Ravilious & Co


Book Description

In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nashs teaching at the Royal College of Art Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome of contemporary British values. Seventy-five years after Raviliouss untimely death, Andy Friend tells the story of this group of artists from their student days through to the Second World War. Ravilious & Co. explores how they influenced each other and how a shared experience animated their work, revealing the significance in this pattern of friendship of women artists, whose place within the history of British art has often been neglected. Generously illustrated and drawing on extensive research, and a wealth of newly discovered material, Ravilious & Co. is an enthralling narrative of creative achievement, joy and tragedy.




Eric Ravilious Masterpieces of Art


Book Description

The Art of Fine Gifts: Twentieth-century painter, designer and wood engraver Eric Ravilious was responsible for a fascinating range of different works, from illustrations for books to designs for ceramics for the established Wedgwood pottery firm. This gorgeous new book features beautiful woodcut images of countryside life, watercolours of rolling landscapes and many of Ravilious' acute and profound war paintings.




Eric Ravilious


Book Description

More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.




High Street (Victoria and Albert Museum)


Book Description

A facsimile edition of the classic High Street, which pairs the timeless illustrations of Eric Ravilious with a fascinating text by architectural historian J. M. Richards. First published in 1938, this charming book introduces the British high street. Shops include the family butcher, the cheesemonger, the baker and confectioner and the oyster bar, as well as specialized establishments such as the plumassier, the clerical outfitter and the submarine engineer. Only 2,000 copies of the original book were printed before the lithographic plates were destroyed in the London Blitz. As a result, it has become one of the most collectible of all artists' books from this period. This beautiful facsimile edition features all 24 of Ravilious's colour illustrations, and includes an essay by Gill Saunders, Senior Curator of Prints at the Victoria and Albert Museum, that sets the book in its historical context.




Ravilious in Pictures


Book Description

'Ravilious in Pictures: The War Paintings' celebrates and commemorates the wartime career of Eric Ravilious, who died on active service in Iceland at the age of 39. One of a series of books, it creates a vivid portrait both of the artist himself and of life in wartime Britain.




Ravilious & Wedgwood


Book Description

My son looked at me and my accoutrements with skepticism through narrowed eyes. This would be the son with the tattoo between his shoulder blades, the hand-rolled cigarette, the assortment of earrings, and the riot of curls that-at the right length-give him a jaunty, Viva la Revolucion Che Guevara vibe. He's a hard one to impress when it comes to unorthodoxy. "Mom, you look like you're ready to break into a chemical plant." From out of the mouths of babes... As though adjusting to courtrooms, spike heels and a chainsaw after forty weren't enough... Following in the high-heeled footsteps of Mary T. Wagner's two earlier inspiring and award-winning essay collections, "Fabulous in Flats" starts with the author's hair-raising introduction to running a chop saw, an endeavor lending itself more to flat shoes and safety goggles than stilettos. Whether decked out in a rhinestone tiara and a recycled mink at a Viennese Ball, embracing her inner "mother tiger" at her son's hospital bed, or reflecting on how nice it could be to channel Nancy Drew's fictional life for just a day, Wagner once again shares her wry and insightful style in essays sure to resonate. WHAT OTHER AUTHORS HAVE TO SAY... "I can't remember the last time I've laughed as hard as I laughed while reading Mary T. Wagner's wonderful memoir Fabulous in Flats." --Ann Hite, author "Ghost on Black Mountain" "A pleasure to read. I'm convinced Mary T. Wagner is the reincarnation of Erma Bombeck...in sexier shoes." --JOHN DeDAKIS, CNN Senior Copy Editor, "The Situation Room with Wolf Blitzer"author of "Fast Track" and "Bluff" "Stilettos, heels, even flats - I couldn't possibly walk in any women's shoes, but if I could without severely pulling a hamstring, I would want to walk in Mary Wagner's. Her personal stories are warm, funny, engaging, and fit perfectly - even on the feet of a man. These wonderful stories are not just observations about women, they're about all of us." --DAVID W. BERNER, author, Accidental Lessons: A Memoir of a Rookie Teacher and a Life Renewed "Mary Wagner is a brilliant essayist who combines wit with poignancy, bravado with humility, and can write her way out of the boxes in which most mere mortals place themselves. The hilarity of real life situations in court, at home and with shoes and power tools made me laugh out loud. Ms.Wagner's work is like the best, most compelling sweet treat... you just want to keep consuming until it is gone." --RICHARD McGINNIS, editor and publisher "Mindful Metropolis" Magazine "Mary's writing is honest, which is the best thing I think writing can be. Her humor, sincerity and attention to detail make her a writer for anyone in need of a good story. Heartfelt and witty, her pieces move to the beat of a woman-who-knows marching in stilettos. Brilliant " --ALYSON LYON, co-founder Chicago's "Essay Fiesta" "Mary Wagner has an artist's eye for detail, a keen sense of what is meaningful in life, and an unerring ability to capture it all in wonderfully readable prose. No woman who loves or works or dreams or simply lives in the world today will fail to find something with which to connect. Wagner's slice-of-life essays offer both a mirror into our own lives and a connection with a remarkable woman who, after a few paragraphs, feels like an old friend." --CYNTHIA CLAMPITT, author, Waltzing Australia




Long Live Great Bardfield


Book Description




No more giants


Book Description

Architecture is more than buildings and architects. It also involves photographers, writers, advertisers and broadcasters, as well as the people who finance and live in the buildings. Using the career of the critic J. M. Richards as a lens, this book takes a new perspective on modern architecture. Richards served as editor of The Architectural Review from 1937 to 1971, during which time he consistently argued that modernism was integrally linked to vernacular architecture, not through style but through the principle of being an anonymous expression of a time and public spirit. Exploring the continuities in Richards’s ideas throughout his career disrupts the existing canon of architectural history, which has focused on abrupt changes linked to individual ‘pioneers’, encouraging us to think again about who is studied in architectural history and how they are researched.




Ravilious


Book Description

This beautifully illustrated book is the first full-length critical study to focus on the watercolours of multitalented British artist and designer Eric Ravilious (1903–1942). Adopting the wide-ranging approach familiar to readers of his previous books on the artist, author James Russell explores the evolution of a remarkable talent. An introductory section offers an intimate portrait of Ravilious, an artist for whom personal relationships, particularly with women, were paramount. It goes on to describe the extraordinary achievements of an all-too-brief career, drawing on new research to seek out artistic influences and examine Ravilious's relationships with fellow-artists, as well as the development of his mark making. There follows the most comprehensive display of Ravilious watercolours yet assembled. Some have never been published, while others are familiar and well loved. Many are explored in short accompanying essays, some with full-bleed images that show details of paintings at full size. These texts are designed to entertain and enlighten, looking at composition, technique, influence and inspiration, or discussing the significance of particular subjects and the people behind the scenes. This is the definitive guide to the luminous, evocative and timeless watercolours of Eric Ravilious, an artist now regarded as one of the finest of the twentieth century.




High Street


Book Description

Reprint with new afterword. Originally publshed: London: Country Life Ltd., 1938.