RAF IN CAMERA


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RAF in Camera: 1950s


Book Description

This photographic record of the RAF during the 1950s looks set to appear widely. Featuring varied and dynamic visual representation throughout, the events of this important decade are enlivened to great effect. The 1950s was a pivotal decade in aviation for many reasons. The RAF were employed in a great number of post-WWII roles, and the beginning of the Cold War saw many advances in the field of developmental aviation. The early years of the decade saw the Coronation of HRH Queen Elizabeth II take place, and a variety of photographs taken at the Queen's Review flypast at RAF Oldham on the 15 July 1953 are arrayed here. Meteors, Sabres, Chipmunks, Canberras, Vulcans... the list goes on. A wide selection of action shots illustrate the impressive aesthetics of some of these aircraft in formation. Shots of aircraft utilised during the course of the Cold War also feature, as do highly intriguing photographs of the Thor Intermediate Range Ballistic Missiles, stored on Bomber Command bases towards the end of the decade. Each chapter focusses on a specific year, relaying all the most fascinating highlights. This is a colourful, insightful and image-packed history, told with narrative flair and a clear passion for the subject matter at hand.




Raf in Camera


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Red Arrows in Camera


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The Red Arrows are renowned throughout the world as ambassadors for both the Royal Air Force and the United Kingdom. Since the Team was officially formed in 1965, the Red Arrows have completed over 4,000 displays in 53 countries. The Red Arrows’ reputation is built on commitment and professionalism, combined with Royal Air Force skills, training and equipment. With the RAF granting privileged official access to the team for our author Keith Wilson, The Red Arrows in Camera will give a unique photographic insight into the world of the Red Arrows – its pilots and ground crews, the operation and maintenance of the Reds' BAe Hawk aircraft, and the precision flying by the pilots themselves during displays.




RAF in Camera: 1950s


Book Description

This photographic record of the RAF during the 1950s looks set to appear widely. Featuring varied and dynamic visual representation throughout, the events of this important decade are enlivened to great effect. ??The 1950s was a pivotal decade in aviation for many reasons. The RAF were employed in a great number of post-WWII roles, and the beginning of the Cold War saw many advances in the field of developmental aviation. The early years of the decade saw the Coronation of HRH Queen Elizabeth II take place, and a variety of photographs taken at the Queen's Review flypast at RAF Oldham on the 15 July 1953 are arrayed here. Meteors, Sabres, Chipmunks, Canberras, Vulcans... the list goes on. A wide selection of action shots illustrate the impressive aesthetics of some of these aircraft in formation. ??Shots of aircraft utilised during the course of the Cold War also feature, as do highly intriguing photographs of the Thor Intermediate Range Ballistic Missiles, stored on Bomber Command bases towards the end of the decade. Each chapter focusses on a specific year, relaying all the most fascinating highlights. This is a colourful, insightful and image-packed history, told with narrative flair and a clear passion for the subject matter at hand.




Phantom in the Cold War


Book Description

An RAF veteran presents an in-depth study of one of the Cold War’s most effective fighter, defense, and reconnaissance planes. The McDonnell Douglas F4 Phantom was a true multi-role combat aircraft. Introduced into the Royal Air Force in 1968, it was employed in ground attack, air reconnaissance and air defense roles. Even after the arrival of the Jaguar in the early 1970s, it continued to play a significant role in air defense. In its heyday, the Phantom was Britain’s principal Cold War fighter. There were seven UK-based squadrons, two Germany-based squadrons, and a further Squadron deployed to the Falkland Islands. Phantom in the Cold War focuses on the aircraft’s role as an air defense fighter, exploring its contribution to the Second Allied Tactical Air Force at RAF Wildenrath during the Cold War. Author David Gledhill, who flew the Phantom operationally, also recounts the thrills, challenges, and consequences of operating this temperamental jet at extreme low-level over the West German countryside, preparing for a war which everyone hoped would never happen.




RAF in Camera: 1960s


Book Description

The 'Swinging Sixties' was a remarkable decade. For the Royal Air Force it was a most interesting period in their history, representing a period of base closures, contraction and a significant change in equipment - especially in the level of technology operated. In 1960, all three of the V-bombers - Valiant, Vulcan and Victor - were in service. The English Electric Lightning established a firm place in British aviation history by being the first single-seat fighter designed to exceed the speed of sound in level flight. Within Transport Command, the Britannia C.1 was operating alongside the Comet C.2, providing an excellent strategic transport capability. The Comet C.4 would enter service in 1962, the VC-10 C.1 in July 1966 and the Belfast C.1 by the end of 1966. During the decade, the RAF celebrated its 50th Anniversary, having been formed on 1 April 1918. They also came to be embroiled in a number of conflicts, while still playing their part (alongside the British Army and the Royal Navy) in policing a number of territories and theaters including Malaya, Indonesia, Cyprus, Kenya, Rhodesia, Aden, Libya, Bermuda and Anguilla in the West Indies. Here, Keith Wilson takes us on a richly illustrated journey through the decade, with each chapter focusing on a specific year and relaying all the fascinating events and highlights that characterized it. This is a colorful and insightful history, told with narrative flair and a clear passion for the subject matter at hand.




Battle of Britain The Movie


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Released in 1969, the film Battle of Britain went on to become one of the most iconic war movies ever produced. The film drew many respected British actors to accept roles as key figures of the battle, including Sir Laurence Olivier as Hugh Dowding and Trevor Howard as Keith Park. It also starred Michael Caine, Christopher Plummer and Robert Shaw as squadron leaders. As well as its large all-star international cast, the film was notable for its spectacular flying sequences which were on a far grander scale than anything that had been seen on film before. At the time of its release, Battle of Britain was singled out for its efforts to portray the events of the summer of 1940 in great accuracy. To achieve this, Battle of Britain veterans such as Group Captain Tom Gleave, Wing Commander Robert Stanford Tuck, Wing Commander Douglas Bader, Squadron Leader Bolesław Drobiński and Luftwaffe General Adolf Galland were all involved as consultants. This detailed description of the making of the film is supported by a mouth-watering selection of pictures that were taken during the production stages. The images cover not only the many vintage aircraft used in the film, but also the airfields, the actors, and even the merchandise which accompanied the film’s release in 1969 – plus a whole lot more. There are numerous air-to-air shots of the Spitfires, Messerschmitts, Hurricanes and Heinkels that were brought together for the film. There are also images that capture the moment that Battle of Britain veterans, some of whom were acting as consultants, visited the sets. Interviews with people who worked on the film, such as Hamish Mahaddie, John Blake and Ron Goodwin, among others, bring the story to life.




Missing: Believed Killed


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The uncertain fates of Amelia Earhart, Amy Johnson and Glenn Miller have fascinated readers and aviation historians ever since they disappeared. Even today, more than half a century after their final flights, what happened to them is still the subject of speculation, conspiracy theory and controversy. This has prompted Roy Conyers Nesbit to reinvestigate their stories and to write this perceptive, level-headed and gripping study. Using testimony from new witnesses and hitherto undisclosed public records, he seeks to explain why they were reported Ômissing: believed killedÕ. He describes why American aviatrix Amelia Earhart vanished in the Pacific on her round-the-world flight in 1937, what caused the death of BritainÕs aviation heroine Amy Johnson over the Thames estuary in 1941, and what really killed band-leader Glenn Miller on his doomed flight to Paris in 1944. And he applies the same expert forensic eye to other tragic aerial mysteries of the period including the flying-boat crash that claimed the life of the Duke of Kent in Scotland in 1942. This classic study, issued here for the first time in paperback, will be fascinating reading for students of aviation history and for anyone who is intrigued by tales of flights into the unknown.




Cameras at War


Book Description

A comprehensive history of the development and use of cameras in recording British military conflicts from the 1850s to the 1950s. Books about war and the pictures that came out of conflict usually concentrate on the picture content. But behind every picture there is a camera—and that’s what this book is about. Profusely illustrated throughout with pictures of the cameras, rather than the pictures they took, it looks at one hundred years of conflict from the Crimean War to the Korean War. It begins in the days when a photographer needed to be more of a scientist than an artist, such were the difficulties of shooting and processing any photograph. It ends with the cameras whose compact dimensions, versatility and ease of use meant that photographers could largely forget the science and concentrate on the art. Some cameras simply recorded events. Others defined and changed the way those events proceeded. These were the cameras that went to war, and this is their story. Praise for Cameras at War “An amazing collection of superb photographs beginning with some from the Crimean War—coupled with a brilliant narrative that emphasizes the use of photography to record conflict. Where would we be without such evidentiary mementoes?” —Books Monthly (UK)