegetical content and literary form, the essays in this book sit at the intersection of a variety of scholarly conversations—around the history of biblical exegesis, the formation of late antique and early medieval literature and literary culture, and the comparative study of Judaism and Christianity.




The Psychomachia of Prudentius


Book Description

Prudentius (b. 348 c.e.), one of the greatest Latin poets of late antiquity, was also a devoted Christian. His allegorical masterpiece, Psychomachia, combines epic language and theological speculation to offer a powerful vision of Roman and Christian triumphalism. Yet this important work—one of the most popular and influential poems of the Middle Ages—is unfamiliar to most contemporary students of Latin. This edition, featuring the first full-length English commentary on the poem, makes Psychomachia accessible to modern learners. In his wide-ranging introduction, Aaron Pelttari examines the life of Prudentius, the world of late antiquity, and the structure of Psychomachia, along with its aims, reception, and manuscript transmission. The Latin text includes an apparatus criticus, and the corresponding commentary covers points of textual, grammatical, literary, and historical interest. Following the commentary are two appendices: an explanation of the poem’s meter, and a glossary of rhetorical and literary terms. A bibliography and a complete Latin-to-English glossary round out the volume. Ten illustrations enrich the text by showcasing medieval illuminations and early editions of the poem. Ideally suited for intermediate and advanced students of Latin, this volume is also useful for instructors and scholars, who will welcome its lucid interpretation of the poem and expert guidance on difficult passages. With its concise yet carefully considered format, The Psychomachia of Prudentius will be a welcome addition to scholarship on late antique Latin literature.




Inscribing Faith in Late Antiquity


Book Description

Inscribing Faith in Late Antiquity considers the Greek and Latin texts inscribed in churches and chapels in the late antique Mediterranean (c. 300–800 CE), compares them to similar texts from pagan, Jewish, and Muslim spaces of worship, and explores how they functioned both textually and visually. These texts not only recorded the names and prayers of the faithful, but were powerful verbal and visual statements of cultural values and religious beliefs, conveying meaning through their words as well as through their appearances. In fact, the two were intimately connected. All of these texts – Christian, Jewish, Muslim, and pagan – acted visually, embracing their own materiality as mosaic, paint, or carved stone. Colourful and artfully arranged, the inscriptions framed human relationships with the divine, encouraged responses from readers, and made prayers material. In the first in-depth examination of the inscriptions as words and as images, the author reimagines the range of aesthetic, cultural, and religious experiences that were possible in spaces of worship. Inscribing Faith in Late Antiquity is essential reading for those interested in Roman, late antique, and Byzantine material and visual culture, inscriptions and other texts, and religious life in the ancient Mediterranean.