Electrifying Design


Book Description

An unprecedented survey of modern lighting design foregrounding its materials, innovators, and far-reaching influence Offering the first comprehensive history of lighting design from the 20th and 21st centuries, Electrifying Design: A Century of Lighting explores how lighting has been integral to the development of modern design both in terms of aesthetics and technological advances. This fascinating book outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this handsome volume expands our understanding of an understudied but influential art form and demonstrates lighting’s central role as both an expression of and a catalyst for innovations in modern and contemporary design. Published in association with the Museum of Fine Arts, Houston Exhibition Schedule: Museum of Fine Arts, Houston (February 21–May 16, 2021) High Museum of Art, Atlanta (July 2–September 26, 2021)




Inverted Utopias


Book Description

In the twentieth century, avant-garde artists from Mexico, Central and South America, and the Caribbean created extraordinary and highly innovative paintings, sculptures, assemblages, mixed-media works, and installations. This innovative book presents more than 250 works by some seventy of these artists (including Gego, Joaquin Torres-Garcia, Xul Solar, and Jose Clemente Orozco) and artists' groups, along with interpretive essays by leading authorities and newly translated manifestoes and other theoretical documents written by the artists. Together the images and texts showcase the astonishing artistic achievements of the Latin American avant-garde. The book focuses on two decisive periods: the return from Europe in the 1920s of Latin American avant-garde pioneers; and the expansion of avant-garde activities throughout Latin America after World War II as artists expressed their independence from developments in Europe and the United States. As the authors explain, during these periods Latin American art was fueled by the belief that artistic creations could present a form of utopia - an inversion of the original premise that drove the European avant-garde - and serve as a model for




Afro-Atlantic Histories


Book Description

A colossal, panoramic, much-needed appraisal of the visual cultures of Afro-Atlantic territories across six centuries Afro-Atlantic Histories brings together a selection of more than 400 works and documents by more than 200 artists from the 16th to the 21st centuries that express and analyze the ebbs and flows between Africa, the Americas, the Caribbean and Europe. The book is motivated by the desire and need to draw parallels, frictions and dialogues around the visual cultures of Afro-Atlantic territories--their experiences, creations, worshiping and philosophy. The so-called Black Atlantic, to use the term coined by Paul Gilroy, is geography lacking precise borders, a fluid field where African experiences invade and occupy other nations, territories and cultures. The plural and polyphonic quality of "histórias" is also of note; unlike the English "histories," the word in Portuguese carries a double meaning that encompasses both fiction and nonfiction, personal, political, economic and cultural, as well as mythological narratives. The book features more than 400 works from Africa, the Americas and the Caribbean, as well as Europe, from the 16th to the 21st century. These are organized in eight thematic groupings: Maps and Margins; Emancipations; Everyday Lives; Rites and Rhythms; Routes and Trances; Portraits; Afro Atlantic Modernisms; Resistances and Activism. Artists include: Nina Chanel Abney, Emma Amos, Benny Andrews, Emanoel Araujo, Maria Auxiliadora, Romare Bearden, John Biggers, Paul Cézanne, Victoria Santa Cruz, Beauford Delaney, Aaron Douglas, Melvin Edwards, Ibrahim El-Salahi, Ben Enwonwu, Ellen Gallagher, Theodore Géricault, Barkley Hendricks, William Henry Jones, Loïs Mailou Jones, Titus Kaphar, Wifredo Lam, Norman Lewis, Ibrahim Mahama, Edna Manley, Archibald Motley, Abdias Nascimento, Gilberto de la Nuez, Toyin Ojih Odutola, Dalton Paula, Rosana Paulino, Howardena Pindell, Heitor dos Prazeres, Joshua Reynolds, Faith Ringgold, Gerard Sekoto, Alma Thomas, Hank Willis Thomas, Rubem Valentim, Kara Walker and Lynette Yiadom-Boakye.




Buildings of Texas


Book Description

"This book, the first of two volumes devoted to the Lone Star State, covers the central, southern, and Gulf Coast region (the earliest areas of Spanish and Anglo settlement and the majority of the counties that won independence from Mexico in 1836) and includes four major cities--Austin, Corpus Christi, Houston, and San Antonio."--Publisher's description.




Sculpted in Steel


Book Description




Rafael Moneo


Book Description

Rafael Moneo is a courageous architect, one who for decades has defined his own style of architecture. With a sensitivity to materials and context unmatched by any living architect, Moneo has created a series of important works, including the Audrey Jones Beck Building at the Museum of Fine Arts in Houston, Our Lady of the Angels Cathedral in Los Angeles, and, perhaps most notably, the extension to the Prado Museum in Madrid. A teacher and critic, Moneo now turns his analytical eye to his own work. Twenty-one carefully selected projects are presented in detail, from the initial idea and through construction to the completed work and illustrated by a spectacular suite of new color images by architectural photographer Michael Moran. These are combined with Moneo’s own drawings as well as informal documentary material from the design of each of the projects.




Rafael Moneo


Book Description

José Rafael Moneo, born in 1937 in Tudela, Navarra, obtained his architectural degree in 1961 in Madrid. While still a student, he worked with Francisco Javier Sáenz de Oiza. When he completed his degree, he went to Denmark. From 1984 to 1990 he was chairman of the architecture department at the Harvard University Graduate School of Design. This book presents fifteen of his international projects.




The Freedom of the Architect


Book Description

In The Freedom of the Architect, Pritzker Prize-winning architect Rafael Moneo speaks on form, language and history, broadly, and as represented in examples of his own work. He elaborates on how architects today have disassociated their work from the environment, creating autonomous landmarks with little relationship to their surroundings and how the architect as individual challenges the role of history in the built environment. Moneo's reflections on his own work include: the City Hall of Murcia, Spain, The Museum of Fine Arts Houston, the Kursaal Auditorium in San Sebastian, Spain, and the acclaimed Our Lady of the Angels Cathedral in Los Angeles. Spanish born, Madrid-based Moneo's work unites tradition and innovation. He has developed an extensive body of work as an architectural critic and theoretician and his writing has appeared in Oppositions and Lotus. He is a committed educator, having chaired the Harvard Graduate School of Design and lectured internationally.